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		<title>Bibliography P-S</title>
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		<summary type="html">&lt;p&gt;Thomasgj: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[category:Romance Resources]][[category:Romance Scholarship]]&lt;br /&gt;
Items with the &amp;quot;**&amp;quot; have not been personally checked. This means that the details given in the entry may not be entirely accurate.&lt;br /&gt;
&lt;br /&gt;
From this page you may return to the main [[Romance Scholarship]] page or go directly to&lt;br /&gt;
&lt;br /&gt;
* [[Bibliography A-G]] - the first half of our bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Bibliography H-O]] - the second part of the bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Academic Online Essays (not published in academic journals or volumes)]]&lt;br /&gt;
* [[Dissertation Abstracts]]&lt;br /&gt;
* [[Scholarship in Languages Other than English]].&lt;br /&gt;
* [[Romance Resources for Academics]] - lists romance-related resources which may be of interest to academics.&lt;br /&gt;
* [[Writers on Romance]] - lists items written about the genre by romance authors but not published in academic journals or books.&lt;br /&gt;
* [[Romance in the Media]] - lists news items/features items about romance.&lt;br /&gt;
------------------------------------&lt;br /&gt;
==P==&lt;br /&gt;
;Paizis, George, 1987. : '&amp;quot;Putting People First&amp;quot; or the contemporary romantic novel, critical discourse and ideology', ''La Chouette'', no 18, March: 38-46. [''[http://www.bbk.ac.uk/llc/forstudents/fs_fr/fr_lc La Chouette]'' is published by the Department of French, School of Languages, Linguistics and Culture, Birkbeck College, University of London] **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1987. : 'That's Romance', ''Socialist Review'', July: 24. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1994-95. : 'Love, Ideology and Reality: the popular romantic novel and the reader', ''Journal of the Institute of Romance Studies'', 3: 357-68. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : 'Category Romances - Translation, Realism and Myth', ''The Translator'', 4: 1-24. [http://www.stjerome.co.uk/page.php?id=336&amp;amp;doctype=The%20Translator&amp;amp;section=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : ''Love and the Novel: The Poetics and Politics of Romantic Fiction'' (Palgrave Macmillan). [http://www.powells.com/biblio?show=HARDCOVER:NEW:0312215479:104.50#synopses_and_reviews Some details] **&lt;br /&gt;
&lt;br /&gt;
;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract]&lt;br /&gt;
&lt;br /&gt;
;Patthey Chavez, GG, and L. Clare, M. Youmans,1996. : 'Watery passion: The struggle between hegemony and sexual liberation in erotic fiction for women.' ''Discourse and Society.'' 7.1: 77-106.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2004. : &amp;quot;Popular Romance and Its Readers.&amp;quot; in ''A Companion to Romance: From Classical to Contemporary.''  ed. Corinne Saunders, (Malden, MA: Blackwell, pp. 521-538.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2007. : '' Romance Writing.'' (Cambridge: Polity Press). Historical treatment looking at romance broadly. Does touch on popular romance, but it is not the whole focus of the book. [http://bookshop.blackwell.co.uk/jsp/id/Romance_Writing/9780745630052 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 1990. : 'Mills and Boon: The Marketing of Moonshine,' in ''Consumption, Identity, and Style: Marketing, Meanings, and the Packaging of Pleasure'', ed. Alan Tomlinson (London: Routledge), pp. 139-52. [http://books.google.com/books?id=PvAfLS2QnMwC&amp;amp;pg=RA1-PA139&amp;amp;lpg=RA1-PA139&amp;amp;dq=Deborah+philips+%22marketing+of+moonshine%22&amp;amp;source=web&amp;amp;ots=j6M_s4okbY&amp;amp;sig=zPi4ByZJjzoFXEuJHOq3fUN1UrM Excerpt here.]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 2000. : 'Shopping for Men: The Single Woman Narrative', ''Women: a Cultural Review'', 11.3: 238-251. [http://www.ingentaconnect.com/search/article?title=philips+shopping+for+men&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;br /&gt;
&lt;br /&gt;
;Purdie, Susan, 1992. : 'Janice Radway, Reading the Romance', in  ''Reading into Cultural Studies'' ed. Martin Barker and Anne Beezer, (London: Routledge), pp. 148-64.&lt;br /&gt;
&lt;br /&gt;
;Puri, Jyoti, 1997. : ‘Reading Romance Novels in Postcolonial India’, ''Gender &amp;amp; Society'', 11.4: 434-452. [http://gas.sagepub.com/cgi/content/abstract/11/4/434?ck=nck Abstract]&lt;br /&gt;
&lt;br /&gt;
==R==&lt;br /&gt;
&lt;br /&gt;
;Rabine, Leslie W., 1985. : ‘Romance in the Age of Electronics: Harlequin Enterprises’, ''Feminist Studies'' 11.1: 39-60.&lt;br /&gt;
&lt;br /&gt;
;Radford, Jean, 1992. : &amp;quot;A Certain Latitude: Romance as Genre.&amp;quot;  in ''Gender, Language, and Myth: Essays and Popular Narrative.'' ed. Glenwood Irons, (Toronto: U of Toronto P), pp. 3-19.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1981. : 'The Utopian Impulse in Popular Literature: Gothic Romances and &amp;quot;Feminist&amp;quot; Protest', ''American Quarterly,'' 33.2 (Summer, 1981): 140-162. [First page available [http://links.jstor.org/sici?sici=0003-0678(198122)33%3A2%3C140%3ATUIIPL%3E2.0.CO;2-2 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1983. : ‘Women Read the Romance: The Interaction of Text and Context’, ''Feminist Studies'', 9.1: 53-78. [First page available [http://links.jstor.org/sici?sici=0046-3663(198321)9%3A1%3C53%3AWRTRTI%3E2.0.CO%3B2-7 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1984. : 'Interpretive Communities And Variable Literacies: The Functions Of Romance Reading', ''Daedalus'', 113.3:49-73.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1991. : ''Reading the Romance: Women, Patriarchy, and Popular Literature''  (Chapel Hill: University of North Carolina Press). First published in 1984. The 1991 edition contains a new introduction by the author.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1994. : 'Romance and the Work of Fantasy: Struggles over Feminine Sexuality and Subjectivity at Century's End', in ''Viewing, Reading, Listening: Audiences and Cultural Reception'', ed. Jon Cruz and Justin Lewis (Colorado: Westview Press), pp. 213-31. Reprinted in ''Feminism and Cultural Studies'', ed. Morag Shiach (Oxford: Oxford University Press, 1999), pp. 395-???. **&lt;br /&gt;
&lt;br /&gt;
;Ramsdell, Kristin, 1999. :'The Literature of Romance: A Librarian's Viewpoint', originally published in ''Romance Writers' Report'' 19 (June 1999): 37-39.[http://www.library.csuhayward.edu/staff/Ramsdell/romance/TheLiteratureofRomance.htm]&lt;br /&gt;
&lt;br /&gt;
;Rapp, Adrian, Dodgen, Lynda, and Anne K. Kaler, 2000. : &amp;quot;A Romance Writer Gets Away with Murder.&amp;quot; ''Clues: A Journal of Detection'' 21.1: 17-21.&lt;br /&gt;
&lt;br /&gt;
;[[Alicia Rasley|Rasley, Alicia]], 1999. :'Paradox in Balance: Some Feminist Themes in Romance', originally published in ''North American Romance Writers'', see above.[http://www.sff.net/people/alicia/artparadox.htm]&lt;br /&gt;
&lt;br /&gt;
;Raub, Patricia, 1992.  :  &amp;quot;Issues of Passion and Power in E. M. Hull's ''The Sheik''.&amp;quot;  ''Women's Studies'', 21: 119-128.&lt;br /&gt;
&lt;br /&gt;
;[[Diana Reep|Reep, Diana]], 1982: ''[[The Rescue And Romance: Popular Novels Before World War I]]'', Bowling Green Sate University Popular Press.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela., 1997. : 'Complicating Romances and Their Readers: Barrier and Point of Ritual Death in Nora Roberts's Category Fiction.' ''Paradoxa: Studies in World Literary Genres'' 3.1-2:145-154.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela, 2003. : ''A Natural History of the Romance Novel'' (Philadelphia : University of Pennsylvania Press).&lt;br /&gt;
&lt;br /&gt;
;Ricker-Wilson, Carol, 1999. : ‘Busting Textual Bodices: Gender, Reading, and the Popular Romance’, ''English Journal'', 88:3: 57-64.&lt;br /&gt;
&lt;br /&gt;
;Roberts, Sherron Killingsworth, 2002. : 'Meet Jessica and Elizabeth from Sweet Valley: Who Are the Female Role Models in Popular Romance Novels for Children?', Paper presented at the Annual Meeting of the American Educational Research Association (New Orleans, LA, April 1-5, 2002). 21 pgs. ERIC document ED470819.&lt;br /&gt;
&lt;br /&gt;
;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press).&lt;br /&gt;
&lt;br /&gt;
;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265.&lt;br /&gt;
&lt;br /&gt;
;Ruggiero, Josephine A. and Weston, Louise C., 1983. : 'Conflicting Images Of Women In Romance Novels', ''International Journal of Women's Studies'', 6.1:18-25.&lt;br /&gt;
&lt;br /&gt;
;Russ, Joanna, 1973. : &amp;quot;Somebody's Trying to Kill Me and I Think It's My Husband;the Modern Gothic.&amp;quot; ''Journal of Popular Culture.'', 6.4:666-691.&lt;br /&gt;
&lt;br /&gt;
;Ryder, M. E., 1999. : 'Smoke and mirrors: Event patterns in the discourse structure of a romance novel', ''Journal of Pragmatics'', 31.8: 1067-1080. [http://www.ingentaconnect.com/search/article?title=smoke+mirrors+romance&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract] **&lt;br /&gt;
&lt;br /&gt;
==S==&lt;br /&gt;
&lt;br /&gt;
;Sales, Roger, 1999. : &amp;quot;The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance.&amp;quot; in ''Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture.'' ed. Frances Wilson,  (Basingstoke, England; New York, NY: Macmillan; St. Martin's) pp. 166-183.&lt;br /&gt;
&lt;br /&gt;
;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;br /&gt;
&lt;br /&gt;
;Santaulària, Isabel, 2002. :&amp;quot;The Fallacy of Eternal Love: Romance, Vampires and Love in Linda Lael Miller's Forever and the Night and For All Eternity.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.''(Lleida, Spain: Universitat de Lleida), pp. 111-126. &lt;br /&gt;
&lt;br /&gt;
;Scott, Alison M. 2002. : 'Romance in the Stacks; or, Popular Romance Fiction Imperiled', in ''Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America'', ed. Lydia Cushman Schurman and Deidre Johnson, Contributions to the Study of Popular Culture, 75 (Westport, CT: Greenwood),pp. 213-224.&lt;br /&gt;
&lt;br /&gt;
;Seale,Maura, 2007. : '&amp;quot;I find some Hindu practices, like burning widows, utterly bizarre&amp;quot;: Representation of Sati and Questions of Choice in Veils of Silk.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 129-147. [http://mauraseale.googlepages.com/veils_final_version.doc Unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Selinger, Eric Murphy, 2007. : 'Rereading the Romance', ''Contemporary Literature'', 48.2: 307-324.[http://muse.jhu.edu/login?uri=/journals/contemporary_literature/v048/48.2selinger.html] [This is a review article, critiquing earlier works on the romance genre (such as those by Radway and Modleski) and giving more favourable opinions about the newer works under review: Juliet Flesch's ''From Australia with Love: A History of Modern Australian Popular Romance Novels''; ''Empowerment versus Oppression: Twenty-First Century Views of Popular Romance Novels'', edited by Sally Goade; Deborah Lutz's ''The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative''; Lynn S. Neal's ''Romancing God: Evangelical Women and Inspirational Fiction''; Pamela Regis's ''A Natural History of the Romance Novel''.]&lt;br /&gt;
&lt;br /&gt;
;Shapiro, Joan, &amp;amp; Lee Kroeger, 1991. : ‘Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media’, ''American Journal of Family Therapy'', 19.3: 226-236. **&lt;br /&gt;
&lt;br /&gt;
;Shibamoto Smith, Janet S., 2004. : 'Language and Gender in the (Hetero)Romance: &amp;quot;Reading&amp;quot; the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction', in ''Japanese Language, Gender, and Ideology: Cultural Models and Real People'', ed. Shigeko Okamoto and Janet S. Shibamoto Smith (Oxford: Oxford University Press), pp. 113-130. ** [http://linguistlist.org/issues/16/16-1676.html Review]&lt;br /&gt;
&lt;br /&gt;
;Shibamoto-Smith, Janet S., 2005. : ‘Translating True Love: Japanese Romantic Fiction, Harlequin-Style’ in ''Gender, Sex and Translation: The Manipulation of Identities'', ed. José Santaemilia (Manchester: St. Jerome Publishing), pp. 97-116. ** [http://www.stjerome.co.uk/page.php?id=424&amp;amp;doctype=Gender,%20Sex%20and%20Translation&amp;amp;section=3 Summary]&lt;br /&gt;
&lt;br /&gt;
;Smith, Faith, 1999. :&amp;quot;Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad.&amp;quot; in ''Caribbean Romances: The Politics of Regional Representation.'' ed. Belinda Edmondson (Charlottesville, VA: UP of Virginia) pp. 163-182. &lt;br /&gt;
&lt;br /&gt;
;Snitow, Ann Barr, 1979. : ‘Mass Market Romance: Pornography for Women is Different’, ''Radical History Review'' 20 (Spring/Summer 1979):141-61. Republished in ''Powers of Desire: The Politics of Sexuality'' 1983., ed. Ann Snitow, Christine Stansell &amp;amp; Sharon Thompson (New York: Monthly Review Press), pp. 245-263. Republished in &amp;quot;Feminist Literary Theory: A Reader&amp;quot;, ed. Mary Eagleton. New York: Basil Blacwell, 1986.&lt;br /&gt;
&lt;br /&gt;
;Sonnet, Esther, 1999. : &amp;quot;'Erotic Fiction by Women for Women’: The Pleasures of Post-Feminist Heterosexuality.&amp;quot; ''Sexualities,''2.2:167-187. [From the [http://sexualities.sagepub.com/cgi/content/abstract/2/2/167 abstract]: &amp;quot;This article addresses the material construction of female heterosexuality through examination of the mass marketing of women’s pornography - ‘erotic fiction for women by women’ as exemplified by Virgin Publishing’s Black Lace imprint.&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
;Spehner, Norbert, 1997. : 'L'Amour, toujours l'amour ...: The Popular Love Story and Romance: A Basic Checklist of Secondary Sources.',''Paradoxa: Studies in World Literary Genres'' 3.1-2:253-268.&lt;br /&gt;
&lt;br /&gt;
;Stacey, Jackie &amp;amp; Lynne Pearce, 1995. : 'The Heart of the Matter: Feminists Revisit Romance', in ''Romance Revisited'', ed. Lynne Pearce &amp;amp; Jackie Stacey (New York: New York University Press), pp. 11-45.&lt;br /&gt;
&lt;br /&gt;
;Stieg, Margaret F., 1985. : 'Indian Romances: Tracts for the Times', ''Journal of Popular Culture'', 18.4: 2-15. ['the Indian Romance, flourished between 1890 and 1930. It was a romantic novel set in India, featuring Anglo-Indians (English expatriates living in India) as the leading characters.' (1985: 2)]&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A, 1994. : &amp;quot;Language and Mindstyle in Anglophone Popular Romantic Fiction under Apartheid.&amp;quot; ''Logos'' 14: 18-32.&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A., 2004 : 'Genre and Islam in Recent Anglophone Romantic Fiction', in ''Refracting the Canon in Contemporary British Literature and Film'', ed. Christian Gutleben &amp;amp; Susana Onega, Postmodern Studies, 35 (Amsterdam: Rodopi), pp. 69-82. [http://www.ingentaconnect.com/content/rodopi/pms/2004/00000035/00000001/art00004 Abstract] **&lt;br /&gt;
&lt;br /&gt;
;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;br /&gt;
&lt;br /&gt;
;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/] ]&lt;br /&gt;
&lt;br /&gt;
;Swaffield, Audrey-Claire, 1981. : &amp;quot;Paperbacks Promoting Passion! What Is Harlequin Really Presenting?.&amp;quot; ''Canadian Woman Studies/Les Cahiers de la Femme'' 3.2: 4-6.&lt;br /&gt;
&lt;br /&gt;
==T==&lt;br /&gt;
&lt;br /&gt;
;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.&lt;br /&gt;
&lt;br /&gt;
;Taylor, Jessica, 2007. : &amp;quot;And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels.&amp;quot; ''Journal of Popular Culture'' 40.6: 1032-1051. &lt;br /&gt;
&lt;br /&gt;
;Tegan, Mary Beth, 2007. : 'Becoming Both Poet and Poem: Feminists Repossess the Romance.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp.231-?.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 1999. : 'Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing', ''Olive Pink Society Bulletin'', 11.1: 12–21.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2003. : 'The Romance of White Nations: Imperialism, Popular Culture and National Histories', in ''After the Imperial Turn: Thinking with and through the Nation'', ed. Antoinette Burton (Durham, North Carolina: Duke University Press), pp. 279-292.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2004. : 'Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels', ''History of Intellectual Culture'', 4.1.[http://www.ucalgary.ca/hic/website/2004vol4no1/framesets/2004vol4no1teoarticleframeset.htm]&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming. 2007. : 'Orientalism and Mass Market Romance Novels in the Twentieth Century,' in ''Edward Said: The Legacy of a Public Intellectual'', ed Ned Curthoys and Debjani Ganguly (Carlton Vic.: Melbourne University Press), pp. 241-262. [http://www.mup.unimelb.edu.au/ebooks/0-522-85357-9/index.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;[[Julie Tetel|Tetel Andresen, Julie]], 1999. : 'Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer', in ''Romantic Conventions'', see above, pp. 173-???. **&lt;br /&gt;
&lt;br /&gt;
;Thomas, Audrey, 1986. : 'A Fine Romance, My Dear, This Is,' '' Canadian Literature,'' no. 108:5-12.&lt;br /&gt;
&lt;br /&gt;
;Thomas, Glen, 2008. : ' &amp;quot;And I Deliver&amp;quot;: An Interview with Emma Darcy.' ''Continuum: Journal of Media and Cultural Studies'' 22.1: 113-26. &lt;br /&gt;
&lt;br /&gt;
;Thomas, Glen, 2007. : 'Australia’s Best Romance Novelist: Emma Darcy.' in ''Beautiful Things in Popular Culture''. ed. Alan McKee, (New York: Blackwell) pp. 64–78.&lt;br /&gt;
&lt;br /&gt;
; Thomas, Glen &amp;amp; Bridie James, 2006. : 'The Australian Romance Industry: A Study of Reading and Writing Romance.' in ''The Reinvention of Everyday Life''. ed. Howard McNaughton &amp;amp; Adam Lam, (Canterbury, NZ: U of Canterbury Press) pp. 164–74.  &lt;br /&gt;
&lt;br /&gt;
;Thomas , Glen, 2007. : 'Romance: The Perfect Creative Industry? A Case Study of Harlequin-Mills and Boon Australia.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 20-29.&lt;br /&gt;
&lt;br /&gt;
;Thompson, Anne Booth, 2005. : 'Rereading Fifties Teen Romance: Reflections on Janet Lambert', ''The Lion and the Unicorn'', 29.3:373-96. [http://muse.jhu.edu/journals/lion_and_the_unicorn/toc/uni29.3.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;Thompson, M., P. Koski, and L. Holyfield, 1997. :&amp;quot;Romance and Agency: An Argument Revisited.&amp;quot; ''Sociological Spectrum'' 17.4: 437-51.&lt;br /&gt;
&lt;br /&gt;
;Thurston,Carol M., 1985. : ‘Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies’, ''Journal of Popular Culture'', 19:1: 35-45.&lt;br /&gt;
&lt;br /&gt;
;Thurston, Carol, 1987. : ''The Romance Revolution: Erotic Novels for Women and the Quest for a New Sexual Identity'' (Urbana and Chicago: University of Illinois Press).&lt;br /&gt;
&lt;br /&gt;
;Timson, Beth S., 1983 : ‘The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition’, ''Studies in Popular Culture'', 6: 88-96. **&lt;br /&gt;
&lt;br /&gt;
;Tobin-McClain, Lee, 2000. : &amp;quot;Paranormal Romance: Secrets of the Female Fantastic.&amp;quot; ''Journal of the Fantastic in the Arts'' 11.3 [43]: 294-306. [http://maura.setonhill.edu/~tobin/paranormal_romance.htm A version is available online here]&lt;br /&gt;
&lt;br /&gt;
;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;br /&gt;
&lt;br /&gt;
;Treacher, Amal, 1988. : ‘What is life without my love: Desire and romantic fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. &lt;br /&gt;
&lt;br /&gt;
;Ty, Eleanor, 1994. : 'Desire and Temptation: Dialogism and the Carnivalesque in Category Romances', in ''A Dialogue of Voices: Approaches to Feminist Literary Theory and Bakhtin'', ed. Karen Hohne and Helen Wussow (University of Minnesota Press), pp. 97-113.**&lt;br /&gt;
&lt;br /&gt;
==V==&lt;br /&gt;
&lt;br /&gt;
;Voaden, Rosalynn, 1995. : 'The Language of Love: Medieval Erotic Vision and Modern Romance Fiction', in ''Romance Revisited'' , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 78-88.&lt;br /&gt;
&lt;br /&gt;
==W==&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1995. : &amp;quot;The Heroine is Being Beaten: Freud, Sadomasochism, and Reading the Romance.&amp;quot; ''Style'' 29: 459-73. [http://www.highbeam.com/library/docFree.asp?DOCID=1G1:18096761 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1997. : 'Last of the Red Hot Mohicans: Miscegenation in the Popular American Romance', ''MELUS'', 22. 2, Popular Literature and Film: 61-74. [http://www.findarticles.com/p/articles/mi_m2278/is_n2_v22/ai_20175894 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wareing, Shan, 1994. : 'And Then He Kissed Her: The Reclamation of Female Characters to Submissive Roles in Contemporary Fiction', in ''Feminist Linguistics in Literary Criticism'', ed. Katie Wales, Essays and Studies, 47 (Cambridge: D. S. Brewer), pp. 117-36.&lt;br /&gt;
&lt;br /&gt;
;Watson, Daphne, 1995. : ''Their Own Worst Enemies; Women Writers of Women's Fiction.'' (London: Pluto Press). Chapter on 'Two for the Price of One; the novels of Mills and Boon' pp. 75-94.&lt;br /&gt;
&lt;br /&gt;
;Weir, Angela, and Elizabeth Wilson, 1992.: &amp;quot;The Greyhound Bus Station in the Evolution of Lesbian Popular Culture.&amp;quot; in ''New Lesbian Criticism: Literary and Cultural Readings'' ed. Sally Munt (New York: Columbia UP) pp. 95-113. .&lt;br /&gt;
&lt;br /&gt;
;Weisser, Susan Ostrov. 1994. : 'The Wonderful-Terrible Bitch Figure in [[Harlequin]] Novels', in ''Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood'', ed. Susan Ostrov Weisser and Jennifer Fleischner (New York: New York University Press), pp. 269-82. **&lt;br /&gt;
&lt;br /&gt;
;Westman, Karin E., 2003. : 'A Story of Her Weaving: The Self-Authoring Heroines of Georgette Heyer's Regency Romance', in ''Doubled Plots: Romance and History'', see above, pp. 165-184. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1996. : ‘Mate Selection in Popular Women's Fiction’, ''Human Nature'', 7: 427-447. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1998. : 'The Formula Behind Women's Romantic Formula Fiction (Statistical survey of 50 Harlequin-Presents novels)', ''Arachne'', 5.1:89-119. [The online text available [http://laurentian.ca/engl/ARACHNE/VOL51/WHISSELL.HTM here] may only be an extract from the original as it is extremely short and has no page-numbers]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2002. : &amp;quot;Islamic-Hausa Feminism and Kano Market Literature: Qur'anic Reinterpretation in the Novels of Balaraba Yakubu.&amp;quot; ''Research in African Literatures'' 33.2: 119-136. [http://www.accessmylibrary.com/coms2/summary_0286-25414370_ITM Excerpt]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Islamic-Hausa Feminism Meets Northern Nigerian Romance: The Cautious Rebellion of Bilkisu Funtuwa.&amp;quot; ''African Studies Review'' 46.1: 137-53. [http://www.findarticles.com/p/articles/mi_qa4106/is_200304/ai_n9219184 Unofficial, unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction.&amp;quot; ''Tulsa Studies in Women's Literature'' 22.2: 387-408.&lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, and Jean R. Freedman, 1995. : &amp;quot;Shakespeare's Step-Sisters: Romance Novels and the Community of Women.&amp;quot; in ''Folklore, Literature, and Cultural Theory: Collected Essays.'' ed. Cathy Lynn Preston (New York, NY: Garland) pp. 135-168. &lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, 1998. : &amp;quot;Keepers of the Flame: The Romance Novel and Its Fans.&amp;quot; ''Lore and Language'' 16.1-2: 115-138.&lt;br /&gt;
&lt;br /&gt;
;Williams, Jeffrey J., 2006. : &amp;quot;The Culture of Books: An Interview with Janice Radway.&amp;quot; ''Minnesota Review: A Journal of Committed Writing.'' ns 65-66: 133-148. [http://www.theminnesotareview.org/journal/ns6566/iae_ns6566_cultureofreading.shtml]&lt;br /&gt;
&lt;br /&gt;
;Wirtén, Eva Hemmungs, 1998. : ' &amp;quot;They Seek It Here, They Seek It There, They Seek It Everywhere&amp;quot;: Looking for the &amp;quot;Global&amp;quot; Book', ''Canadian Journal of Communication'', 23.2.[http://info.wlu.ca/~wwwpress/jrls/cjc/BackIssues/23.2/wirten.html]['this article uses Harlequin's Stockholm office as a case study for a closer look at just how Harlequin romances are transposed from one cultural context into another']. According to the author's [http://www.abm.uu.se/evahw/ website] This is an abbreviated version of a chapter from her thesis, the details of, and a link for which, are provided on the page for dissertation abstracts.&lt;br /&gt;
&lt;br /&gt;
;Wirten, Eva Hemmungs, 2000. : &amp;quot;Harlequin romances in Swedish: a case study in globalized publishing.&amp;quot; ''Logos'' 11.4:203-7.&lt;br /&gt;
&lt;br /&gt;
;Wood, Helen, 2004. : 'What Reading the Romance Did for Us', ''European Journal of Cultural Studies'', 7.2:147-54. [This is about the place of Radway's ''Reading the Romance'' in the history/development of cultural studies]&lt;br /&gt;
&lt;br /&gt;
;Wood, Julia T., 2001. : 'The normalization of violence in heterosexual romantic relationships: Women's narratives of love and violence', ''Journal of Social and Personal Relationships'', 18.2: 239-261.** There is an [http://spr.sagepub.com/cgi/content/abstract/18/2/239 abstract] and a [http://www.unc.edu/news/archives/jul01/rom072301.htm press release] reporting Wood's findings.&lt;br /&gt;
&lt;br /&gt;
;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;br /&gt;
&lt;br /&gt;
;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;br /&gt;
&lt;br /&gt;
;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;br /&gt;
&lt;br /&gt;
==Y==&lt;br /&gt;
&lt;br /&gt;
;Young, Beth Rapp, 1997. : &amp;quot;Accidental Authors, Random Readers, and the Art of Popular Romance.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 29-45.&lt;br /&gt;
&lt;br /&gt;
==Z==&lt;br /&gt;
&lt;br /&gt;
; Zidle, Abby, 1999. : 'From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance', in ''Romantic Conventions'', see above, pp. 23-24. **&lt;/div&gt;</summary>
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		<title>Bibliography P-S</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=66438"/>
		<updated>2008-06-16T09:17:16Z</updated>

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&lt;hr /&gt;
&lt;div&gt;[[category:Romance Resources]][[category:Romance Scholarship]]&lt;br /&gt;
Items with the &amp;quot;**&amp;quot; have not been personally checked. This means that the details given in the entry may not be entirely accurate.&lt;br /&gt;
&lt;br /&gt;
From this page you may return to the main [[Romance Scholarship]] page or go directly to&lt;br /&gt;
&lt;br /&gt;
* [[Bibliography A-G]] - the first half of our bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Bibliography H-O]] - the second part of the bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Academic Online Essays (not published in academic journals or volumes)]]&lt;br /&gt;
* [[Dissertation Abstracts]]&lt;br /&gt;
* [[Scholarship in Languages Other than English]].&lt;br /&gt;
* [[Romance Resources for Academics]] - lists romance-related resources which may be of interest to academics.&lt;br /&gt;
* [[Writers on Romance]] - lists items written about the genre by romance authors but not published in academic journals or books.&lt;br /&gt;
* [[Romance in the Media]] - lists news items/features items about romance.&lt;br /&gt;
------------------------------------&lt;br /&gt;
==P==&lt;br /&gt;
;Paizis, George, 1987. : '&amp;quot;Putting People First&amp;quot; or the contemporary romantic novel, critical discourse and ideology', ''La Chouette'', no 18, March: 38-46. [''[http://www.bbk.ac.uk/llc/forstudents/fs_fr/fr_lc La Chouette]'' is published by the Department of French, School of Languages, Linguistics and Culture, Birkbeck College, University of London] **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1987. : 'That's Romance', ''Socialist Review'', July: 24. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1994-95. : 'Love, Ideology and Reality: the popular romantic novel and the reader', ''Journal of the Institute of Romance Studies'', 3: 357-68. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : 'Category Romances - Translation, Realism and Myth', ''The Translator'', 4: 1-24. [http://www.stjerome.co.uk/page.php?id=336&amp;amp;doctype=The%20Translator&amp;amp;section=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : ''Love and the Novel: The Poetics and Politics of Romantic Fiction'' (Palgrave Macmillan). [http://www.powells.com/biblio?show=HARDCOVER:NEW:0312215479:104.50#synopses_and_reviews Some details] **&lt;br /&gt;
&lt;br /&gt;
;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract]&lt;br /&gt;
&lt;br /&gt;
;Patthey Chavez, GG, and L. Clare, M. Youmans,1996. : 'Watery passion: The struggle between hegemony and sexual liberation in erotic fiction for women.' ''Discourse and Society.'' 7.1: 77-106.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2004. : &amp;quot;Popular Romance and Its Readers.&amp;quot; in ''A Companion to Romance: From Classical to Contemporary.''  ed. Corinne Saunders, (Malden, MA: Blackwell, pp. 521-538.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2007. : '' Romance Writing.'' (Cambridge: Polity Press). Historical treatment looking at romance broadly. Does touch on popular romance, but it is not the whole focus of the book. [http://bookshop.blackwell.co.uk/jsp/id/Romance_Writing/9780745630052 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 1990. : 'Mills and Boon: The Marketing of Moonshine,' in ''Consumption, Identity, and Style: Marketing, Meanings, and the Packaging of Pleasure'', ed. Alan Tomlinson (London: Routledge), pp. 139-52. [http://books.google.com/books?id=PvAfLS2QnMwC&amp;amp;pg=RA1-PA139&amp;amp;lpg=RA1-PA139&amp;amp;dq=Deborah+philips+%22marketing+of+moonshine%22&amp;amp;source=web&amp;amp;ots=j6M_s4okbY&amp;amp;sig=zPi4ByZJjzoFXEuJHOq3fUN1UrM Excerpt here.]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 2000. : 'Shopping for Men: The Single Woman Narrative', ''Women: a Cultural Review'', 11.3: 238-251. [http://www.ingentaconnect.com/search/article?title=philips+shopping+for+men&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;br /&gt;
&lt;br /&gt;
;Purdie, Susan, 1992. : 'Janice Radway, Reading the Romance', in  ''Reading into Cultural Studies'' ed. Martin Barker and Anne Beezer, (London: Routledge), pp. 148-64.&lt;br /&gt;
&lt;br /&gt;
;Puri, Jyoti, 1997. : ‘Reading Romance Novels in Postcolonial India’, ''Gender &amp;amp; Society'', 11.4: 434-452. [http://gas.sagepub.com/cgi/content/abstract/11/4/434?ck=nck Abstract]&lt;br /&gt;
&lt;br /&gt;
==R==&lt;br /&gt;
&lt;br /&gt;
;Rabine, Leslie W., 1985. : ‘Romance in the Age of Electronics: Harlequin Enterprises’, ''Feminist Studies'' 11.1: 39-60.&lt;br /&gt;
&lt;br /&gt;
;Radford, Jean, 1992. : &amp;quot;A Certain Latitude: Romance as Genre.&amp;quot;  in ''Gender, Language, and Myth: Essays and Popular Narrative.'' ed. Glenwood Irons, (Toronto: U of Toronto P), pp. 3-19.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1981. : 'The Utopian Impulse in Popular Literature: Gothic Romances and &amp;quot;Feminist&amp;quot; Protest', ''American Quarterly,'' 33.2 (Summer, 1981): 140-162. [First page available [http://links.jstor.org/sici?sici=0003-0678(198122)33%3A2%3C140%3ATUIIPL%3E2.0.CO;2-2 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1983. : ‘Women Read the Romance: The Interaction of Text and Context’, ''Feminist Studies'', 9.1: 53-78. [First page available [http://links.jstor.org/sici?sici=0046-3663(198321)9%3A1%3C53%3AWRTRTI%3E2.0.CO%3B2-7 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1984. : 'Interpretive Communities And Variable Literacies: The Functions Of Romance Reading', ''Daedalus'', 113.3:49-73.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1991. : ''Reading the Romance: Women, Patriarchy, and Popular Literature''  (Chapel Hill: University of North Carolina Press). First published in 1984. The 1991 edition contains a new introduction by the author.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1994. : 'Romance and the Work of Fantasy: Struggles over Feminine Sexuality and Subjectivity at Century's End', in ''Viewing, Reading, Listening: Audiences and Cultural Reception'', ed. Jon Cruz and Justin Lewis (Colorado: Westview Press), pp. 213-31. Reprinted in ''Feminism and Cultural Studies'', ed. Morag Shiach (Oxford: Oxford University Press, 1999), pp. 395-???. **&lt;br /&gt;
&lt;br /&gt;
;Ramsdell, Kristin, 1999. :'The Literature of Romance: A Librarian's Viewpoint', originally published in ''Romance Writers' Report'' 19 (June 1999): 37-39.[http://www.library.csuhayward.edu/staff/Ramsdell/romance/TheLiteratureofRomance.htm]&lt;br /&gt;
&lt;br /&gt;
;Rapp, Adrian, Dodgen, Lynda, and Anne K. Kaler, 2000. : &amp;quot;A Romance Writer Gets Away with Murder.&amp;quot; ''Clues: A Journal of Detection'' 21.1: 17-21.&lt;br /&gt;
&lt;br /&gt;
;[[Alicia Rasley|Rasley, Alicia]], 1999. :'Paradox in Balance: Some Feminist Themes in Romance', originally published in ''North American Romance Writers'', see above.[http://www.sff.net/people/alicia/artparadox.htm]&lt;br /&gt;
&lt;br /&gt;
;Raub, Patricia, 1992.  :  &amp;quot;Issues of Passion and Power in E. M. Hull's ''The Sheik''.&amp;quot;  ''Women's Studies'', 21: 119-128.&lt;br /&gt;
&lt;br /&gt;
;[[Diana Reep|Reep, Diana]], 1982: ''[[The Rescue And Romance: Popular Novels Before World War I]]'', Bowling Green Sate University Popular Press.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela., 1997. : 'Complicating Romances and Their Readers: Barrier and Point of Ritual Death in Nora Roberts's Category Fiction.' ''Paradoxa: Studies in World Literary Genres'' 3.1-2:145-154.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela, 2003. : ''A Natural History of the Romance Novel'' (Philadelphia : University of Pennsylvania Press).&lt;br /&gt;
&lt;br /&gt;
;Ricker-Wilson, Carol, 1999. : ‘Busting Textual Bodices: Gender, Reading, and the Popular Romance’, ''English Journal'', 88:3: 57-64.&lt;br /&gt;
&lt;br /&gt;
;Roberts, Sherron Killingsworth, 2002. : 'Meet Jessica and Elizabeth from Sweet Valley: Who Are the Female Role Models in Popular Romance Novels for Children?', Paper presented at the Annual Meeting of the American Educational Research Association (New Orleans, LA, April 1-5, 2002). 21 pgs. ERIC document ED470819.&lt;br /&gt;
&lt;br /&gt;
;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press).&lt;br /&gt;
&lt;br /&gt;
;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265.&lt;br /&gt;
&lt;br /&gt;
;Ruggiero, Josephine A. and Weston, Louise C., 1983. : 'Conflicting Images Of Women In Romance Novels', ''International Journal of Women's Studies'', 6.1:18-25.&lt;br /&gt;
&lt;br /&gt;
;Russ, Joanna, 1973. : &amp;quot;Somebody's Trying to Kill Me and I Think It's My Husband;the Modern Gothic.&amp;quot; ''Journal of Popular Culture.'', 6.4:666-691.&lt;br /&gt;
&lt;br /&gt;
;Ryder, M. E., 1999. : 'Smoke and mirrors: Event patterns in the discourse structure of a romance novel', ''Journal of Pragmatics'', 31.8: 1067-1080. [http://www.ingentaconnect.com/search/article?title=smoke+mirrors+romance&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract] **&lt;br /&gt;
&lt;br /&gt;
==S==&lt;br /&gt;
&lt;br /&gt;
;Sales, Roger, 1999. : &amp;quot;The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance.&amp;quot; in ''Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture.'' ed. Frances Wilson,  (Basingstoke, England; New York, NY: Macmillan; St. Martin's) pp. 166-183.&lt;br /&gt;
&lt;br /&gt;
;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;br /&gt;
&lt;br /&gt;
;Santaulària, Isabel, 2002. :&amp;quot;The Fallacy of Eternal Love: Romance, Vampires and Love in Linda Lael Miller's Forever and the Night and For All Eternity.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.''(Lleida, Spain: Universitat de Lleida), pp. 111-126. &lt;br /&gt;
&lt;br /&gt;
;Scott, Alison M. 2002. : 'Romance in the Stacks; or, Popular Romance Fiction Imperiled', in ''Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America'', ed. Lydia Cushman Schurman and Deidre Johnson, Contributions to the Study of Popular Culture, 75 (Westport, CT: Greenwood),pp. 213-224.&lt;br /&gt;
&lt;br /&gt;
;Seale,Maura, 2007. : '&amp;quot;I find some Hindu practices, like burning widows, utterly bizarre&amp;quot;: Representation of Sati and Questions of Choice in Veils of Silk.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 129-147. [http://mauraseale.googlepages.com/veils_final_version.doc Unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Selinger, Eric Murphy, 2007. : 'Rereading the Romance', ''Contemporary Literature'', 48.2: 307-324.[http://muse.jhu.edu/login?uri=/journals/contemporary_literature/v048/48.2selinger.html] [This is a review article, critiquing earlier works on the romance genre (such as those by Radway and Modleski) and giving more favourable opinions about the newer works under review: Juliet Flesch's ''From Australia with Love: A History of Modern Australian Popular Romance Novels''; ''Empowerment versus Oppression: Twenty-First Century Views of Popular Romance Novels'', edited by Sally Goade; Deborah Lutz's ''The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative''; Lynn S. Neal's ''Romancing God: Evangelical Women and Inspirational Fiction''; Pamela Regis's ''A Natural History of the Romance Novel''.]&lt;br /&gt;
&lt;br /&gt;
;Shapiro, Joan, &amp;amp; Lee Kroeger, 1991. : ‘Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media’, ''American Journal of Family Therapy'', 19.3: 226-236. **&lt;br /&gt;
&lt;br /&gt;
;Shibamoto Smith, Janet S., 2004. : 'Language and Gender in the (Hetero)Romance: &amp;quot;Reading&amp;quot; the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction', in ''Japanese Language, Gender, and Ideology: Cultural Models and Real People'', ed. Shigeko Okamoto and Janet S. Shibamoto Smith (Oxford: Oxford University Press), pp. 113-130. ** [http://linguistlist.org/issues/16/16-1676.html Review]&lt;br /&gt;
&lt;br /&gt;
;Shibamoto-Smith, Janet S., 2005. : ‘Translating True Love: Japanese Romantic Fiction, Harlequin-Style’ in ''Gender, Sex and Translation: The Manipulation of Identities'', ed. José Santaemilia (Manchester: St. Jerome Publishing), pp. 97-116. ** [http://www.stjerome.co.uk/page.php?id=424&amp;amp;doctype=Gender,%20Sex%20and%20Translation&amp;amp;section=3 Summary]&lt;br /&gt;
&lt;br /&gt;
;Smith, Faith, 1999. :&amp;quot;Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad.&amp;quot; in ''Caribbean Romances: The Politics of Regional Representation.'' ed. Belinda Edmondson (Charlottesville, VA: UP of Virginia) pp. 163-182. &lt;br /&gt;
&lt;br /&gt;
;Snitow, Ann Barr, 1979. : ‘Mass Market Romance: Pornography for Women is Different’, ''Radical History Review'' 20 (Spring/Summer 1979):141-61. Republished in ''Powers of Desire: The Politics of Sexuality'' 1983., ed. Ann Snitow, Christine Stansell &amp;amp; Sharon Thompson (New York: Monthly Review Press), pp. 245-263. Republished in &amp;quot;Feminist Literary Theory: A Reader&amp;quot;, ed. Mary Eagleton. New York: Basil Blacwell, 1986.&lt;br /&gt;
&lt;br /&gt;
;Sonnet, Esther, 1999. : &amp;quot;'Erotic Fiction by Women for Women’: The Pleasures of Post-Feminist Heterosexuality.&amp;quot; ''Sexualities,''2.2:167-187. [From the [http://sexualities.sagepub.com/cgi/content/abstract/2/2/167 abstract]: &amp;quot;This article addresses the material construction of female heterosexuality through examination of the mass marketing of women’s pornography - ‘erotic fiction for women by women’ as exemplified by Virgin Publishing’s Black Lace imprint.&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
;Spehner, Norbert, 1997. : 'L'Amour, toujours l'amour ...: The Popular Love Story and Romance: A Basic Checklist of Secondary Sources.',''Paradoxa: Studies in World Literary Genres'' 3.1-2:253-268.&lt;br /&gt;
&lt;br /&gt;
;Stacey, Jackie &amp;amp; Lynne Pearce, 1995. : 'The Heart of the Matter: Feminists Revisit Romance', in ''Romance Revisited'', ed. Lynne Pearce &amp;amp; Jackie Stacey (New York: New York University Press), pp. 11-45.&lt;br /&gt;
&lt;br /&gt;
;Stieg, Margaret F., 1985. : 'Indian Romances: Tracts for the Times', ''Journal of Popular Culture'', 18.4: 2-15. ['the Indian Romance, flourished between 1890 and 1930. It was a romantic novel set in India, featuring Anglo-Indians (English expatriates living in India) as the leading characters.' (1985: 2)]&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A, 1994. : &amp;quot;Language and Mindstyle in Anglophone Popular Romantic Fiction under Apartheid.&amp;quot; ''Logos'' 14: 18-32.&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A., 2004 : 'Genre and Islam in Recent Anglophone Romantic Fiction', in ''Refracting the Canon in Contemporary British Literature and Film'', ed. Christian Gutleben &amp;amp; Susana Onega, Postmodern Studies, 35 (Amsterdam: Rodopi), pp. 69-82. [http://www.ingentaconnect.com/content/rodopi/pms/2004/00000035/00000001/art00004 Abstract] **&lt;br /&gt;
&lt;br /&gt;
;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;br /&gt;
&lt;br /&gt;
;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/] ]&lt;br /&gt;
&lt;br /&gt;
;Swaffield, Audrey-Claire, 1981. : &amp;quot;Paperbacks Promoting Passion! What Is Harlequin Really Presenting?.&amp;quot; ''Canadian Woman Studies/Les Cahiers de la Femme'' 3.2: 4-6.&lt;br /&gt;
&lt;br /&gt;
==T==&lt;br /&gt;
&lt;br /&gt;
;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.&lt;br /&gt;
&lt;br /&gt;
;Taylor, Jessica, 2007. : &amp;quot;And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels.&amp;quot; ''Journal of Popular Culture'' 40.6: 1032-1051. &lt;br /&gt;
&lt;br /&gt;
;Tegan, Mary Beth, 2007. : 'Becoming Both Poet and Poem: Feminists Repossess the Romance.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp.231-?.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 1999. : 'Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing', ''Olive Pink Society Bulletin'', 11.1: 12–21.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2003. : 'The Romance of White Nations: Imperialism, Popular Culture and National Histories', in ''After the Imperial Turn: Thinking with and through the Nation'', ed. Antoinette Burton (Durham, North Carolina: Duke University Press), pp. 279-292.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2004. : 'Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels', ''History of Intellectual Culture'', 4.1.[http://www.ucalgary.ca/hic/website/2004vol4no1/framesets/2004vol4no1teoarticleframeset.htm]&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming. 2007. : 'Orientalism and Mass Market Romance Novels in the Twentieth Century,' in ''Edward Said: The Legacy of a Public Intellectual'', ed Ned Curthoys and Debjani Ganguly (Carlton Vic.: Melbourne University Press), pp. 241-262. [http://www.mup.unimelb.edu.au/ebooks/0-522-85357-9/index.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;[[Julie Tetel|Tetel Andresen, Julie]], 1999. : 'Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer', in ''Romantic Conventions'', see above, pp. 173-???. **&lt;br /&gt;
&lt;br /&gt;
;Thomas, Audrey, 1986. : 'A Fine Romance, My Dear, This Is,' '' Canadian Literature,'' no. 108:5-12.&lt;br /&gt;
&lt;br /&gt;
;Thomas, Glen, 2007. : 'Australia’s Best Romance Novelist: Emma Darcy.' in ''Beautiful Things in Popular Culture''. ed. Alan McKee, (New York: Blackwell) pp. 64–78.&lt;br /&gt;
&lt;br /&gt;
; Thomas, Glen &amp;amp; Bridie James, 2006. : 'The Australian Romance Industry: A Study of Reading and Writing Romance.' in ''The Reinvention of Everyday Life''. ed. Howard McNaughton &amp;amp; Adam Lam, (Canterbury, NZ: U of Canterbury Press) pp. 164–74.  &lt;br /&gt;
&lt;br /&gt;
;Thomas , Glen, 2007. : 'Romance: The Perfect Creative Industry? A Case Study of Harlequin-Mills and Boon Australia.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 20-29.&lt;br /&gt;
&lt;br /&gt;
;Thompson, Anne Booth, 2005. : 'Rereading Fifties Teen Romance: Reflections on Janet Lambert', ''The Lion and the Unicorn'', 29.3:373-96. [http://muse.jhu.edu/journals/lion_and_the_unicorn/toc/uni29.3.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;Thompson, M., P. Koski, and L. Holyfield, 1997. :&amp;quot;Romance and Agency: An Argument Revisited.&amp;quot; ''Sociological Spectrum'' 17.4: 437-51.&lt;br /&gt;
&lt;br /&gt;
;Thurston,Carol M., 1985. : ‘Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies’, ''Journal of Popular Culture'', 19:1: 35-45.&lt;br /&gt;
&lt;br /&gt;
;Thurston, Carol, 1987. : ''The Romance Revolution: Erotic Novels for Women and the Quest for a New Sexual Identity'' (Urbana and Chicago: University of Illinois Press).&lt;br /&gt;
&lt;br /&gt;
;Timson, Beth S., 1983 : ‘The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition’, ''Studies in Popular Culture'', 6: 88-96. **&lt;br /&gt;
&lt;br /&gt;
;Tobin-McClain, Lee, 2000. : &amp;quot;Paranormal Romance: Secrets of the Female Fantastic.&amp;quot; ''Journal of the Fantastic in the Arts'' 11.3 [43]: 294-306. [http://maura.setonhill.edu/~tobin/paranormal_romance.htm A version is available online here]&lt;br /&gt;
&lt;br /&gt;
;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;br /&gt;
&lt;br /&gt;
;Treacher, Amal, 1988. : ‘What is life without my love: Desire and romantic fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. &lt;br /&gt;
&lt;br /&gt;
;Ty, Eleanor, 1994. : 'Desire and Temptation: Dialogism and the Carnivalesque in Category Romances', in ''A Dialogue of Voices: Approaches to Feminist Literary Theory and Bakhtin'', ed. Karen Hohne and Helen Wussow (University of Minnesota Press), pp. 97-113.**&lt;br /&gt;
&lt;br /&gt;
==V==&lt;br /&gt;
&lt;br /&gt;
;Voaden, Rosalynn, 1995. : 'The Language of Love: Medieval Erotic Vision and Modern Romance Fiction', in ''Romance Revisited'' , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 78-88.&lt;br /&gt;
&lt;br /&gt;
==W==&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1995. : &amp;quot;The Heroine is Being Beaten: Freud, Sadomasochism, and Reading the Romance.&amp;quot; ''Style'' 29: 459-73. [http://www.highbeam.com/library/docFree.asp?DOCID=1G1:18096761 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1997. : 'Last of the Red Hot Mohicans: Miscegenation in the Popular American Romance', ''MELUS'', 22. 2, Popular Literature and Film: 61-74. [http://www.findarticles.com/p/articles/mi_m2278/is_n2_v22/ai_20175894 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wareing, Shan, 1994. : 'And Then He Kissed Her: The Reclamation of Female Characters to Submissive Roles in Contemporary Fiction', in ''Feminist Linguistics in Literary Criticism'', ed. Katie Wales, Essays and Studies, 47 (Cambridge: D. S. Brewer), pp. 117-36.&lt;br /&gt;
&lt;br /&gt;
;Watson, Daphne, 1995. : ''Their Own Worst Enemies; Women Writers of Women's Fiction.'' (London: Pluto Press). Chapter on 'Two for the Price of One; the novels of Mills and Boon' pp. 75-94.&lt;br /&gt;
&lt;br /&gt;
;Weir, Angela, and Elizabeth Wilson, 1992.: &amp;quot;The Greyhound Bus Station in the Evolution of Lesbian Popular Culture.&amp;quot; in ''New Lesbian Criticism: Literary and Cultural Readings'' ed. Sally Munt (New York: Columbia UP) pp. 95-113. .&lt;br /&gt;
&lt;br /&gt;
;Weisser, Susan Ostrov. 1994. : 'The Wonderful-Terrible Bitch Figure in [[Harlequin]] Novels', in ''Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood'', ed. Susan Ostrov Weisser and Jennifer Fleischner (New York: New York University Press), pp. 269-82. **&lt;br /&gt;
&lt;br /&gt;
;Westman, Karin E., 2003. : 'A Story of Her Weaving: The Self-Authoring Heroines of Georgette Heyer's Regency Romance', in ''Doubled Plots: Romance and History'', see above, pp. 165-184. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1996. : ‘Mate Selection in Popular Women's Fiction’, ''Human Nature'', 7: 427-447. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1998. : 'The Formula Behind Women's Romantic Formula Fiction (Statistical survey of 50 Harlequin-Presents novels)', ''Arachne'', 5.1:89-119. [The online text available [http://laurentian.ca/engl/ARACHNE/VOL51/WHISSELL.HTM here] may only be an extract from the original as it is extremely short and has no page-numbers]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2002. : &amp;quot;Islamic-Hausa Feminism and Kano Market Literature: Qur'anic Reinterpretation in the Novels of Balaraba Yakubu.&amp;quot; ''Research in African Literatures'' 33.2: 119-136. [http://www.accessmylibrary.com/coms2/summary_0286-25414370_ITM Excerpt]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Islamic-Hausa Feminism Meets Northern Nigerian Romance: The Cautious Rebellion of Bilkisu Funtuwa.&amp;quot; ''African Studies Review'' 46.1: 137-53. [http://www.findarticles.com/p/articles/mi_qa4106/is_200304/ai_n9219184 Unofficial, unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction.&amp;quot; ''Tulsa Studies in Women's Literature'' 22.2: 387-408.&lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, and Jean R. Freedman, 1995. : &amp;quot;Shakespeare's Step-Sisters: Romance Novels and the Community of Women.&amp;quot; in ''Folklore, Literature, and Cultural Theory: Collected Essays.'' ed. Cathy Lynn Preston (New York, NY: Garland) pp. 135-168. &lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, 1998. : &amp;quot;Keepers of the Flame: The Romance Novel and Its Fans.&amp;quot; ''Lore and Language'' 16.1-2: 115-138.&lt;br /&gt;
&lt;br /&gt;
;Williams, Jeffrey J., 2006. : &amp;quot;The Culture of Books: An Interview with Janice Radway.&amp;quot; ''Minnesota Review: A Journal of Committed Writing.'' ns 65-66: 133-148. [http://www.theminnesotareview.org/journal/ns6566/iae_ns6566_cultureofreading.shtml]&lt;br /&gt;
&lt;br /&gt;
;Wirtén, Eva Hemmungs, 1998. : ' &amp;quot;They Seek It Here, They Seek It There, They Seek It Everywhere&amp;quot;: Looking for the &amp;quot;Global&amp;quot; Book', ''Canadian Journal of Communication'', 23.2.[http://info.wlu.ca/~wwwpress/jrls/cjc/BackIssues/23.2/wirten.html]['this article uses Harlequin's Stockholm office as a case study for a closer look at just how Harlequin romances are transposed from one cultural context into another']. According to the author's [http://www.abm.uu.se/evahw/ website] This is an abbreviated version of a chapter from her thesis, the details of, and a link for which, are provided on the page for dissertation abstracts.&lt;br /&gt;
&lt;br /&gt;
;Wirten, Eva Hemmungs, 2000. : &amp;quot;Harlequin romances in Swedish: a case study in globalized publishing.&amp;quot; ''Logos'' 11.4:203-7.&lt;br /&gt;
&lt;br /&gt;
;Wood, Helen, 2004. : 'What Reading the Romance Did for Us', ''European Journal of Cultural Studies'', 7.2:147-54. [This is about the place of Radway's ''Reading the Romance'' in the history/development of cultural studies]&lt;br /&gt;
&lt;br /&gt;
;Wood, Julia T., 2001. : 'The normalization of violence in heterosexual romantic relationships: Women's narratives of love and violence', ''Journal of Social and Personal Relationships'', 18.2: 239-261.** There is an [http://spr.sagepub.com/cgi/content/abstract/18/2/239 abstract] and a [http://www.unc.edu/news/archives/jul01/rom072301.htm press release] reporting Wood's findings.&lt;br /&gt;
&lt;br /&gt;
;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;br /&gt;
&lt;br /&gt;
;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;br /&gt;
&lt;br /&gt;
;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;br /&gt;
&lt;br /&gt;
==Y==&lt;br /&gt;
&lt;br /&gt;
;Young, Beth Rapp, 1997. : &amp;quot;Accidental Authors, Random Readers, and the Art of Popular Romance.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 29-45.&lt;br /&gt;
&lt;br /&gt;
==Z==&lt;br /&gt;
&lt;br /&gt;
; Zidle, Abby, 1999. : 'From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance', in ''Romantic Conventions'', see above, pp. 23-24. **&lt;/div&gt;</summary>
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		<title>Bibliography P-S</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=66437"/>
		<updated>2008-06-16T09:16:22Z</updated>

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&lt;hr /&gt;
&lt;div&gt;[[category:Romance Resources]][[category:Romance Scholarship]]&lt;br /&gt;
Items with the &amp;quot;**&amp;quot; have not been personally checked. This means that the details given in the entry may not be entirely accurate.&lt;br /&gt;
&lt;br /&gt;
From this page you may return to the main [[Romance Scholarship]] page or go directly to&lt;br /&gt;
&lt;br /&gt;
* [[Bibliography A-G]] - the first half of our bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Bibliography H-O]] - the second part of the bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Academic Online Essays (not published in academic journals or volumes)]]&lt;br /&gt;
* [[Dissertation Abstracts]]&lt;br /&gt;
* [[Scholarship in Languages Other than English]].&lt;br /&gt;
* [[Romance Resources for Academics]] - lists romance-related resources which may be of interest to academics.&lt;br /&gt;
* [[Writers on Romance]] - lists items written about the genre by romance authors but not published in academic journals or books.&lt;br /&gt;
* [[Romance in the Media]] - lists news items/features items about romance.&lt;br /&gt;
------------------------------------&lt;br /&gt;
==P==&lt;br /&gt;
;Paizis, George, 1987. : '&amp;quot;Putting People First&amp;quot; or the contemporary romantic novel, critical discourse and ideology', ''La Chouette'', no 18, March: 38-46. [''[http://www.bbk.ac.uk/llc/forstudents/fs_fr/fr_lc La Chouette]'' is published by the Department of French, School of Languages, Linguistics and Culture, Birkbeck College, University of London] **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1987. : 'That's Romance', ''Socialist Review'', July: 24. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1994-95. : 'Love, Ideology and Reality: the popular romantic novel and the reader', ''Journal of the Institute of Romance Studies'', 3: 357-68. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : 'Category Romances - Translation, Realism and Myth', ''The Translator'', 4: 1-24. [http://www.stjerome.co.uk/page.php?id=336&amp;amp;doctype=The%20Translator&amp;amp;section=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : ''Love and the Novel: The Poetics and Politics of Romantic Fiction'' (Palgrave Macmillan). [http://www.powells.com/biblio?show=HARDCOVER:NEW:0312215479:104.50#synopses_and_reviews Some details] **&lt;br /&gt;
&lt;br /&gt;
;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract]&lt;br /&gt;
&lt;br /&gt;
;Patthey Chavez, GG, and L. Clare, M. Youmans,1996. : 'Watery passion: The struggle between hegemony and sexual liberation in erotic fiction for women.' ''Discourse and Society.'' 7.1: 77-106.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2004. : &amp;quot;Popular Romance and Its Readers.&amp;quot; in ''A Companion to Romance: From Classical to Contemporary.''  ed. Corinne Saunders, (Malden, MA: Blackwell, pp. 521-538.&lt;br /&gt;
&lt;br /&gt;
;Pearce, Lynne, 2007. : '' Romance Writing.'' (Cambridge: Polity Press). Historical treatment looking at romance broadly. Does touch on popular romance, but it is not the whole focus of the book. [http://bookshop.blackwell.co.uk/jsp/id/Romance_Writing/9780745630052 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 1990. : 'Mills and Boon: The Marketing of Moonshine,' in ''Consumption, Identity, and Style: Marketing, Meanings, and the Packaging of Pleasure'', ed. Alan Tomlinson (London: Routledge), pp. 139-52. [http://books.google.com/books?id=PvAfLS2QnMwC&amp;amp;pg=RA1-PA139&amp;amp;lpg=RA1-PA139&amp;amp;dq=Deborah+philips+%22marketing+of+moonshine%22&amp;amp;source=web&amp;amp;ots=j6M_s4okbY&amp;amp;sig=zPi4ByZJjzoFXEuJHOq3fUN1UrM Excerpt here.]&lt;br /&gt;
&lt;br /&gt;
;Philips, Deborah, 2000. : 'Shopping for Men: The Single Woman Narrative', ''Women: a Cultural Review'', 11.3: 238-251. [http://www.ingentaconnect.com/search/article?title=philips+shopping+for+men&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract]&lt;br /&gt;
&lt;br /&gt;
;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;br /&gt;
&lt;br /&gt;
;Purdie, Susan, 1992. : 'Janice Radway, Reading the Romance', in  ''Reading into Cultural Studies'' ed. Martin Barker and Anne Beezer, (London: Routledge), pp. 148-64.&lt;br /&gt;
&lt;br /&gt;
;Puri, Jyoti, 1997. : ‘Reading Romance Novels in Postcolonial India’, ''Gender &amp;amp; Society'', 11.4: 434-452. [http://gas.sagepub.com/cgi/content/abstract/11/4/434?ck=nck Abstract]&lt;br /&gt;
&lt;br /&gt;
==R==&lt;br /&gt;
&lt;br /&gt;
;Rabine, Leslie W., 1985. : ‘Romance in the Age of Electronics: Harlequin Enterprises’, ''Feminist Studies'' 11.1: 39-60.&lt;br /&gt;
&lt;br /&gt;
;Radford, Jean, 1992. : &amp;quot;A Certain Latitude: Romance as Genre.&amp;quot;  in ''Gender, Language, and Myth: Essays and Popular Narrative.'' ed. Glenwood Irons, (Toronto: U of Toronto P), pp. 3-19.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1981. : 'The Utopian Impulse in Popular Literature: Gothic Romances and &amp;quot;Feminist&amp;quot; Protest', ''American Quarterly,'' 33.2 (Summer, 1981): 140-162. [First page available [http://links.jstor.org/sici?sici=0003-0678(198122)33%3A2%3C140%3ATUIIPL%3E2.0.CO;2-2 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1983. : ‘Women Read the Romance: The Interaction of Text and Context’, ''Feminist Studies'', 9.1: 53-78. [First page available [http://links.jstor.org/sici?sici=0046-3663(198321)9%3A1%3C53%3AWRTRTI%3E2.0.CO%3B2-7 here]]&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1984. : 'Interpretive Communities And Variable Literacies: The Functions Of Romance Reading', ''Daedalus'', 113.3:49-73.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice A., 1991. : ''Reading the Romance: Women, Patriarchy, and Popular Literature''  (Chapel Hill: University of North Carolina Press). First published in 1984. The 1991 edition contains a new introduction by the author.&lt;br /&gt;
&lt;br /&gt;
;Radway, Janice, 1994. : 'Romance and the Work of Fantasy: Struggles over Feminine Sexuality and Subjectivity at Century's End', in ''Viewing, Reading, Listening: Audiences and Cultural Reception'', ed. Jon Cruz and Justin Lewis (Colorado: Westview Press), pp. 213-31. Reprinted in ''Feminism and Cultural Studies'', ed. Morag Shiach (Oxford: Oxford University Press, 1999), pp. 395-???. **&lt;br /&gt;
&lt;br /&gt;
;Ramsdell, Kristin, 1999. :'The Literature of Romance: A Librarian's Viewpoint', originally published in ''Romance Writers' Report'' 19 (June 1999): 37-39.[http://www.library.csuhayward.edu/staff/Ramsdell/romance/TheLiteratureofRomance.htm]&lt;br /&gt;
&lt;br /&gt;
;Rapp, Adrian, Dodgen, Lynda, and Anne K. Kaler, 2000. : &amp;quot;A Romance Writer Gets Away with Murder.&amp;quot; ''Clues: A Journal of Detection'' 21.1: 17-21.&lt;br /&gt;
&lt;br /&gt;
;[[Alicia Rasley|Rasley, Alicia]], 1999. :'Paradox in Balance: Some Feminist Themes in Romance', originally published in ''North American Romance Writers'', see above.[http://www.sff.net/people/alicia/artparadox.htm]&lt;br /&gt;
&lt;br /&gt;
;Raub, Patricia, 1992.  :  &amp;quot;Issues of Passion and Power in E. M. Hull's ''The Sheik''.&amp;quot;  ''Women's Studies'', 21: 119-128.&lt;br /&gt;
&lt;br /&gt;
;[[Diana Reep|Reep, Diana]], 1982: ''[[The Rescue And Romance: Popular Novels Before World War I]]'', Bowling Green Sate University Popular Press.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela., 1997. : 'Complicating Romances and Their Readers: Barrier and Point of Ritual Death in Nora Roberts's Category Fiction.' ''Paradoxa: Studies in World Literary Genres'' 3.1-2:145-154.&lt;br /&gt;
&lt;br /&gt;
;Regis, Pamela, 2003. : ''A Natural History of the Romance Novel'' (Philadelphia : University of Pennsylvania Press).&lt;br /&gt;
&lt;br /&gt;
;Ricker-Wilson, Carol, 1999. : ‘Busting Textual Bodices: Gender, Reading, and the Popular Romance’, ''English Journal'', 88:3: 57-64.&lt;br /&gt;
&lt;br /&gt;
;Roberts, Sherron Killingsworth, 2002. : 'Meet Jessica and Elizabeth from Sweet Valley: Who Are the Female Role Models in Popular Romance Novels for Children?', Paper presented at the Annual Meeting of the American Educational Research Association (New Orleans, LA, April 1-5, 2002). 21 pgs. ERIC document ED470819.&lt;br /&gt;
&lt;br /&gt;
;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press).&lt;br /&gt;
&lt;br /&gt;
;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265.&lt;br /&gt;
&lt;br /&gt;
;Ruggiero, Josephine A. and Weston, Louise C., 1983. : 'Conflicting Images Of Women In Romance Novels', ''International Journal of Women's Studies'', 6.1:18-25.&lt;br /&gt;
&lt;br /&gt;
;Russ, Joanna, 1973. : &amp;quot;Somebody's Trying to Kill Me and I Think It's My Husband;the Modern Gothic.&amp;quot; ''Journal of Popular Culture.'', 6.4:666-691.&lt;br /&gt;
&lt;br /&gt;
;Ryder, M. E., 1999. : 'Smoke and mirrors: Event patterns in the discourse structure of a romance novel', ''Journal of Pragmatics'', 31.8: 1067-1080. [http://www.ingentaconnect.com/search/article?title=smoke+mirrors+romance&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract] **&lt;br /&gt;
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==S==&lt;br /&gt;
&lt;br /&gt;
;Sales, Roger, 1999. : &amp;quot;The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance.&amp;quot; in ''Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture.'' ed. Frances Wilson,  (Basingstoke, England; New York, NY: Macmillan; St. Martin's) pp. 166-183.&lt;br /&gt;
&lt;br /&gt;
;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;br /&gt;
&lt;br /&gt;
;Santaulària, Isabel, 2002. :&amp;quot;The Fallacy of Eternal Love: Romance, Vampires and Love in Linda Lael Miller's Forever and the Night and For All Eternity.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.''(Lleida, Spain: Universitat de Lleida), pp. 111-126. &lt;br /&gt;
&lt;br /&gt;
;Scott, Alison M. 2002. : 'Romance in the Stacks; or, Popular Romance Fiction Imperiled', in ''Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America'', ed. Lydia Cushman Schurman and Deidre Johnson, Contributions to the Study of Popular Culture, 75 (Westport, CT: Greenwood),pp. 213-224.&lt;br /&gt;
&lt;br /&gt;
;Seale,Maura, 2007. : '&amp;quot;I find some Hindu practices, like burning widows, utterly bizarre&amp;quot;: Representation of Sati and Questions of Choice in Veils of Silk.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 129-147. [http://mauraseale.googlepages.com/veils_final_version.doc Unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Selinger, Eric Murphy, 2007. : 'Rereading the Romance', ''Contemporary Literature'', 48.2: 307-324.[http://muse.jhu.edu/login?uri=/journals/contemporary_literature/v048/48.2selinger.html] [This is a review article, critiquing earlier works on the romance genre (such as those by Radway and Modleski) and giving more favourable opinions about the newer works under review: Juliet Flesch's ''From Australia with Love: A History of Modern Australian Popular Romance Novels''; ''Empowerment versus Oppression: Twenty-First Century Views of Popular Romance Novels'', edited by Sally Goade; Deborah Lutz's ''The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative''; Lynn S. Neal's ''Romancing God: Evangelical Women and Inspirational Fiction''; Pamela Regis's ''A Natural History of the Romance Novel''.]&lt;br /&gt;
&lt;br /&gt;
;Shapiro, Joan, &amp;amp; Lee Kroeger, 1991. : ‘Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media’, ''American Journal of Family Therapy'', 19.3: 226-236. **&lt;br /&gt;
&lt;br /&gt;
;Shibamoto Smith, Janet S., 2004. : 'Language and Gender in the (Hetero)Romance: &amp;quot;Reading&amp;quot; the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction', in ''Japanese Language, Gender, and Ideology: Cultural Models and Real People'', ed. Shigeko Okamoto and Janet S. Shibamoto Smith (Oxford: Oxford University Press), pp. 113-130. ** [http://linguistlist.org/issues/16/16-1676.html Review]&lt;br /&gt;
&lt;br /&gt;
;Shibamoto-Smith, Janet S., 2005. : ‘Translating True Love: Japanese Romantic Fiction, Harlequin-Style’ in ''Gender, Sex and Translation: The Manipulation of Identities'', ed. José Santaemilia (Manchester: St. Jerome Publishing), pp. 97-116. ** [http://www.stjerome.co.uk/page.php?id=424&amp;amp;doctype=Gender,%20Sex%20and%20Translation&amp;amp;section=3 Summary]&lt;br /&gt;
&lt;br /&gt;
;Smith, Faith, 1999. :&amp;quot;Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad.&amp;quot; in ''Caribbean Romances: The Politics of Regional Representation.'' ed. Belinda Edmondson (Charlottesville, VA: UP of Virginia) pp. 163-182. &lt;br /&gt;
&lt;br /&gt;
;Snitow, Ann Barr, 1979. : ‘Mass Market Romance: Pornography for Women is Different’, ''Radical History Review'' 20 (Spring/Summer 1979):141-61. Republished in ''Powers of Desire: The Politics of Sexuality'' 1983., ed. Ann Snitow, Christine Stansell &amp;amp; Sharon Thompson (New York: Monthly Review Press), pp. 245-263. Republished in &amp;quot;Feminist Literary Theory: A Reader&amp;quot;, ed. Mary Eagleton. New York: Basil Blacwell, 1986.&lt;br /&gt;
&lt;br /&gt;
;Sonnet, Esther, 1999. : &amp;quot;'Erotic Fiction by Women for Women’: The Pleasures of Post-Feminist Heterosexuality.&amp;quot; ''Sexualities,''2.2:167-187. [From the [http://sexualities.sagepub.com/cgi/content/abstract/2/2/167 abstract]: &amp;quot;This article addresses the material construction of female heterosexuality through examination of the mass marketing of women’s pornography - ‘erotic fiction for women by women’ as exemplified by Virgin Publishing’s Black Lace imprint.&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
;Spehner, Norbert, 1997. : 'L'Amour, toujours l'amour ...: The Popular Love Story and Romance: A Basic Checklist of Secondary Sources.',''Paradoxa: Studies in World Literary Genres'' 3.1-2:253-268.&lt;br /&gt;
&lt;br /&gt;
;Stacey, Jackie &amp;amp; Lynne Pearce, 1995. : 'The Heart of the Matter: Feminists Revisit Romance', in ''Romance Revisited'', ed. Lynne Pearce &amp;amp; Jackie Stacey (New York: New York University Press), pp. 11-45.&lt;br /&gt;
&lt;br /&gt;
;Stieg, Margaret F., 1985. : 'Indian Romances: Tracts for the Times', ''Journal of Popular Culture'', 18.4: 2-15. ['the Indian Romance, flourished between 1890 and 1930. It was a romantic novel set in India, featuring Anglo-Indians (English expatriates living in India) as the leading characters.' (1985: 2)]&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A, 1994. : &amp;quot;Language and Mindstyle in Anglophone Popular Romantic Fiction under Apartheid.&amp;quot; ''Logos'' 14: 18-32.&lt;br /&gt;
&lt;br /&gt;
;Stotesbury, John A., 2004 : 'Genre and Islam in Recent Anglophone Romantic Fiction', in ''Refracting the Canon in Contemporary British Literature and Film'', ed. Christian Gutleben &amp;amp; Susana Onega, Postmodern Studies, 35 (Amsterdam: Rodopi), pp. 69-82. [http://www.ingentaconnect.com/content/rodopi/pms/2004/00000035/00000001/art00004 Abstract] **&lt;br /&gt;
&lt;br /&gt;
;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;br /&gt;
&lt;br /&gt;
;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/] ]&lt;br /&gt;
&lt;br /&gt;
;Swaffield, Audrey-Claire, 1981. : &amp;quot;Paperbacks Promoting Passion! What Is Harlequin Really Presenting?.&amp;quot; ''Canadian Woman Studies/Les Cahiers de la Femme'' 3.2: 4-6.&lt;br /&gt;
&lt;br /&gt;
==T==&lt;br /&gt;
&lt;br /&gt;
;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.&lt;br /&gt;
&lt;br /&gt;
;Taylor, Jessica, 2007. : &amp;quot;And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels.&amp;quot; ''Journal of Popular Culture'' 40.6: 1032-1051. &lt;br /&gt;
&lt;br /&gt;
;Tegan, Mary Beth, 2007. : 'Becoming Both Poet and Poem: Feminists Repossess the Romance.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp.231-?.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 1999. : 'Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing', ''Olive Pink Society Bulletin'', 11.1: 12–21.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2003. : 'The Romance of White Nations: Imperialism, Popular Culture and National Histories', in ''After the Imperial Turn: Thinking with and through the Nation'', ed. Antoinette Burton (Durham, North Carolina: Duke University Press), pp. 279-292.&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming, 2004. : 'Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels', ''History of Intellectual Culture'', 4.1.[http://www.ucalgary.ca/hic/website/2004vol4no1/framesets/2004vol4no1teoarticleframeset.htm]&lt;br /&gt;
&lt;br /&gt;
;Teo, Hsu-Ming. 2007. : 'Orientalism and Mass Market Romance Novels in the Twentieth Century,' in ''Edward Said: The Legacy of a Public Intellectual'', ed Ned Curthoys and Debjani Ganguly (Carlton Vic.: Melbourne University Press), pp. 241-262. [http://www.mup.unimelb.edu.au/ebooks/0-522-85357-9/index.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;[[Julie Tetel|Tetel Andresen, Julie]], 1999. : 'Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer', in ''Romantic Conventions'', see above, pp. 173-???. **&lt;br /&gt;
&lt;br /&gt;
;Thomas, Audrey, 1986. : 'A Fine Romance, My Dear, This Is,' '' Canadian Literature,'' no. 108:5-12.&lt;br /&gt;
&lt;br /&gt;
;Thomas, Glen, 2007, : 'Australia’s Best Romance Novelist: Emma Darcy.' in ''Beautiful Things in Popular Culture''. ed. Alan McKee, (New York: Blackwell) pp. 64–78.&lt;br /&gt;
&lt;br /&gt;
; Thomas, Glen &amp;amp; Bridie James, 2006. : 'The Australian Romance Industry: A Study of Reading and Writing Romance.' in ''The Reinvention of Everyday Life''. ed. Howard McNaughton &amp;amp; Adam Lam, (Canterbury, NZ: U of Canterbury Press) pp. 164–74.  &lt;br /&gt;
&lt;br /&gt;
;Thomas , Glen, 2007. : 'Romance: The Perfect Creative Industry? A Case Study of Harlequin-Mills and Boon Australia.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 20-29.&lt;br /&gt;
&lt;br /&gt;
;Thompson, Anne Booth, 2005. : 'Rereading Fifties Teen Romance: Reflections on Janet Lambert', ''The Lion and the Unicorn'', 29.3:373-96. [http://muse.jhu.edu/journals/lion_and_the_unicorn/toc/uni29.3.html Abstract]&lt;br /&gt;
&lt;br /&gt;
;Thompson, M., P. Koski, and L. Holyfield, 1997. :&amp;quot;Romance and Agency: An Argument Revisited.&amp;quot; ''Sociological Spectrum'' 17.4: 437-51.&lt;br /&gt;
&lt;br /&gt;
;Thurston,Carol M., 1985. : ‘Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies’, ''Journal of Popular Culture'', 19:1: 35-45.&lt;br /&gt;
&lt;br /&gt;
;Thurston, Carol, 1987. : ''The Romance Revolution: Erotic Novels for Women and the Quest for a New Sexual Identity'' (Urbana and Chicago: University of Illinois Press).&lt;br /&gt;
&lt;br /&gt;
;Timson, Beth S., 1983 : ‘The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition’, ''Studies in Popular Culture'', 6: 88-96. **&lt;br /&gt;
&lt;br /&gt;
;Tobin-McClain, Lee, 2000. : &amp;quot;Paranormal Romance: Secrets of the Female Fantastic.&amp;quot; ''Journal of the Fantastic in the Arts'' 11.3 [43]: 294-306. [http://maura.setonhill.edu/~tobin/paranormal_romance.htm A version is available online here]&lt;br /&gt;
&lt;br /&gt;
;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;br /&gt;
&lt;br /&gt;
;Treacher, Amal, 1988. : ‘What is life without my love: Desire and romantic fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. &lt;br /&gt;
&lt;br /&gt;
;Ty, Eleanor, 1994. : 'Desire and Temptation: Dialogism and the Carnivalesque in Category Romances', in ''A Dialogue of Voices: Approaches to Feminist Literary Theory and Bakhtin'', ed. Karen Hohne and Helen Wussow (University of Minnesota Press), pp. 97-113.**&lt;br /&gt;
&lt;br /&gt;
==V==&lt;br /&gt;
&lt;br /&gt;
;Voaden, Rosalynn, 1995. : 'The Language of Love: Medieval Erotic Vision and Modern Romance Fiction', in ''Romance Revisited'' , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 78-88.&lt;br /&gt;
&lt;br /&gt;
==W==&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1995. : &amp;quot;The Heroine is Being Beaten: Freud, Sadomasochism, and Reading the Romance.&amp;quot; ''Style'' 29: 459-73. [http://www.highbeam.com/library/docFree.asp?DOCID=1G1:18096761 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wardrop, Stephanie, 1997. : 'Last of the Red Hot Mohicans: Miscegenation in the Popular American Romance', ''MELUS'', 22. 2, Popular Literature and Film: 61-74. [http://www.findarticles.com/p/articles/mi_m2278/is_n2_v22/ai_20175894 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wareing, Shan, 1994. : 'And Then He Kissed Her: The Reclamation of Female Characters to Submissive Roles in Contemporary Fiction', in ''Feminist Linguistics in Literary Criticism'', ed. Katie Wales, Essays and Studies, 47 (Cambridge: D. S. Brewer), pp. 117-36.&lt;br /&gt;
&lt;br /&gt;
;Watson, Daphne, 1995. : ''Their Own Worst Enemies; Women Writers of Women's Fiction.'' (London: Pluto Press). Chapter on 'Two for the Price of One; the novels of Mills and Boon' pp. 75-94.&lt;br /&gt;
&lt;br /&gt;
;Weir, Angela, and Elizabeth Wilson, 1992.: &amp;quot;The Greyhound Bus Station in the Evolution of Lesbian Popular Culture.&amp;quot; in ''New Lesbian Criticism: Literary and Cultural Readings'' ed. Sally Munt (New York: Columbia UP) pp. 95-113. .&lt;br /&gt;
&lt;br /&gt;
;Weisser, Susan Ostrov. 1994. : 'The Wonderful-Terrible Bitch Figure in [[Harlequin]] Novels', in ''Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood'', ed. Susan Ostrov Weisser and Jennifer Fleischner (New York: New York University Press), pp. 269-82. **&lt;br /&gt;
&lt;br /&gt;
;Westman, Karin E., 2003. : 'A Story of Her Weaving: The Self-Authoring Heroines of Georgette Heyer's Regency Romance', in ''Doubled Plots: Romance and History'', see above, pp. 165-184. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1996. : ‘Mate Selection in Popular Women's Fiction’, ''Human Nature'', 7: 427-447. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1998. : 'The Formula Behind Women's Romantic Formula Fiction (Statistical survey of 50 Harlequin-Presents novels)', ''Arachne'', 5.1:89-119. [The online text available [http://laurentian.ca/engl/ARACHNE/VOL51/WHISSELL.HTM here] may only be an extract from the original as it is extremely short and has no page-numbers]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2002. : &amp;quot;Islamic-Hausa Feminism and Kano Market Literature: Qur'anic Reinterpretation in the Novels of Balaraba Yakubu.&amp;quot; ''Research in African Literatures'' 33.2: 119-136. [http://www.accessmylibrary.com/coms2/summary_0286-25414370_ITM Excerpt]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Islamic-Hausa Feminism Meets Northern Nigerian Romance: The Cautious Rebellion of Bilkisu Funtuwa.&amp;quot; ''African Studies Review'' 46.1: 137-53. [http://www.findarticles.com/p/articles/mi_qa4106/is_200304/ai_n9219184 Unofficial, unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction.&amp;quot; ''Tulsa Studies in Women's Literature'' 22.2: 387-408.&lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, and Jean R. Freedman, 1995. : &amp;quot;Shakespeare's Step-Sisters: Romance Novels and the Community of Women.&amp;quot; in ''Folklore, Literature, and Cultural Theory: Collected Essays.'' ed. Cathy Lynn Preston (New York, NY: Garland) pp. 135-168. &lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, 1998. : &amp;quot;Keepers of the Flame: The Romance Novel and Its Fans.&amp;quot; ''Lore and Language'' 16.1-2: 115-138.&lt;br /&gt;
&lt;br /&gt;
;Williams, Jeffrey J., 2006. : &amp;quot;The Culture of Books: An Interview with Janice Radway.&amp;quot; ''Minnesota Review: A Journal of Committed Writing.'' ns 65-66: 133-148. [http://www.theminnesotareview.org/journal/ns6566/iae_ns6566_cultureofreading.shtml]&lt;br /&gt;
&lt;br /&gt;
;Wirtén, Eva Hemmungs, 1998. : ' &amp;quot;They Seek It Here, They Seek It There, They Seek It Everywhere&amp;quot;: Looking for the &amp;quot;Global&amp;quot; Book', ''Canadian Journal of Communication'', 23.2.[http://info.wlu.ca/~wwwpress/jrls/cjc/BackIssues/23.2/wirten.html]['this article uses Harlequin's Stockholm office as a case study for a closer look at just how Harlequin romances are transposed from one cultural context into another']. According to the author's [http://www.abm.uu.se/evahw/ website] This is an abbreviated version of a chapter from her thesis, the details of, and a link for which, are provided on the page for dissertation abstracts.&lt;br /&gt;
&lt;br /&gt;
;Wirten, Eva Hemmungs, 2000. : &amp;quot;Harlequin romances in Swedish: a case study in globalized publishing.&amp;quot; ''Logos'' 11.4:203-7.&lt;br /&gt;
&lt;br /&gt;
;Wood, Helen, 2004. : 'What Reading the Romance Did for Us', ''European Journal of Cultural Studies'', 7.2:147-54. [This is about the place of Radway's ''Reading the Romance'' in the history/development of cultural studies]&lt;br /&gt;
&lt;br /&gt;
;Wood, Julia T., 2001. : 'The normalization of violence in heterosexual romantic relationships: Women's narratives of love and violence', ''Journal of Social and Personal Relationships'', 18.2: 239-261.** There is an [http://spr.sagepub.com/cgi/content/abstract/18/2/239 abstract] and a [http://www.unc.edu/news/archives/jul01/rom072301.htm press release] reporting Wood's findings.&lt;br /&gt;
&lt;br /&gt;
;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;br /&gt;
&lt;br /&gt;
;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;br /&gt;
&lt;br /&gt;
;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;br /&gt;
&lt;br /&gt;
==Y==&lt;br /&gt;
&lt;br /&gt;
;Young, Beth Rapp, 1997. : &amp;quot;Accidental Authors, Random Readers, and the Art of Popular Romance.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 29-45.&lt;br /&gt;
&lt;br /&gt;
==Z==&lt;br /&gt;
&lt;br /&gt;
; Zidle, Abby, 1999. : 'From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance', in ''Romantic Conventions'', see above, pp. 23-24. **&lt;/div&gt;</summary>
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		<title>Bibliography P-S</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=66436"/>
		<updated>2008-06-16T09:09:40Z</updated>

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&lt;hr /&gt;
&lt;div&gt;[[category:Romance Resources]][[category:Romance Scholarship]]&lt;br /&gt;
Items with the &amp;quot;**&amp;quot; have not been personally checked. This means that the details given in the entry may not be entirely accurate.&lt;br /&gt;
&lt;br /&gt;
From this page you may return to the main [[Romance Scholarship]] page or go directly to&lt;br /&gt;
&lt;br /&gt;
* [[Bibliography A-G]] - the first half of our bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Bibliography H-O]] - the second part of the bibliography of academic articles and books about romance.&lt;br /&gt;
* [[Academic Online Essays (not published in academic journals or volumes)]]&lt;br /&gt;
* [[Dissertation Abstracts]]&lt;br /&gt;
* [[Scholarship in Languages Other than English]].&lt;br /&gt;
* [[Romance Resources for Academics]] - lists romance-related resources which may be of interest to academics.&lt;br /&gt;
* [[Writers on Romance]] - lists items written about the genre by romance authors but not published in academic journals or books.&lt;br /&gt;
* [[Romance in the Media]] - lists news items/features items about romance.&lt;br /&gt;
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==P==&lt;br /&gt;
;Paizis, George, 1987. : '&amp;quot;Putting People First&amp;quot; or the contemporary romantic novel, critical discourse and ideology', ''La Chouette'', no 18, March: 38-46. [''[http://www.bbk.ac.uk/llc/forstudents/fs_fr/fr_lc La Chouette]'' is published by the Department of French, School of Languages, Linguistics and Culture, Birkbeck College, University of London] **&lt;br /&gt;
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;Paizis, George, 1987. : 'That's Romance', ''Socialist Review'', July: 24. **&lt;br /&gt;
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;Paizis, George, 1994-95. : 'Love, Ideology and Reality: the popular romantic novel and the reader', ''Journal of the Institute of Romance Studies'', 3: 357-68. **&lt;br /&gt;
&lt;br /&gt;
;Paizis, George, 1998. : 'Category Romances - Translation, Realism and Myth', ''The Translator'', 4: 1-24. [http://www.stjerome.co.uk/page.php?id=336&amp;amp;doctype=The%20Translator&amp;amp;section=1 Abstract]&lt;br /&gt;
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;Paizis, George, 1998. : ''Love and the Novel: The Poetics and Politics of Romantic Fiction'' (Palgrave Macmillan). [http://www.powells.com/biblio?show=HARDCOVER:NEW:0312215479:104.50#synopses_and_reviews Some details] **&lt;br /&gt;
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;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;br /&gt;
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;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract]&lt;br /&gt;
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;Patthey Chavez, GG, and L. Clare, M. Youmans,1996. : 'Watery passion: The struggle between hegemony and sexual liberation in erotic fiction for women.' ''Discourse and Society.'' 7.1: 77-106.&lt;br /&gt;
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;Pearce, Lynne, 2004. : &amp;quot;Popular Romance and Its Readers.&amp;quot; in ''A Companion to Romance: From Classical to Contemporary.''  ed. Corinne Saunders, (Malden, MA: Blackwell, pp. 521-538.&lt;br /&gt;
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;Pearce, Lynne, 2007. : '' Romance Writing.'' (Cambridge: Polity Press). Historical treatment looking at romance broadly. Does touch on popular romance, but it is not the whole focus of the book. [http://bookshop.blackwell.co.uk/jsp/id/Romance_Writing/9780745630052 Abstract]&lt;br /&gt;
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;Philips, Deborah, 1990. : 'Mills and Boon: The Marketing of Moonshine,' in ''Consumption, Identity, and Style: Marketing, Meanings, and the Packaging of Pleasure'', ed. Alan Tomlinson (London: Routledge), pp. 139-52. [http://books.google.com/books?id=PvAfLS2QnMwC&amp;amp;pg=RA1-PA139&amp;amp;lpg=RA1-PA139&amp;amp;dq=Deborah+philips+%22marketing+of+moonshine%22&amp;amp;source=web&amp;amp;ots=j6M_s4okbY&amp;amp;sig=zPi4ByZJjzoFXEuJHOq3fUN1UrM Excerpt here.]&lt;br /&gt;
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;Philips, Deborah, 2000. : 'Shopping for Men: The Single Woman Narrative', ''Women: a Cultural Review'', 11.3: 238-251. [http://www.ingentaconnect.com/search/article?title=philips+shopping+for+men&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract]&lt;br /&gt;
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;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;br /&gt;
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;Purdie, Susan, 1992. : 'Janice Radway, Reading the Romance', in  ''Reading into Cultural Studies'' ed. Martin Barker and Anne Beezer, (London: Routledge), pp. 148-64.&lt;br /&gt;
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;Puri, Jyoti, 1997. : ‘Reading Romance Novels in Postcolonial India’, ''Gender &amp;amp; Society'', 11.4: 434-452. [http://gas.sagepub.com/cgi/content/abstract/11/4/434?ck=nck Abstract]&lt;br /&gt;
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==R==&lt;br /&gt;
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;Rabine, Leslie W., 1985. : ‘Romance in the Age of Electronics: Harlequin Enterprises’, ''Feminist Studies'' 11.1: 39-60.&lt;br /&gt;
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;Radford, Jean, 1992. : &amp;quot;A Certain Latitude: Romance as Genre.&amp;quot;  in ''Gender, Language, and Myth: Essays and Popular Narrative.'' ed. Glenwood Irons, (Toronto: U of Toronto P), pp. 3-19.&lt;br /&gt;
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;Radway, Janice, 1981. : 'The Utopian Impulse in Popular Literature: Gothic Romances and &amp;quot;Feminist&amp;quot; Protest', ''American Quarterly,'' 33.2 (Summer, 1981): 140-162. [First page available [http://links.jstor.org/sici?sici=0003-0678(198122)33%3A2%3C140%3ATUIIPL%3E2.0.CO;2-2 here]]&lt;br /&gt;
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;Radway, Janice A., 1983. : ‘Women Read the Romance: The Interaction of Text and Context’, ''Feminist Studies'', 9.1: 53-78. [First page available [http://links.jstor.org/sici?sici=0046-3663(198321)9%3A1%3C53%3AWRTRTI%3E2.0.CO%3B2-7 here]]&lt;br /&gt;
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;Radway, Janice A., 1984. : 'Interpretive Communities And Variable Literacies: The Functions Of Romance Reading', ''Daedalus'', 113.3:49-73.&lt;br /&gt;
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;Radway, Janice A., 1991. : ''Reading the Romance: Women, Patriarchy, and Popular Literature''  (Chapel Hill: University of North Carolina Press). First published in 1984. The 1991 edition contains a new introduction by the author.&lt;br /&gt;
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;Radway, Janice, 1994. : 'Romance and the Work of Fantasy: Struggles over Feminine Sexuality and Subjectivity at Century's End', in ''Viewing, Reading, Listening: Audiences and Cultural Reception'', ed. Jon Cruz and Justin Lewis (Colorado: Westview Press), pp. 213-31. Reprinted in ''Feminism and Cultural Studies'', ed. Morag Shiach (Oxford: Oxford University Press, 1999), pp. 395-???. **&lt;br /&gt;
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;Ramsdell, Kristin, 1999. :'The Literature of Romance: A Librarian's Viewpoint', originally published in ''Romance Writers' Report'' 19 (June 1999): 37-39.[http://www.library.csuhayward.edu/staff/Ramsdell/romance/TheLiteratureofRomance.htm]&lt;br /&gt;
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;Rapp, Adrian, Dodgen, Lynda, and Anne K. Kaler, 2000. : &amp;quot;A Romance Writer Gets Away with Murder.&amp;quot; ''Clues: A Journal of Detection'' 21.1: 17-21.&lt;br /&gt;
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;[[Alicia Rasley|Rasley, Alicia]], 1999. :'Paradox in Balance: Some Feminist Themes in Romance', originally published in ''North American Romance Writers'', see above.[http://www.sff.net/people/alicia/artparadox.htm]&lt;br /&gt;
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;Raub, Patricia, 1992.  :  &amp;quot;Issues of Passion and Power in E. M. Hull's ''The Sheik''.&amp;quot;  ''Women's Studies'', 21: 119-128.&lt;br /&gt;
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;[[Diana Reep|Reep, Diana]], 1982: ''[[The Rescue And Romance: Popular Novels Before World War I]]'', Bowling Green Sate University Popular Press.&lt;br /&gt;
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;Regis, Pamela., 1997. : 'Complicating Romances and Their Readers: Barrier and Point of Ritual Death in Nora Roberts's Category Fiction.' ''Paradoxa: Studies in World Literary Genres'' 3.1-2:145-154.&lt;br /&gt;
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;Regis, Pamela, 2003. : ''A Natural History of the Romance Novel'' (Philadelphia : University of Pennsylvania Press).&lt;br /&gt;
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;Ricker-Wilson, Carol, 1999. : ‘Busting Textual Bodices: Gender, Reading, and the Popular Romance’, ''English Journal'', 88:3: 57-64.&lt;br /&gt;
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;Roberts, Sherron Killingsworth, 2002. : 'Meet Jessica and Elizabeth from Sweet Valley: Who Are the Female Role Models in Popular Romance Novels for Children?', Paper presented at the Annual Meeting of the American Educational Research Association (New Orleans, LA, April 1-5, 2002). 21 pgs. ERIC document ED470819.&lt;br /&gt;
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;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press).&lt;br /&gt;
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;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265.&lt;br /&gt;
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;Ruggiero, Josephine A. and Weston, Louise C., 1983. : 'Conflicting Images Of Women In Romance Novels', ''International Journal of Women's Studies'', 6.1:18-25.&lt;br /&gt;
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;Russ, Joanna, 1973. : &amp;quot;Somebody's Trying to Kill Me and I Think It's My Husband;the Modern Gothic.&amp;quot; ''Journal of Popular Culture.'', 6.4:666-691.&lt;br /&gt;
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;Ryder, M. E., 1999. : 'Smoke and mirrors: Event patterns in the discourse structure of a romance novel', ''Journal of Pragmatics'', 31.8: 1067-1080. [http://www.ingentaconnect.com/search/article?title=smoke+mirrors+romance&amp;amp;title_type=tka&amp;amp;year_from=1998&amp;amp;year_to=2005&amp;amp;database=1&amp;amp;pageSize=20&amp;amp;index=1 Abstract] **&lt;br /&gt;
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==S==&lt;br /&gt;
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;Sales, Roger, 1999. : &amp;quot;The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance.&amp;quot; in ''Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture.'' ed. Frances Wilson,  (Basingstoke, England; New York, NY: Macmillan; St. Martin's) pp. 166-183.&lt;br /&gt;
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;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;br /&gt;
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;Santaulària, Isabel, 2002. :&amp;quot;The Fallacy of Eternal Love: Romance, Vampires and Love in Linda Lael Miller's Forever and the Night and For All Eternity.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.''(Lleida, Spain: Universitat de Lleida), pp. 111-126. &lt;br /&gt;
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;Scott, Alison M. 2002. : 'Romance in the Stacks; or, Popular Romance Fiction Imperiled', in ''Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America'', ed. Lydia Cushman Schurman and Deidre Johnson, Contributions to the Study of Popular Culture, 75 (Westport, CT: Greenwood),pp. 213-224.&lt;br /&gt;
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;Seale,Maura, 2007. : '&amp;quot;I find some Hindu practices, like burning widows, utterly bizarre&amp;quot;: Representation of Sati and Questions of Choice in Veils of Silk.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 129-147. [http://mauraseale.googlepages.com/veils_final_version.doc Unpaginated version]&lt;br /&gt;
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;Selinger, Eric Murphy, 2007. : 'Rereading the Romance', ''Contemporary Literature'', 48.2: 307-324.[http://muse.jhu.edu/login?uri=/journals/contemporary_literature/v048/48.2selinger.html] [This is a review article, critiquing earlier works on the romance genre (such as those by Radway and Modleski) and giving more favourable opinions about the newer works under review: Juliet Flesch's ''From Australia with Love: A History of Modern Australian Popular Romance Novels''; ''Empowerment versus Oppression: Twenty-First Century Views of Popular Romance Novels'', edited by Sally Goade; Deborah Lutz's ''The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative''; Lynn S. Neal's ''Romancing God: Evangelical Women and Inspirational Fiction''; Pamela Regis's ''A Natural History of the Romance Novel''.]&lt;br /&gt;
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;Shapiro, Joan, &amp;amp; Lee Kroeger, 1991. : ‘Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media’, ''American Journal of Family Therapy'', 19.3: 226-236. **&lt;br /&gt;
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;Shibamoto Smith, Janet S., 2004. : 'Language and Gender in the (Hetero)Romance: &amp;quot;Reading&amp;quot; the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction', in ''Japanese Language, Gender, and Ideology: Cultural Models and Real People'', ed. Shigeko Okamoto and Janet S. Shibamoto Smith (Oxford: Oxford University Press), pp. 113-130. ** [http://linguistlist.org/issues/16/16-1676.html Review]&lt;br /&gt;
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;Shibamoto-Smith, Janet S., 2005. : ‘Translating True Love: Japanese Romantic Fiction, Harlequin-Style’ in ''Gender, Sex and Translation: The Manipulation of Identities'', ed. José Santaemilia (Manchester: St. Jerome Publishing), pp. 97-116. ** [http://www.stjerome.co.uk/page.php?id=424&amp;amp;doctype=Gender,%20Sex%20and%20Translation&amp;amp;section=3 Summary]&lt;br /&gt;
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;Smith, Faith, 1999. :&amp;quot;Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad.&amp;quot; in ''Caribbean Romances: The Politics of Regional Representation.'' ed. Belinda Edmondson (Charlottesville, VA: UP of Virginia) pp. 163-182. &lt;br /&gt;
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;Snitow, Ann Barr, 1979. : ‘Mass Market Romance: Pornography for Women is Different’, ''Radical History Review'' 20 (Spring/Summer 1979):141-61. Republished in ''Powers of Desire: The Politics of Sexuality'' 1983., ed. Ann Snitow, Christine Stansell &amp;amp; Sharon Thompson (New York: Monthly Review Press), pp. 245-263. Republished in &amp;quot;Feminist Literary Theory: A Reader&amp;quot;, ed. Mary Eagleton. New York: Basil Blacwell, 1986.&lt;br /&gt;
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;Sonnet, Esther, 1999. : &amp;quot;'Erotic Fiction by Women for Women’: The Pleasures of Post-Feminist Heterosexuality.&amp;quot; ''Sexualities,''2.2:167-187. [From the [http://sexualities.sagepub.com/cgi/content/abstract/2/2/167 abstract]: &amp;quot;This article addresses the material construction of female heterosexuality through examination of the mass marketing of women’s pornography - ‘erotic fiction for women by women’ as exemplified by Virgin Publishing’s Black Lace imprint.&amp;quot;]&lt;br /&gt;
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;Spehner, Norbert, 1997. : 'L'Amour, toujours l'amour ...: The Popular Love Story and Romance: A Basic Checklist of Secondary Sources.',''Paradoxa: Studies in World Literary Genres'' 3.1-2:253-268.&lt;br /&gt;
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;Stacey, Jackie &amp;amp; Lynne Pearce, 1995. : 'The Heart of the Matter: Feminists Revisit Romance', in ''Romance Revisited'', ed. Lynne Pearce &amp;amp; Jackie Stacey (New York: New York University Press), pp. 11-45.&lt;br /&gt;
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;Stieg, Margaret F., 1985. : 'Indian Romances: Tracts for the Times', ''Journal of Popular Culture'', 18.4: 2-15. ['the Indian Romance, flourished between 1890 and 1930. It was a romantic novel set in India, featuring Anglo-Indians (English expatriates living in India) as the leading characters.' (1985: 2)]&lt;br /&gt;
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;Stotesbury, John A, 1994. : &amp;quot;Language and Mindstyle in Anglophone Popular Romantic Fiction under Apartheid.&amp;quot; ''Logos'' 14: 18-32.&lt;br /&gt;
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;Stotesbury, John A., 2004 : 'Genre and Islam in Recent Anglophone Romantic Fiction', in ''Refracting the Canon in Contemporary British Literature and Film'', ed. Christian Gutleben &amp;amp; Susana Onega, Postmodern Studies, 35 (Amsterdam: Rodopi), pp. 69-82. [http://www.ingentaconnect.com/content/rodopi/pms/2004/00000035/00000001/art00004 Abstract] **&lt;br /&gt;
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;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;br /&gt;
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;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/] ]&lt;br /&gt;
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;Swaffield, Audrey-Claire, 1981. : &amp;quot;Paperbacks Promoting Passion! What Is Harlequin Really Presenting?.&amp;quot; ''Canadian Woman Studies/Les Cahiers de la Femme'' 3.2: 4-6.&lt;br /&gt;
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==T==&lt;br /&gt;
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;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.&lt;br /&gt;
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;Taylor, Jessica, 2007. : &amp;quot;And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels.&amp;quot; ''Journal of Popular Culture'' 40.6: 1032-1051. &lt;br /&gt;
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;Tegan, Mary Beth, 2007. : 'Becoming Both Poet and Poem: Feminists Repossess the Romance.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp.231-?.&lt;br /&gt;
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;Teo, Hsu-Ming, 1999. : 'Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing', ''Olive Pink Society Bulletin'', 11.1: 12–21.&lt;br /&gt;
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;Teo, Hsu-Ming, 2003. : 'The Romance of White Nations: Imperialism, Popular Culture and National Histories', in ''After the Imperial Turn: Thinking with and through the Nation'', ed. Antoinette Burton (Durham, North Carolina: Duke University Press), pp. 279-292.&lt;br /&gt;
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;Teo, Hsu-Ming, 2004. : 'Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels', ''History of Intellectual Culture'', 4.1.[http://www.ucalgary.ca/hic/website/2004vol4no1/framesets/2004vol4no1teoarticleframeset.htm]&lt;br /&gt;
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;Teo, Hsu-Ming. 2007. : 'Orientalism and Mass Market Romance Novels in the Twentieth Century,' in ''Edward Said: The Legacy of a Public Intellectual'', ed Ned Curthoys and Debjani Ganguly (Carlton Vic.: Melbourne University Press), pp. 241-262. [http://www.mup.unimelb.edu.au/ebooks/0-522-85357-9/index.html Abstract]&lt;br /&gt;
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;[[Julie Tetel|Tetel Andresen, Julie]], 1999. : 'Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer', in ''Romantic Conventions'', see above, pp. 173-???. **&lt;br /&gt;
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;Thomas, Audrey, 1986. : 'A Fine Romance, My Dear, This Is,' '' Canadian Literature,'' no. 108:5-12.&lt;br /&gt;
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;Thomas, Glen. 2007. : 'Australia’s Best Romance Novelist: Emma Darcy.' in ''Beautiful Things in Popular Culture''. ed. Alan McKee, (New York: Blackwell) pp. 64–78.&lt;br /&gt;
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;Thomas , Glen, 2007. : 'Romance: The Perfect Creative Industry? A Case Study of Harlequin-Mills and Boon Australia.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 20-29.&lt;br /&gt;
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;Thompson, Anne Booth, 2005. : 'Rereading Fifties Teen Romance: Reflections on Janet Lambert', ''The Lion and the Unicorn'', 29.3:373-96. [http://muse.jhu.edu/journals/lion_and_the_unicorn/toc/uni29.3.html Abstract]&lt;br /&gt;
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;Thompson, M., P. Koski, and L. Holyfield, 1997. :&amp;quot;Romance and Agency: An Argument Revisited.&amp;quot; ''Sociological Spectrum'' 17.4: 437-51.&lt;br /&gt;
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;Thurston,Carol M., 1985. : ‘Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies’, ''Journal of Popular Culture'', 19:1: 35-45.&lt;br /&gt;
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;Thurston, Carol, 1987. : ''The Romance Revolution: Erotic Novels for Women and the Quest for a New Sexual Identity'' (Urbana and Chicago: University of Illinois Press).&lt;br /&gt;
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;Timson, Beth S., 1983 : ‘The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition’, ''Studies in Popular Culture'', 6: 88-96. **&lt;br /&gt;
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;Tobin-McClain, Lee, 2000. : &amp;quot;Paranormal Romance: Secrets of the Female Fantastic.&amp;quot; ''Journal of the Fantastic in the Arts'' 11.3 [43]: 294-306. [http://maura.setonhill.edu/~tobin/paranormal_romance.htm A version is available online here]&lt;br /&gt;
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;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;br /&gt;
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;Treacher, Amal, 1988. : ‘What is life without my love: Desire and romantic fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. &lt;br /&gt;
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;Ty, Eleanor, 1994. : 'Desire and Temptation: Dialogism and the Carnivalesque in Category Romances', in ''A Dialogue of Voices: Approaches to Feminist Literary Theory and Bakhtin'', ed. Karen Hohne and Helen Wussow (University of Minnesota Press), pp. 97-113.**&lt;br /&gt;
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==V==&lt;br /&gt;
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;Voaden, Rosalynn, 1995. : 'The Language of Love: Medieval Erotic Vision and Modern Romance Fiction', in ''Romance Revisited'' , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 78-88.&lt;br /&gt;
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==W==&lt;br /&gt;
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;Wardrop, Stephanie, 1995. : &amp;quot;The Heroine is Being Beaten: Freud, Sadomasochism, and Reading the Romance.&amp;quot; ''Style'' 29: 459-73. [http://www.highbeam.com/library/docFree.asp?DOCID=1G1:18096761 Unpaginated and unofficial copy]&lt;br /&gt;
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;Wardrop, Stephanie, 1997. : 'Last of the Red Hot Mohicans: Miscegenation in the Popular American Romance', ''MELUS'', 22. 2, Popular Literature and Film: 61-74. [http://www.findarticles.com/p/articles/mi_m2278/is_n2_v22/ai_20175894 Unpaginated and unofficial copy]&lt;br /&gt;
&lt;br /&gt;
;Wareing, Shan, 1994. : 'And Then He Kissed Her: The Reclamation of Female Characters to Submissive Roles in Contemporary Fiction', in ''Feminist Linguistics in Literary Criticism'', ed. Katie Wales, Essays and Studies, 47 (Cambridge: D. S. Brewer), pp. 117-36.&lt;br /&gt;
&lt;br /&gt;
;Watson, Daphne, 1995. : ''Their Own Worst Enemies; Women Writers of Women's Fiction.'' (London: Pluto Press). Chapter on 'Two for the Price of One; the novels of Mills and Boon' pp. 75-94.&lt;br /&gt;
&lt;br /&gt;
;Weir, Angela, and Elizabeth Wilson, 1992.: &amp;quot;The Greyhound Bus Station in the Evolution of Lesbian Popular Culture.&amp;quot; in ''New Lesbian Criticism: Literary and Cultural Readings'' ed. Sally Munt (New York: Columbia UP) pp. 95-113. .&lt;br /&gt;
&lt;br /&gt;
;Weisser, Susan Ostrov. 1994. : 'The Wonderful-Terrible Bitch Figure in [[Harlequin]] Novels', in ''Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood'', ed. Susan Ostrov Weisser and Jennifer Fleischner (New York: New York University Press), pp. 269-82. **&lt;br /&gt;
&lt;br /&gt;
;Westman, Karin E., 2003. : 'A Story of Her Weaving: The Self-Authoring Heroines of Georgette Heyer's Regency Romance', in ''Doubled Plots: Romance and History'', see above, pp. 165-184. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1996. : ‘Mate Selection in Popular Women's Fiction’, ''Human Nature'', 7: 427-447. **&lt;br /&gt;
&lt;br /&gt;
;Whissell, Cynthia, 1998. : 'The Formula Behind Women's Romantic Formula Fiction (Statistical survey of 50 Harlequin-Presents novels)', ''Arachne'', 5.1:89-119. [The online text available [http://laurentian.ca/engl/ARACHNE/VOL51/WHISSELL.HTM here] may only be an extract from the original as it is extremely short and has no page-numbers]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2002. : &amp;quot;Islamic-Hausa Feminism and Kano Market Literature: Qur'anic Reinterpretation in the Novels of Balaraba Yakubu.&amp;quot; ''Research in African Literatures'' 33.2: 119-136. [http://www.accessmylibrary.com/coms2/summary_0286-25414370_ITM Excerpt]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Islamic-Hausa Feminism Meets Northern Nigerian Romance: The Cautious Rebellion of Bilkisu Funtuwa.&amp;quot; ''African Studies Review'' 46.1: 137-53. [http://www.findarticles.com/p/articles/mi_qa4106/is_200304/ai_n9219184 Unofficial, unpaginated version]&lt;br /&gt;
&lt;br /&gt;
;Whitsitt, Novian, 2003. : &amp;quot;Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction.&amp;quot; ''Tulsa Studies in Women's Literature'' 22.2: 387-408.&lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, and Jean R. Freedman, 1995. : &amp;quot;Shakespeare's Step-Sisters: Romance Novels and the Community of Women.&amp;quot; in ''Folklore, Literature, and Cultural Theory: Collected Essays.'' ed. Cathy Lynn Preston (New York, NY: Garland) pp. 135-168. &lt;br /&gt;
&lt;br /&gt;
;Williams, Clover, 1998. : &amp;quot;Keepers of the Flame: The Romance Novel and Its Fans.&amp;quot; ''Lore and Language'' 16.1-2: 115-138.&lt;br /&gt;
&lt;br /&gt;
;Williams, Jeffrey J., 2006. : &amp;quot;The Culture of Books: An Interview with Janice Radway.&amp;quot; ''Minnesota Review: A Journal of Committed Writing.'' ns 65-66: 133-148. [http://www.theminnesotareview.org/journal/ns6566/iae_ns6566_cultureofreading.shtml]&lt;br /&gt;
&lt;br /&gt;
;Wirtén, Eva Hemmungs, 1998. : ' &amp;quot;They Seek It Here, They Seek It There, They Seek It Everywhere&amp;quot;: Looking for the &amp;quot;Global&amp;quot; Book', ''Canadian Journal of Communication'', 23.2.[http://info.wlu.ca/~wwwpress/jrls/cjc/BackIssues/23.2/wirten.html]['this article uses Harlequin's Stockholm office as a case study for a closer look at just how Harlequin romances are transposed from one cultural context into another']. According to the author's [http://www.abm.uu.se/evahw/ website] This is an abbreviated version of a chapter from her thesis, the details of, and a link for which, are provided on the page for dissertation abstracts.&lt;br /&gt;
&lt;br /&gt;
;Wirten, Eva Hemmungs, 2000. : &amp;quot;Harlequin romances in Swedish: a case study in globalized publishing.&amp;quot; ''Logos'' 11.4:203-7.&lt;br /&gt;
&lt;br /&gt;
;Wood, Helen, 2004. : 'What Reading the Romance Did for Us', ''European Journal of Cultural Studies'', 7.2:147-54. [This is about the place of Radway's ''Reading the Romance'' in the history/development of cultural studies]&lt;br /&gt;
&lt;br /&gt;
;Wood, Julia T., 2001. : 'The normalization of violence in heterosexual romantic relationships: Women's narratives of love and violence', ''Journal of Social and Personal Relationships'', 18.2: 239-261.** There is an [http://spr.sagepub.com/cgi/content/abstract/18/2/239 abstract] and a [http://www.unc.edu/news/archives/jul01/rom072301.htm press release] reporting Wood's findings.&lt;br /&gt;
&lt;br /&gt;
;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;br /&gt;
&lt;br /&gt;
;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;br /&gt;
&lt;br /&gt;
;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;br /&gt;
&lt;br /&gt;
==Y==&lt;br /&gt;
&lt;br /&gt;
;Young, Beth Rapp, 1997. : &amp;quot;Accidental Authors, Random Readers, and the Art of Popular Romance.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 29-45.&lt;br /&gt;
&lt;br /&gt;
==Z==&lt;br /&gt;
&lt;br /&gt;
; Zidle, Abby, 1999. : 'From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance', in ''Romantic Conventions'', see above, pp. 23-24. **&lt;/div&gt;</summary>
		<author><name>Thomasgj</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11171</id>
		<title>Emma Darcy</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11171"/>
		<updated>2006-10-06T12:20:04Z</updated>

		<summary type="html">&lt;p&gt;Thomasgj: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Category:Authors - D]] [[Category:Presents Author]] [[Category:Australian Author]] [[Category:Pseudonym]] [[Category:Husband And Wife Writing Team]]&lt;br /&gt;
== Biography ==&lt;br /&gt;
[[Emma Darcy]] is the pseudonym for the husband-and-wife writing team of Frank and Wendy Brennan. The couple sold over 60 million books during a career that spanned from 1983 through 1995. After the death of Frank Brennan, Wendy Brennan continues to write as [[Emma Darcy]].&lt;br /&gt;
&lt;br /&gt;
[[Emma Darcy]] has written 88 books for the Harlequin [[Presents]] imprint. Wendy Brennan has also published murder mysteries under the [[Emma Darcy]] name. Titles include the mystery [[Who Killed Camilla]], [[Who Killed Bianca?]], and [[Who Killed Angelique?]].&lt;br /&gt;
 &lt;br /&gt;
The [[Romance Writers Of Australia]] established the [[Emma Darcy]] award in 1993. With a cash prize and guarantee of getting a manuscript in front of an editor, the prize has acquired great cachet in Austalia. Author [[Tracy Cooper-Posey]] was the first recipient of the award. Other winners include [[Bronwyn Jameson]], [[Fiona Brand]], [[Melissa James]], and [[Nalini Singh]].&lt;br /&gt;
== Books ==&lt;br /&gt;
* [[A Marriage Betrayed|''A Marriage Betrayed'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2069]]	December 1999&lt;br /&gt;
* [[A Priceless Love|''A Priceless Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1177]]	June 1989&lt;br /&gt;
* [[A Very Stylish Affair|''A Very Stylish Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1579]]	August 1993&lt;br /&gt;
* [[A Wedding To Remember|''A Wedding To Remember'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1659]]	June 1994&lt;br /&gt;
* [[A World Apart|''A World Apart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#921]]	October 1986&lt;br /&gt;
* [[Always Love|''Always Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1151]]	March 1989&lt;br /&gt;
* [[An Impossible Dream|''An Impossible Dream'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1536]]	March 1993&lt;br /&gt;
* [[Breaking Point|''Breaking Point'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1433]]	February 1992&lt;br /&gt;
* [[Bride Of Diamonds|''Bride Of Diamonds'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1367]]	June 1991&lt;br /&gt;
* [[Bride Of His Choice|''Bride Of His Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2080]]	January 2000&lt;br /&gt;
* [[Burning With Passion|''Burning With Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1721]]	February 1995&lt;br /&gt;
* [[Claiming His Mistress|''Claiming His Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2206]]	October 2001&lt;br /&gt;
* [[Climax Of Passion|''Climax Of Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1771]]	October 1995&lt;br /&gt;
* [[Craving Jamie|''Craving Jamie'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1881]]	May 1997&lt;br /&gt;
* [[Dark Heritage|''Dark Heritage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1511]]	December 1992&lt;br /&gt;
* [[Don't Ask Me Now|''Don't Ask Me Now'']] - [[Presents]], [[Harlequin Presents By The Numbers|#984]]	June 1987&lt;br /&gt;
* [[Don't Play Games|''Don't Play Games'']] - [[Presents]], [[Harlequin Presents By The Numbers|#823]]	October 1985&lt;br /&gt;
* [[Fantasy|''Fantasy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#840]]	December 1985&lt;br /&gt;
* [[Fatherhood Fever!|''Fatherhood Fever!'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1984]]	October 1998&lt;br /&gt;
* [[Having Leo's Child|''Having Leo's Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2050]]	September 1999&lt;br /&gt;
* [[Heart Of The Outback|''Heart Of The Outback'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1519]]	January 1993&lt;br /&gt;
* [[High Risk|''High Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1447]]	April 1992&lt;br /&gt;
* [[His Boardroom Mistress|''His Boardroom Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2380]]	March 2004&lt;br /&gt;
* [[His Bought Mistress|''His Bought Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2439]]	January 2005&lt;br /&gt;
* [[In Need Of A Wife|''In Need Of A Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1679]]	September 1994&lt;br /&gt;
* [[Inherited: One Nanny|''Inherited: One Nanny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1972]]	August 1998&lt;br /&gt;
* [[Jack's Baby|''Jack's Baby'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1857]]	January 1997&lt;br /&gt;
* [[Last Stop Marriage|''Last Stop Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1785]]	January 1996&lt;br /&gt;
* [[Man In The Park|''Man In The Park'']] - [[Presents]], [[Harlequin Presents By The Numbers|#903]]	August 1986&lt;br /&gt;
* [[Marriage Meltdown|''Marriage Meltdown'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1900]]	August 1997&lt;br /&gt;
* [[Merry Christmas|''Merry Christmas'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1923]]	December 1997&lt;br /&gt;
* [[Mischief And Marriage|''Mischief And Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1815]]	June 1996&lt;br /&gt;
* [[Mistress Of Pillatoro|''Mistress Of Pillatoro'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1103]]	September 1988&lt;br /&gt;
* [[No Risks, No Prizes|''No Risks, No Prizes'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1570]]	July 1993&lt;br /&gt;
* [[One-Woman Crusade|''One-Woman Crusade'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1351]]	April 1991&lt;br /&gt;
* [[Point Of Impact|''Point Of Impact'']] - [[Presents]], [[Harlequin Presents By The Numbers|#882]]	May 1986&lt;br /&gt;
* [[Ride The Storm|''Ride The Storm'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1401]]	October 1991&lt;br /&gt;
* [[Seducing The Enemy|''Seducing The Enemy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1906]]	September 1997&lt;br /&gt;
* [[Song Of A Wren|''Song Of A Wren'']] - [[Presents]], [[Harlequin Presents By The Numbers|#864]]	March 1986&lt;br /&gt;
* [[Strike At The Heart|''Strike At The Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1048]]	February 1988&lt;br /&gt;
* [[Tangle Of Torment|''Tangle Of Torment'']] - [[Presents]], [[Harlequin Presents By The Numbers|#680]]	April 1984&lt;br /&gt;
* [[The Aloha Bride|''The Aloha Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1199]]	September 1989&lt;br /&gt;
* [[The Arranged Marriage|''The Arranged Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2253]]	June 2002&lt;br /&gt;
* [[The Bedroom Surrender|''The Bedroom Surrender'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2356]]	November 2003&lt;br /&gt;
* [[The Billionaire Bridegroom|''The Billionaire Bridegroom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2319]]	May 2003&lt;br /&gt;
* [[The Blind-Date Bride|''The Blind-Date Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2308]]	March 2003&lt;br /&gt;
* [[The Bridal Bargain|''The Bridal Bargain'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2259]]	July 2002&lt;br /&gt;
* [[The Cattle King's Mistress|''The Cattle King's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2110]]	June 2000&lt;br /&gt;
* [[The Colour Of Desire|''The Colour Of Desire'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1385]]	August 1991&lt;br /&gt;
* [[The Falcon's Mistress|''The Falcon's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1232]]	January 1990&lt;br /&gt;
* [[The Father Of Her Child|''The Father Of Her Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1833]]	September 1996&lt;br /&gt;
* [[The Fatherhood Affair|''The Fatherhood Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1745]]	June 1995&lt;br /&gt;
* [[The Honeymoon Contract|''The Honeymoon Contract'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2265]]	August 2002&lt;br /&gt;
* [[The Hot-Blooded Groom|''The Hot-Blooded Groom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2195]]	August 2001&lt;br /&gt;
* [[The Impossible Woman|''The Impossible Woman'']] - [[Presents]], [[Harlequin Presents By The Numbers|#935]]	December 1986&lt;br /&gt;
* [[The Italian's Stolen Bride|''The Italian's Stolen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2469]]	June 2005&lt;br /&gt;
* [[The Last Grand Passion|''The Last Grand Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1592]]	October 1993&lt;br /&gt;
* [[The Marriage Decider|''The Marriage Decider'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2020]]	April 1999&lt;br /&gt;
* [[The Marriage Risk|''The Marriage Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2157]]	February 2001&lt;br /&gt;
* [[The One That Got Away|''The One That Got Away'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1033]]	December 1987&lt;br /&gt;
* [[The Outback Bridal Rescue|''The Outback Bridal Rescue'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2427]]	November 2004&lt;br /&gt;
* [[The Outback Marriage Ransom|''The Outback Marriage Ransom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2391]]	May 2004&lt;br /&gt;
* [[The Outback Wedding Takeover|''The Outback Wedding Takeover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2403]]	July 2004&lt;br /&gt;
* [[The Playboy Boss's Chosen Bride|''The Playboy Boss's Chosen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2572]]	October 2006&lt;br /&gt;
* [[The Playboy King's Wife|''The Playboy King's Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2116]]	July 2000&lt;br /&gt;
* [[The Pleasure King's Bride|''The Pleasure King's Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2122]]	August 2000&lt;br /&gt;
* [[The Positive Approach|''The Positive Approach'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1080]]	June 1988&lt;br /&gt;
* [[The Power And The Passion|''The Power And The Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1272]]	June 1990&lt;br /&gt;
* [[The Ramirez Bride|''The Ramirez Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2487]]	September 2005&lt;br /&gt;
* [[The Secret Baby Revenge|''The Secret Baby Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2550]]	July 2006&lt;br /&gt;
* [[The Secret Mistress|''The Secret Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2038]]	July 1999&lt;br /&gt;
* [[The Seduction Of Keira|''The Seduction Of Keira'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1472]]	July 1992&lt;br /&gt;
* [[The Sheikh's Revenge|''The Sheikh's Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1604]]	November 1993&lt;br /&gt;
* [[The Sheikh's Seduction|''The Sheikh's Seduction'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1953]]	May 1998&lt;br /&gt;
* [[The Shining Of Love|''The Shining Of Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1632]]	March 1994&lt;br /&gt;
* [[The Sweetest Revenge|''The Sweetest Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2176]]	May 2001&lt;br /&gt;
* [[The Ultimate Choice|''The Ultimate Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1288]]	August 1990&lt;br /&gt;
* [[The Unpredictable Man|''The Unpredictable Man'']] - [[Presents]], [[Harlequin Presents By The Numbers|#999]]	August 1987&lt;br /&gt;
* [[The Upstairs Lover|''The Upstairs Lover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1555]]	May 1993&lt;br /&gt;
* [[The Velvet Tiger|''The Velvet Tiger'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1496]]	October 1992&lt;br /&gt;
* [[The Wedding|''The Wedding'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1463]]	June 1992&lt;br /&gt;
* [[The Wrong Mirror|''The Wrong Mirror'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1020]]	October 1987&lt;br /&gt;
* [[Their Wedding Day|''Their Wedding Day'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1848]]	November 1996&lt;br /&gt;
* [[To Tame A Wild Heart|''To Tame A Wild Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1455]]	May 1992&lt;br /&gt;
* [[Too Strong To Deny|''Too Strong To Deny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1335]]	February 1991&lt;br /&gt;
* [[Traded To The Sheikh|''Traded To The Sheikh'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2530]]	April 2006&lt;br /&gt;
* [[Twisting Shadows|''Twisting Shadows'']] - [[Presents]], [[Harlequin Presents By The Numbers|#648]]	December 1983&lt;br /&gt;
* [[Woman Of Honour|''Woman Of Honour'']] - [[Presents]], [[Harlequin Presents By The Numbers|#960]]	March 1987&lt;br /&gt;
=== Non-Fiction ===&lt;br /&gt;
* [[How To Be A Successful Romance Writer]] - 1995&lt;br /&gt;
== Interviews/Articles ==&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Darcy.html &amp;quot;No More Virgins&amp;quot;: Writing Romance - an Interview with Emma Darcy]&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Curthoys.html 'Popular Romance in the Postmodern Age. And an Unknown Australian Author'] - Paper written by Ann Curthoys &amp;amp; John Docker, discusses [[Edwina Shore]] and [[Emma Darcy]]. Part of the the RomanceWiki [[Bibliography A-G|academic bibligraphy]].&lt;/div&gt;</summary>
		<author><name>Thomasgj</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11170</id>
		<title>Emma Darcy</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11170"/>
		<updated>2006-10-06T12:19:22Z</updated>

		<summary type="html">&lt;p&gt;Thomasgj: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Category:Authors - D]] [[Category:Presents Author]] [[Category:Australian Author]] [[Category:Pseudonym]] [[Category:Husband And Wife Writing Team]]&lt;br /&gt;
== Biography ==&lt;br /&gt;
[[Emma Darcy]] is the pseudonym for the husband-and-wife writing team of Frank and Wendy Brennan. The couple sold over 60 million books during a career that spanned from 1983 through 1995. After the death of Frank Brennan, Wendy Brennan continues to write as [[Emma Darcy]].&lt;br /&gt;
&lt;br /&gt;
[[Emma Darcy]] has written 88 books for the Harlequin [[Presents]] imprint. The couple also published murder mysteries under the [[Emma Darcy]] name. Titles include the mystery [[Who Killed Camilla]], [[Who Killed Bianca?]], and [[Who Killed Angelique?]].&lt;br /&gt;
 &lt;br /&gt;
The [[Romance Writers Of Australia]] established the [[Emma Darcy]] award in 1993. With a cash prize and guarantee of getting a manuscript in front of an editor, the prize has acquired great cachet in Austalia. Author [[Tracy Cooper-Posey]] was the first recipient of the award. Other winners include [[Bronwyn Jameson]], [[Fiona Brand]], [[Melissa James]], and [[Nalini Singh]].&lt;br /&gt;
== Books ==&lt;br /&gt;
* [[A Marriage Betrayed|''A Marriage Betrayed'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2069]]	December 1999&lt;br /&gt;
* [[A Priceless Love|''A Priceless Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1177]]	June 1989&lt;br /&gt;
* [[A Very Stylish Affair|''A Very Stylish Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1579]]	August 1993&lt;br /&gt;
* [[A Wedding To Remember|''A Wedding To Remember'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1659]]	June 1994&lt;br /&gt;
* [[A World Apart|''A World Apart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#921]]	October 1986&lt;br /&gt;
* [[Always Love|''Always Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1151]]	March 1989&lt;br /&gt;
* [[An Impossible Dream|''An Impossible Dream'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1536]]	March 1993&lt;br /&gt;
* [[Breaking Point|''Breaking Point'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1433]]	February 1992&lt;br /&gt;
* [[Bride Of Diamonds|''Bride Of Diamonds'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1367]]	June 1991&lt;br /&gt;
* [[Bride Of His Choice|''Bride Of His Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2080]]	January 2000&lt;br /&gt;
* [[Burning With Passion|''Burning With Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1721]]	February 1995&lt;br /&gt;
* [[Claiming His Mistress|''Claiming His Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2206]]	October 2001&lt;br /&gt;
* [[Climax Of Passion|''Climax Of Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1771]]	October 1995&lt;br /&gt;
* [[Craving Jamie|''Craving Jamie'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1881]]	May 1997&lt;br /&gt;
* [[Dark Heritage|''Dark Heritage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1511]]	December 1992&lt;br /&gt;
* [[Don't Ask Me Now|''Don't Ask Me Now'']] - [[Presents]], [[Harlequin Presents By The Numbers|#984]]	June 1987&lt;br /&gt;
* [[Don't Play Games|''Don't Play Games'']] - [[Presents]], [[Harlequin Presents By The Numbers|#823]]	October 1985&lt;br /&gt;
* [[Fantasy|''Fantasy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#840]]	December 1985&lt;br /&gt;
* [[Fatherhood Fever!|''Fatherhood Fever!'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1984]]	October 1998&lt;br /&gt;
* [[Having Leo's Child|''Having Leo's Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2050]]	September 1999&lt;br /&gt;
* [[Heart Of The Outback|''Heart Of The Outback'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1519]]	January 1993&lt;br /&gt;
* [[High Risk|''High Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1447]]	April 1992&lt;br /&gt;
* [[His Boardroom Mistress|''His Boardroom Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2380]]	March 2004&lt;br /&gt;
* [[His Bought Mistress|''His Bought Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2439]]	January 2005&lt;br /&gt;
* [[In Need Of A Wife|''In Need Of A Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1679]]	September 1994&lt;br /&gt;
* [[Inherited: One Nanny|''Inherited: One Nanny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1972]]	August 1998&lt;br /&gt;
* [[Jack's Baby|''Jack's Baby'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1857]]	January 1997&lt;br /&gt;
* [[Last Stop Marriage|''Last Stop Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1785]]	January 1996&lt;br /&gt;
* [[Man In The Park|''Man In The Park'']] - [[Presents]], [[Harlequin Presents By The Numbers|#903]]	August 1986&lt;br /&gt;
* [[Marriage Meltdown|''Marriage Meltdown'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1900]]	August 1997&lt;br /&gt;
* [[Merry Christmas|''Merry Christmas'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1923]]	December 1997&lt;br /&gt;
* [[Mischief And Marriage|''Mischief And Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1815]]	June 1996&lt;br /&gt;
* [[Mistress Of Pillatoro|''Mistress Of Pillatoro'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1103]]	September 1988&lt;br /&gt;
* [[No Risks, No Prizes|''No Risks, No Prizes'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1570]]	July 1993&lt;br /&gt;
* [[One-Woman Crusade|''One-Woman Crusade'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1351]]	April 1991&lt;br /&gt;
* [[Point Of Impact|''Point Of Impact'']] - [[Presents]], [[Harlequin Presents By The Numbers|#882]]	May 1986&lt;br /&gt;
* [[Ride The Storm|''Ride The Storm'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1401]]	October 1991&lt;br /&gt;
* [[Seducing The Enemy|''Seducing The Enemy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1906]]	September 1997&lt;br /&gt;
* [[Song Of A Wren|''Song Of A Wren'']] - [[Presents]], [[Harlequin Presents By The Numbers|#864]]	March 1986&lt;br /&gt;
* [[Strike At The Heart|''Strike At The Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1048]]	February 1988&lt;br /&gt;
* [[Tangle Of Torment|''Tangle Of Torment'']] - [[Presents]], [[Harlequin Presents By The Numbers|#680]]	April 1984&lt;br /&gt;
* [[The Aloha Bride|''The Aloha Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1199]]	September 1989&lt;br /&gt;
* [[The Arranged Marriage|''The Arranged Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2253]]	June 2002&lt;br /&gt;
* [[The Bedroom Surrender|''The Bedroom Surrender'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2356]]	November 2003&lt;br /&gt;
* [[The Billionaire Bridegroom|''The Billionaire Bridegroom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2319]]	May 2003&lt;br /&gt;
* [[The Blind-Date Bride|''The Blind-Date Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2308]]	March 2003&lt;br /&gt;
* [[The Bridal Bargain|''The Bridal Bargain'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2259]]	July 2002&lt;br /&gt;
* [[The Cattle King's Mistress|''The Cattle King's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2110]]	June 2000&lt;br /&gt;
* [[The Colour Of Desire|''The Colour Of Desire'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1385]]	August 1991&lt;br /&gt;
* [[The Falcon's Mistress|''The Falcon's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1232]]	January 1990&lt;br /&gt;
* [[The Father Of Her Child|''The Father Of Her Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1833]]	September 1996&lt;br /&gt;
* [[The Fatherhood Affair|''The Fatherhood Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1745]]	June 1995&lt;br /&gt;
* [[The Honeymoon Contract|''The Honeymoon Contract'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2265]]	August 2002&lt;br /&gt;
* [[The Hot-Blooded Groom|''The Hot-Blooded Groom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2195]]	August 2001&lt;br /&gt;
* [[The Impossible Woman|''The Impossible Woman'']] - [[Presents]], [[Harlequin Presents By The Numbers|#935]]	December 1986&lt;br /&gt;
* [[The Italian's Stolen Bride|''The Italian's Stolen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2469]]	June 2005&lt;br /&gt;
* [[The Last Grand Passion|''The Last Grand Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1592]]	October 1993&lt;br /&gt;
* [[The Marriage Decider|''The Marriage Decider'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2020]]	April 1999&lt;br /&gt;
* [[The Marriage Risk|''The Marriage Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2157]]	February 2001&lt;br /&gt;
* [[The One That Got Away|''The One That Got Away'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1033]]	December 1987&lt;br /&gt;
* [[The Outback Bridal Rescue|''The Outback Bridal Rescue'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2427]]	November 2004&lt;br /&gt;
* [[The Outback Marriage Ransom|''The Outback Marriage Ransom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2391]]	May 2004&lt;br /&gt;
* [[The Outback Wedding Takeover|''The Outback Wedding Takeover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2403]]	July 2004&lt;br /&gt;
* [[The Playboy Boss's Chosen Bride|''The Playboy Boss's Chosen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2572]]	October 2006&lt;br /&gt;
* [[The Playboy King's Wife|''The Playboy King's Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2116]]	July 2000&lt;br /&gt;
* [[The Pleasure King's Bride|''The Pleasure King's Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2122]]	August 2000&lt;br /&gt;
* [[The Positive Approach|''The Positive Approach'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1080]]	June 1988&lt;br /&gt;
* [[The Power And The Passion|''The Power And The Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1272]]	June 1990&lt;br /&gt;
* [[The Ramirez Bride|''The Ramirez Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2487]]	September 2005&lt;br /&gt;
* [[The Secret Baby Revenge|''The Secret Baby Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2550]]	July 2006&lt;br /&gt;
* [[The Secret Mistress|''The Secret Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2038]]	July 1999&lt;br /&gt;
* [[The Seduction Of Keira|''The Seduction Of Keira'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1472]]	July 1992&lt;br /&gt;
* [[The Sheikh's Revenge|''The Sheikh's Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1604]]	November 1993&lt;br /&gt;
* [[The Sheikh's Seduction|''The Sheikh's Seduction'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1953]]	May 1998&lt;br /&gt;
* [[The Shining Of Love|''The Shining Of Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1632]]	March 1994&lt;br /&gt;
* [[The Sweetest Revenge|''The Sweetest Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2176]]	May 2001&lt;br /&gt;
* [[The Ultimate Choice|''The Ultimate Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1288]]	August 1990&lt;br /&gt;
* [[The Unpredictable Man|''The Unpredictable Man'']] - [[Presents]], [[Harlequin Presents By The Numbers|#999]]	August 1987&lt;br /&gt;
* [[The Upstairs Lover|''The Upstairs Lover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1555]]	May 1993&lt;br /&gt;
* [[The Velvet Tiger|''The Velvet Tiger'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1496]]	October 1992&lt;br /&gt;
* [[The Wedding|''The Wedding'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1463]]	June 1992&lt;br /&gt;
* [[The Wrong Mirror|''The Wrong Mirror'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1020]]	October 1987&lt;br /&gt;
* [[Their Wedding Day|''Their Wedding Day'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1848]]	November 1996&lt;br /&gt;
* [[To Tame A Wild Heart|''To Tame A Wild Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1455]]	May 1992&lt;br /&gt;
* [[Too Strong To Deny|''Too Strong To Deny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1335]]	February 1991&lt;br /&gt;
* [[Traded To The Sheikh|''Traded To The Sheikh'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2530]]	April 2006&lt;br /&gt;
* [[Twisting Shadows|''Twisting Shadows'']] - [[Presents]], [[Harlequin Presents By The Numbers|#648]]	December 1983&lt;br /&gt;
* [[Woman Of Honour|''Woman Of Honour'']] - [[Presents]], [[Harlequin Presents By The Numbers|#960]]	March 1987&lt;br /&gt;
=== Non-Fiction ===&lt;br /&gt;
* [[How To Be A Successful Romance Writer]] - 1995&lt;br /&gt;
== Interviews/Articles ==&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Darcy.html &amp;quot;No More Virgins&amp;quot;: Writing Romance - an Interview with Emma Darcy]&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Curthoys.html 'Popular Romance in the Postmodern Age. And an Unknown Australian Author'] - Paper written by Ann Curthoys &amp;amp; John Docker, discusses [[Edwina Shore]] and [[Emma Darcy]]. Part of the the RomanceWiki [[Bibliography A-G|academic bibligraphy]].&lt;/div&gt;</summary>
		<author><name>Thomasgj</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11169</id>
		<title>Emma Darcy</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Emma_Darcy&amp;diff=11169"/>
		<updated>2006-10-06T12:18:40Z</updated>

		<summary type="html">&lt;p&gt;Thomasgj: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Category:Authors - D]] [[Category:Presents Author]] [[Category:Australian Author]] [[Category:Pseudonym]] [[Category:Husband And Wife Writing Team]]&lt;br /&gt;
== Biography ==&lt;br /&gt;
[[Emma Darcy]] is the pseudonym for the husband-and-wife writing team of Frank and Wendy Brennan. The couple sold over 60 million books during a career that spanned from 1983 through 2001. After the death of Frank Brennan, Wendy Brennan continues to write as [[Emma Darcy]].&lt;br /&gt;
&lt;br /&gt;
[[Emma Darcy]] has written 88 books for the Harlequin [[Presents]] imprint. The couple also published murder mysteries under the [[Emma Darcy]] name. Titles include the mystery [[Who Killed Camilla]], [[Who Killed Bianca?]], and [[Who Killed Angelique?]].&lt;br /&gt;
 &lt;br /&gt;
The [[Romance Writers Of Australia]] established the [[Emma Darcy]] award in 1993. With a cash prize and guarantee of getting a manuscript in front of an editor, the prize has acquired great cachet in Austalia. Author [[Tracy Cooper-Posey]] was the first recipient of the award. Other winners include [[Bronwyn Jameson]], [[Fiona Brand]], [[Melissa James]], and [[Nalini Singh]].&lt;br /&gt;
== Books ==&lt;br /&gt;
* [[A Marriage Betrayed|''A Marriage Betrayed'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2069]]	December 1999&lt;br /&gt;
* [[A Priceless Love|''A Priceless Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1177]]	June 1989&lt;br /&gt;
* [[A Very Stylish Affair|''A Very Stylish Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1579]]	August 1993&lt;br /&gt;
* [[A Wedding To Remember|''A Wedding To Remember'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1659]]	June 1994&lt;br /&gt;
* [[A World Apart|''A World Apart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#921]]	October 1986&lt;br /&gt;
* [[Always Love|''Always Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1151]]	March 1989&lt;br /&gt;
* [[An Impossible Dream|''An Impossible Dream'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1536]]	March 1993&lt;br /&gt;
* [[Breaking Point|''Breaking Point'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1433]]	February 1992&lt;br /&gt;
* [[Bride Of Diamonds|''Bride Of Diamonds'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1367]]	June 1991&lt;br /&gt;
* [[Bride Of His Choice|''Bride Of His Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2080]]	January 2000&lt;br /&gt;
* [[Burning With Passion|''Burning With Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1721]]	February 1995&lt;br /&gt;
* [[Claiming His Mistress|''Claiming His Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2206]]	October 2001&lt;br /&gt;
* [[Climax Of Passion|''Climax Of Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1771]]	October 1995&lt;br /&gt;
* [[Craving Jamie|''Craving Jamie'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1881]]	May 1997&lt;br /&gt;
* [[Dark Heritage|''Dark Heritage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1511]]	December 1992&lt;br /&gt;
* [[Don't Ask Me Now|''Don't Ask Me Now'']] - [[Presents]], [[Harlequin Presents By The Numbers|#984]]	June 1987&lt;br /&gt;
* [[Don't Play Games|''Don't Play Games'']] - [[Presents]], [[Harlequin Presents By The Numbers|#823]]	October 1985&lt;br /&gt;
* [[Fantasy|''Fantasy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#840]]	December 1985&lt;br /&gt;
* [[Fatherhood Fever!|''Fatherhood Fever!'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1984]]	October 1998&lt;br /&gt;
* [[Having Leo's Child|''Having Leo's Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2050]]	September 1999&lt;br /&gt;
* [[Heart Of The Outback|''Heart Of The Outback'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1519]]	January 1993&lt;br /&gt;
* [[High Risk|''High Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1447]]	April 1992&lt;br /&gt;
* [[His Boardroom Mistress|''His Boardroom Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2380]]	March 2004&lt;br /&gt;
* [[His Bought Mistress|''His Bought Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2439]]	January 2005&lt;br /&gt;
* [[In Need Of A Wife|''In Need Of A Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1679]]	September 1994&lt;br /&gt;
* [[Inherited: One Nanny|''Inherited: One Nanny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1972]]	August 1998&lt;br /&gt;
* [[Jack's Baby|''Jack's Baby'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1857]]	January 1997&lt;br /&gt;
* [[Last Stop Marriage|''Last Stop Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1785]]	January 1996&lt;br /&gt;
* [[Man In The Park|''Man In The Park'']] - [[Presents]], [[Harlequin Presents By The Numbers|#903]]	August 1986&lt;br /&gt;
* [[Marriage Meltdown|''Marriage Meltdown'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1900]]	August 1997&lt;br /&gt;
* [[Merry Christmas|''Merry Christmas'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1923]]	December 1997&lt;br /&gt;
* [[Mischief And Marriage|''Mischief And Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1815]]	June 1996&lt;br /&gt;
* [[Mistress Of Pillatoro|''Mistress Of Pillatoro'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1103]]	September 1988&lt;br /&gt;
* [[No Risks, No Prizes|''No Risks, No Prizes'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1570]]	July 1993&lt;br /&gt;
* [[One-Woman Crusade|''One-Woman Crusade'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1351]]	April 1991&lt;br /&gt;
* [[Point Of Impact|''Point Of Impact'']] - [[Presents]], [[Harlequin Presents By The Numbers|#882]]	May 1986&lt;br /&gt;
* [[Ride The Storm|''Ride The Storm'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1401]]	October 1991&lt;br /&gt;
* [[Seducing The Enemy|''Seducing The Enemy'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1906]]	September 1997&lt;br /&gt;
* [[Song Of A Wren|''Song Of A Wren'']] - [[Presents]], [[Harlequin Presents By The Numbers|#864]]	March 1986&lt;br /&gt;
* [[Strike At The Heart|''Strike At The Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1048]]	February 1988&lt;br /&gt;
* [[Tangle Of Torment|''Tangle Of Torment'']] - [[Presents]], [[Harlequin Presents By The Numbers|#680]]	April 1984&lt;br /&gt;
* [[The Aloha Bride|''The Aloha Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1199]]	September 1989&lt;br /&gt;
* [[The Arranged Marriage|''The Arranged Marriage'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2253]]	June 2002&lt;br /&gt;
* [[The Bedroom Surrender|''The Bedroom Surrender'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2356]]	November 2003&lt;br /&gt;
* [[The Billionaire Bridegroom|''The Billionaire Bridegroom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2319]]	May 2003&lt;br /&gt;
* [[The Blind-Date Bride|''The Blind-Date Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2308]]	March 2003&lt;br /&gt;
* [[The Bridal Bargain|''The Bridal Bargain'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2259]]	July 2002&lt;br /&gt;
* [[The Cattle King's Mistress|''The Cattle King's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2110]]	June 2000&lt;br /&gt;
* [[The Colour Of Desire|''The Colour Of Desire'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1385]]	August 1991&lt;br /&gt;
* [[The Falcon's Mistress|''The Falcon's Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1232]]	January 1990&lt;br /&gt;
* [[The Father Of Her Child|''The Father Of Her Child'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1833]]	September 1996&lt;br /&gt;
* [[The Fatherhood Affair|''The Fatherhood Affair'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1745]]	June 1995&lt;br /&gt;
* [[The Honeymoon Contract|''The Honeymoon Contract'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2265]]	August 2002&lt;br /&gt;
* [[The Hot-Blooded Groom|''The Hot-Blooded Groom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2195]]	August 2001&lt;br /&gt;
* [[The Impossible Woman|''The Impossible Woman'']] - [[Presents]], [[Harlequin Presents By The Numbers|#935]]	December 1986&lt;br /&gt;
* [[The Italian's Stolen Bride|''The Italian's Stolen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2469]]	June 2005&lt;br /&gt;
* [[The Last Grand Passion|''The Last Grand Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1592]]	October 1993&lt;br /&gt;
* [[The Marriage Decider|''The Marriage Decider'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2020]]	April 1999&lt;br /&gt;
* [[The Marriage Risk|''The Marriage Risk'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2157]]	February 2001&lt;br /&gt;
* [[The One That Got Away|''The One That Got Away'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1033]]	December 1987&lt;br /&gt;
* [[The Outback Bridal Rescue|''The Outback Bridal Rescue'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2427]]	November 2004&lt;br /&gt;
* [[The Outback Marriage Ransom|''The Outback Marriage Ransom'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2391]]	May 2004&lt;br /&gt;
* [[The Outback Wedding Takeover|''The Outback Wedding Takeover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2403]]	July 2004&lt;br /&gt;
* [[The Playboy Boss's Chosen Bride|''The Playboy Boss's Chosen Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2572]]	October 2006&lt;br /&gt;
* [[The Playboy King's Wife|''The Playboy King's Wife'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2116]]	July 2000&lt;br /&gt;
* [[The Pleasure King's Bride|''The Pleasure King's Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2122]]	August 2000&lt;br /&gt;
* [[The Positive Approach|''The Positive Approach'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1080]]	June 1988&lt;br /&gt;
* [[The Power And The Passion|''The Power And The Passion'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1272]]	June 1990&lt;br /&gt;
* [[The Ramirez Bride|''The Ramirez Bride'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2487]]	September 2005&lt;br /&gt;
* [[The Secret Baby Revenge|''The Secret Baby Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2550]]	July 2006&lt;br /&gt;
* [[The Secret Mistress|''The Secret Mistress'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2038]]	July 1999&lt;br /&gt;
* [[The Seduction Of Keira|''The Seduction Of Keira'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1472]]	July 1992&lt;br /&gt;
* [[The Sheikh's Revenge|''The Sheikh's Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1604]]	November 1993&lt;br /&gt;
* [[The Sheikh's Seduction|''The Sheikh's Seduction'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1953]]	May 1998&lt;br /&gt;
* [[The Shining Of Love|''The Shining Of Love'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1632]]	March 1994&lt;br /&gt;
* [[The Sweetest Revenge|''The Sweetest Revenge'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2176]]	May 2001&lt;br /&gt;
* [[The Ultimate Choice|''The Ultimate Choice'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1288]]	August 1990&lt;br /&gt;
* [[The Unpredictable Man|''The Unpredictable Man'']] - [[Presents]], [[Harlequin Presents By The Numbers|#999]]	August 1987&lt;br /&gt;
* [[The Upstairs Lover|''The Upstairs Lover'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1555]]	May 1993&lt;br /&gt;
* [[The Velvet Tiger|''The Velvet Tiger'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1496]]	October 1992&lt;br /&gt;
* [[The Wedding|''The Wedding'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1463]]	June 1992&lt;br /&gt;
* [[The Wrong Mirror|''The Wrong Mirror'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1020]]	October 1987&lt;br /&gt;
* [[Their Wedding Day|''Their Wedding Day'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1848]]	November 1996&lt;br /&gt;
* [[To Tame A Wild Heart|''To Tame A Wild Heart'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1455]]	May 1992&lt;br /&gt;
* [[Too Strong To Deny|''Too Strong To Deny'']] - [[Presents]], [[Harlequin Presents By The Numbers|#1335]]	February 1991&lt;br /&gt;
* [[Traded To The Sheikh|''Traded To The Sheikh'']] - [[Presents]], [[Harlequin Presents By The Numbers|#2530]]	April 2006&lt;br /&gt;
* [[Twisting Shadows|''Twisting Shadows'']] - [[Presents]], [[Harlequin Presents By The Numbers|#648]]	December 1983&lt;br /&gt;
* [[Woman Of Honour|''Woman Of Honour'']] - [[Presents]], [[Harlequin Presents By The Numbers|#960]]	March 1987&lt;br /&gt;
=== Non-Fiction ===&lt;br /&gt;
* [[How To Be A Successful Romance Writer]] - 1995&lt;br /&gt;
== Interviews/Articles ==&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Darcy.html &amp;quot;No More Virgins&amp;quot;: Writing Romance - an Interview with Emma Darcy]&lt;br /&gt;
* [http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Curthoys.html 'Popular Romance in the Postmodern Age. And an Unknown Australian Author'] - Paper written by Ann Curthoys &amp;amp; John Docker, discusses [[Edwina Shore]] and [[Emma Darcy]]. Part of the the RomanceWiki [[Bibliography A-G|academic bibligraphy]].&lt;/div&gt;</summary>
		<author><name>Thomasgj</name></author>
		
	</entry>
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