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	<id>https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_D-G</id>
	<title>Bibliography D-G - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_D-G"/>
	<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;action=history"/>
	<updated>2026-05-17T02:26:20Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143305&amp;oldid=prev</id>
		<title>Laura V at 09:13, 11 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143305&amp;oldid=prev"/>
		<updated>2019-09-11T09:13:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:13, 11 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l60&quot; &gt;Line 60:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 60:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Delany, Samuel R., 1987. : “The Gestation of Genres: Literature, Fiction, Romance, Science Fiction, Fantasy ...” ''Intersections: Fantasy and Science Fiction'', eds George E. Slusser and Eric S. Rabkin (Carbondale, IL: Southern Illinois UP), pp. 63-73. [http://books.google.co.uk/books?id=Zao2IFNhvQkC&amp;amp;lpg=PP1&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Delany, Samuel R., 1987. : “The Gestation of Genres: Literature, Fiction, Romance, Science Fiction, Fantasy ...” ''Intersections: Fantasy and Science Fiction'', eds George E. Slusser and Eric S. Rabkin (Carbondale, IL: Southern Illinois UP), pp. 63-73. [http://books.google.co.uk/books?id=Zao2IFNhvQkC&amp;amp;lpg=PP1&amp;amp;pg=PA63#v=onepage&amp;amp;q&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;DeVries, Susan, Margaret Dunlop, Suzanne Goopy, Wendy Moyle, and Diane Sutherland-Lockhart, 1995. : 'Discipline and Passion: Meaning, Masochism and Mythology in Popular Medical Romances', ''Nursing Inquiry'' 2.4: 203-210. [http://www3.interscience.wiley.com/journal/119256839/abstract?CRETRY=1&amp;amp;SRETRY=0 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;DeVries, Susan, Margaret Dunlop, Suzanne Goopy, Wendy Moyle, and Diane Sutherland-Lockhart, 1995. : 'Discipline and Passion: Meaning, Masochism and Mythology in Popular Medical Romances', ''Nursing Inquiry'' 2.4: 203-210. [http://www3.interscience.wiley.com/journal/119256839/abstract?CRETRY=1&amp;amp;SRETRY=0 Abstract&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;] [https://www.academia.edu/662364/Discipline_and_passion_meaning_masochism_and_mythology_in_popular_medical_romances?email_work_card=title pdf&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Diamond, Geneva, 2015. : &amp;quot;Medievalism and the Courtship Plot in Julie Garwood's Popular Romance Novels&amp;quot;, in ''The Middle Ages in Popular Culture: Medievalism and Genre'', ed. Helen Young (Amhurst, NY: Cambria).  [https://books.google.co.uk/books?id=vQ1HCgAAQBAJ&amp;amp;pg=PT51&amp;amp;lpg=PT51&amp;amp;source=bl&amp;amp;ots=_PQEh3U222&amp;amp;sig=j9ZJVpa2AjSEeQONOafVm_dfW-A&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0CCIQ6AEwAGoVChMI-cm8uY3WxwIVBPEUCh1CyQgx#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Diamond, Geneva, 2015. : &amp;quot;Medievalism and the Courtship Plot in Julie Garwood's Popular Romance Novels&amp;quot;, in ''The Middle Ages in Popular Culture: Medievalism and Genre'', ed. Helen Young (Amhurst, NY: Cambria).  [https://books.google.co.uk/books?id=vQ1HCgAAQBAJ&amp;amp;pg=PT51&amp;amp;lpg=PT51&amp;amp;source=bl&amp;amp;ots=_PQEh3U222&amp;amp;sig=j9ZJVpa2AjSEeQONOafVm_dfW-A&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0CCIQ6AEwAGoVChMI-cm8uY3WxwIVBPEUCh1CyQgx#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143279&amp;oldid=prev</id>
		<title>Laura V at 16:57, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143279&amp;oldid=prev"/>
		<updated>2019-07-31T16:57:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:57, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l158&quot; &gt;Line 158:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 158:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Feng, Jin, 2013. : ''Romancing the Internet: Producing and Consuming Chinese Web Romance.'' Leiden: Brill. [http://books.google.co.uk/books?id=yQGaAAAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Feng, Jin, 2013. : ''Romancing the Internet: Producing and Consuming Chinese Web Romance.'' Leiden: Brill. [http://books.google.co.uk/books?id=yQGaAAAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fernández Rodríguez, Carolina, 2019. : &amp;quot;Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality&amp;quot;, Journal of Popular Romance Studies 8.[http://jprstudies.org/2019/07/chamorro-wwii-romances-combating-erasure-with-tales-of-survival-and-vitalityby-carolina-fernandez-rodriguez/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fernández Rodríguez, Carolina, 2019. : &amp;quot;Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality&amp;quot;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Journal of Popular Romance Studies&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;8.[http://jprstudies.org/2019/07/chamorro-wwii-romances-combating-erasure-with-tales-of-survival-and-vitalityby-carolina-fernandez-rodriguez/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Finn, Geraldine, 1988. : 'Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance', ''Popular Cultures and Political Practices'', Ed. Richard Gruneau (Toronto: Garamond Press), 51-67.** [A review by Herman Gray in ''Contemporary Sociology'' 19.1 (1990) describes Finn's article as &amp;quot;The real joy of the volume&amp;quot; and there are further details as follows: &amp;quot;Consistent with the Cultural Studies approach, Finn convincingly demonstrates how Harlequin texts and women's experiences of them express the contradictions that structure women's lives. She argues that women readers find refuge in the Harlequin novels, while at the same time such refuge helps to maintain and reproduce structures of domination that women experience&amp;quot; (74). Another summary of Finn's essay can be found in [http://irs.sagepub.com/cgi/pdf_extract/25/3/248 a review in the ''International Review for the Sociology of Sport'', 25.3, 248-249 (1990).]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Finn, Geraldine, 1988. : 'Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance', ''Popular Cultures and Political Practices'', Ed. Richard Gruneau (Toronto: Garamond Press), 51-67.** [A review by Herman Gray in ''Contemporary Sociology'' 19.1 (1990) describes Finn's article as &amp;quot;The real joy of the volume&amp;quot; and there are further details as follows: &amp;quot;Consistent with the Cultural Studies approach, Finn convincingly demonstrates how Harlequin texts and women's experiences of them express the contradictions that structure women's lives. She argues that women readers find refuge in the Harlequin novels, while at the same time such refuge helps to maintain and reproduce structures of domination that women experience&amp;quot; (74). Another summary of Finn's essay can be found in [http://irs.sagepub.com/cgi/pdf_extract/25/3/248 a review in the ''International Review for the Sociology of Sport'', 25.3, 248-249 (1990).]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143278&amp;oldid=prev</id>
		<title>Laura V at 16:57, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143278&amp;oldid=prev"/>
		<updated>2019-07-31T16:57:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:57, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l157&quot; &gt;Line 157:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 157:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Feng, Jin, 2013. : ''Romancing the Internet: Producing and Consuming Chinese Web Romance.'' Leiden: Brill. [http://books.google.co.uk/books?id=yQGaAAAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Feng, Jin, 2013. : ''Romancing the Internet: Producing and Consuming Chinese Web Romance.'' Leiden: Brill. [http://books.google.co.uk/books?id=yQGaAAAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Fernández Rodríguez, Carolina, 2019. : &amp;quot;Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality&amp;quot;, Journal of Popular Romance Studies 8.[http://jprstudies.org/2019/07/chamorro-wwii-romances-combating-erasure-with-tales-of-survival-and-vitalityby-carolina-fernandez-rodriguez/]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Finn, Geraldine, 1988. : 'Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance', ''Popular Cultures and Political Practices'', Ed. Richard Gruneau (Toronto: Garamond Press), 51-67.** [A review by Herman Gray in ''Contemporary Sociology'' 19.1 (1990) describes Finn's article as &amp;quot;The real joy of the volume&amp;quot; and there are further details as follows: &amp;quot;Consistent with the Cultural Studies approach, Finn convincingly demonstrates how Harlequin texts and women's experiences of them express the contradictions that structure women's lives. She argues that women readers find refuge in the Harlequin novels, while at the same time such refuge helps to maintain and reproduce structures of domination that women experience&amp;quot; (74). Another summary of Finn's essay can be found in [http://irs.sagepub.com/cgi/pdf_extract/25/3/248 a review in the ''International Review for the Sociology of Sport'', 25.3, 248-249 (1990).]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Finn, Geraldine, 1988. : 'Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance', ''Popular Cultures and Political Practices'', Ed. Richard Gruneau (Toronto: Garamond Press), 51-67.** [A review by Herman Gray in ''Contemporary Sociology'' 19.1 (1990) describes Finn's article as &amp;quot;The real joy of the volume&amp;quot; and there are further details as follows: &amp;quot;Consistent with the Cultural Studies approach, Finn convincingly demonstrates how Harlequin texts and women's experiences of them express the contradictions that structure women's lives. She argues that women readers find refuge in the Harlequin novels, while at the same time such refuge helps to maintain and reproduce structures of domination that women experience&amp;quot; (74). Another summary of Finn's essay can be found in [http://irs.sagepub.com/cgi/pdf_extract/25/3/248 a review in the ''International Review for the Sociology of Sport'', 25.3, 248-249 (1990).]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143216&amp;oldid=prev</id>
		<title>Laura V at 17:07, 3 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143216&amp;oldid=prev"/>
		<updated>2019-07-03T17:07:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:07, 3 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l85&quot; &gt;Line 85:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 85:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, Lisa Fletcher and Kim Wilkins, 2016. : &amp;quot;Women, Akubras and Ereaders: Romance Fiction and Australian Publishing.&amp;quot; ''The Return of Print?: Contemporary Australian Publishing''. Ed. Emmett Stinson and Aaron Mannion. Clayton, Victoria: Monash University Publishing. 67-87. [https://www.academia.edu/34113634/Women_Akubras_and_Ereaders_Romance_Fiction_and_Australian_Publishing]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, Lisa Fletcher and Kim Wilkins, 2016. : &amp;quot;Women, Akubras and Ereaders: Romance Fiction and Australian Publishing.&amp;quot; ''The Return of Print?: Contemporary Australian Publishing''. Ed. Emmett Stinson and Aaron Mannion. Clayton, Victoria: Monash University Publishing. 67-87. [https://www.academia.edu/34113634/Women_Akubras_and_Ereaders_Romance_Fiction_and_Australian_Publishing]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Driscoll, Beth, Lisa Fletcher, Kim Wilkins and David Carter, 2018. : &amp;quot;The Publishing Ecosystems of Contemporary Australian Genre Fiction.&amp;quot; ''Creative Industries Journal'' 11.2: 203-221. [https://www.tandfonline.com/doi/full/10.1080/17510694.2018.1480851?scroll=top&amp;amp;needAccess=true Abstract]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, 2019. : 'Book Blogs as Tastemakers', ''Participations'' 16.1: 280-305.[http://www.participations.org/Volume%2016/Issue%201/14.pdf] [Looks at romance fiction blogs Smart Bitches, Trashy Books (SBTB), Natasha is a Book Junkie (NIABJ), and Joyfully Jay.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, 2019. : 'Book Blogs as Tastemakers', ''Participations'' 16.1: 280-305.[http://www.participations.org/Volume%2016/Issue%201/14.pdf] [Looks at romance fiction blogs Smart Bitches, Trashy Books (SBTB), Natasha is a Book Junkie (NIABJ), and Joyfully Jay.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Catherine, 2006. : &amp;quot;One True Pairing: The Romance of Pornography and the Pornography of Romance.&amp;quot; &amp;lt;i&amp;gt;Fan Fiction and Fan Communities in the Age of the Internet: New Essays&amp;lt;/i&amp;gt;, eds. Karen Hellekson and Kristina Busse (Jefferson, NC: McFarland): 79–96. [http://karenhellekson.com/?page_id=38 Abstract] [Pdf can be downloaded [http://usyd.academia.edu/CatherineDriscoll/Papers/649414/One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance from Academia.edu].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Catherine, 2006. : &amp;quot;One True Pairing: The Romance of Pornography and the Pornography of Romance.&amp;quot; &amp;lt;i&amp;gt;Fan Fiction and Fan Communities in the Age of the Internet: New Essays&amp;lt;/i&amp;gt;, eds. Karen Hellekson and Kristina Busse (Jefferson, NC: McFarland): 79–96. [http://karenhellekson.com/?page_id=38 Abstract] [Pdf can be downloaded [http://usyd.academia.edu/CatherineDriscoll/Papers/649414/One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance from Academia.edu].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Driscoll, Beth, Lisa Fletcher, Kim Wilkins and David Carter, 2018. : &amp;quot;The Publishing Ecosystems of Contemporary Australian Genre Fiction.&amp;quot; ''Creative Industries Journal'' 11.2: 203-221. [https://www.tandfonline.com/doi/full/10.1080/17510694.2018.1480851?scroll=top&amp;amp;needAccess=true Abstract]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Dubino, Jeanne. 1993. : “The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism.” ''Journal of Popular Culture'', 27.3: 103-118.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Dubino, Jeanne. 1993. : “The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism.” ''Journal of Popular Culture'', 27.3: 103-118.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143215&amp;oldid=prev</id>
		<title>Laura V at 17:05, 3 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143215&amp;oldid=prev"/>
		<updated>2019-07-03T17:05:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:05, 3 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l85&quot; &gt;Line 85:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 85:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, Lisa Fletcher and Kim Wilkins, 2016. : &amp;quot;Women, Akubras and Ereaders: Romance Fiction and Australian Publishing.&amp;quot; ''The Return of Print?: Contemporary Australian Publishing''. Ed. Emmett Stinson and Aaron Mannion. Clayton, Victoria: Monash University Publishing. 67-87. [https://www.academia.edu/34113634/Women_Akubras_and_Ereaders_Romance_Fiction_and_Australian_Publishing]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Beth, Lisa Fletcher and Kim Wilkins, 2016. : &amp;quot;Women, Akubras and Ereaders: Romance Fiction and Australian Publishing.&amp;quot; ''The Return of Print?: Contemporary Australian Publishing''. Ed. Emmett Stinson and Aaron Mannion. Clayton, Victoria: Monash University Publishing. 67-87. [https://www.academia.edu/34113634/Women_Akubras_and_Ereaders_Romance_Fiction_and_Australian_Publishing]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Driscoll, Beth, 2019. : 'Book Blogs as Tastemakers', ''Participations'' 16.1: 280-305.[http://www.participations.org/Volume%2016/Issue%201/14.pdf] [Looks at romance fiction blogs Smart Bitches, Trashy Books (SBTB), Natasha is a Book Junkie (NIABJ), and Joyfully Jay.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Catherine, 2006. : &amp;quot;One True Pairing: The Romance of Pornography and the Pornography of Romance.&amp;quot; &amp;lt;i&amp;gt;Fan Fiction and Fan Communities in the Age of the Internet: New Essays&amp;lt;/i&amp;gt;, eds. Karen Hellekson and Kristina Busse (Jefferson, NC: McFarland): 79–96. [http://karenhellekson.com/?page_id=38 Abstract] [Pdf can be downloaded [http://usyd.academia.edu/CatherineDriscoll/Papers/649414/One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance from Academia.edu].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Driscoll, Catherine, 2006. : &amp;quot;One True Pairing: The Romance of Pornography and the Pornography of Romance.&amp;quot; &amp;lt;i&amp;gt;Fan Fiction and Fan Communities in the Age of the Internet: New Essays&amp;lt;/i&amp;gt;, eds. Karen Hellekson and Kristina Busse (Jefferson, NC: McFarland): 79–96. [http://karenhellekson.com/?page_id=38 Abstract] [Pdf can be downloaded [http://usyd.academia.edu/CatherineDriscoll/Papers/649414/One_True_Pairing_The_Romance_of_Pornography_and_the_Pornography_of_Romance from Academia.edu].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143205&amp;oldid=prev</id>
		<title>Laura V at 21:24, 29 June 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143205&amp;oldid=prev"/>
		<updated>2019-06-29T21:24:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 21:24, 29 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l145&quot; &gt;Line 145:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 145:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fahnestock-Thomas, Mary, 2001. : ''[[Georgette Heyer]]: a Critical Retrospective.'' Saraland,AL: PrinnyWorld Press. [[http://www.amazon.com/Georgette-Heyer-Retrospective-Mary-Fahnestock-Thomas/dp/0966800532 Excerpt available] via Amazon's &amp;quot;Look Inside!&amp;quot; feature. [http://www.biggerbooks.com/bk_detail.aspx?ISBN=9780966800531 Index]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fahnestock-Thomas, Mary, 2001. : ''[[Georgette Heyer]]: a Critical Retrospective.'' Saraland,AL: PrinnyWorld Press. [[http://www.amazon.com/Georgette-Heyer-Retrospective-Mary-Fahnestock-Thomas/dp/0966800532 Excerpt available] via Amazon's &amp;quot;Look Inside!&amp;quot; feature. [http://www.biggerbooks.com/bk_detail.aspx?ISBN=9780966800531 Index]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Farooqui, Javaria and Rabia Ashraf, 2019. : ‘Reconnaissance of “Difference” in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s ''To Sir Philip with Love''’, ''Khazar Journal of Humanities and Social Sciences'' 22.2: 71-82. [https://jhss-khazar.org/wp-content/uploads/2019/06/Reconnaissance-of-%E2%80%98Difference%E2%80%99-in-Cognitive-Maps-Authenticating-Happily-Ever-After-in-Julia-Quinn%E2%80%99s-To-Sir-Philip-with-Love.pdf]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Faura, Salvador, Shelley Godsland, and Nickianne Moody, 2004. : &amp;quot;The Romance Novel, or, the Generalisimo's Control of the Popular Imagination.&amp;quot; in ''Reading the Popular in Contemporary Spanish Texts.'' pp. 46-58. (Newark, DE: U of Delaware P.)(About Corin Tellado, Spanish romance novelist) [[http://books.google.co.uk/books?id=twRJwNrGreIC&amp;amp;printsec=frontcover&amp;amp;source=gbs_summary_r&amp;amp;cad=0#PPA46,M1 Excerpt here].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Faura, Salvador, Shelley Godsland, and Nickianne Moody, 2004. : &amp;quot;The Romance Novel, or, the Generalisimo's Control of the Popular Imagination.&amp;quot; in ''Reading the Popular in Contemporary Spanish Texts.'' pp. 46-58. (Newark, DE: U of Delaware P.)(About Corin Tellado, Spanish romance novelist) [[http://books.google.co.uk/books?id=twRJwNrGreIC&amp;amp;printsec=frontcover&amp;amp;source=gbs_summary_r&amp;amp;cad=0#PPA46,M1 Excerpt here].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143187&amp;oldid=prev</id>
		<title>Laura V at 13:26, 9 May 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143187&amp;oldid=prev"/>
		<updated>2019-05-09T13:26:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:26, 9 May 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l349&quot; &gt;Line 349:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 349:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Griswold, Wendy, 1989. : &amp;quot;Formulaic Fiction: The Author as Agent of Elective Affinity.&amp;quot; ''Comparative Social Research.'' 11: 75-130.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Griswold, Wendy, 1989. : &amp;quot;Formulaic Fiction: The Author as Agent of Elective Affinity.&amp;quot; ''Comparative Social Research.'' 11: 75-130.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Gruner, Elisabeth Rose, 2019. : ''Constructing the Adolescent Reader in Contemporary Young Adult Fiction''. London: Palgrave Macmillan. [https://link.springer.com/book/10.1057/978-1-137-53924-3 Abstract] [See in particular Chapter 3, &amp;quot;Misreading the Classics: Gender, Genre, and Agency in YA Romance&amp;quot;, pp. 51-84.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143082&amp;oldid=prev</id>
		<title>Laura V at 02:28, 30 January 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=143082&amp;oldid=prev"/>
		<updated>2019-01-30T02:28:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:28, 30 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l269&quot; &gt;Line 269:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 269:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gelder, Ken and Rachael Weaver, 2010. : &amp;quot;Louise Mack and Colonial Pseudo Literature.&amp;quot; ''Southerly'' 70.2: 82-95.[https://www.academia.edu/29357278/Louise_Mack_and_Colonial_Pseudo_Literature_2010_]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gelder, Ken and Rachael Weaver, 2010. : &amp;quot;Louise Mack and Colonial Pseudo Literature.&amp;quot; ''Southerly'' 70.2: 82-95.[https://www.academia.edu/29357278/Louise_Mack_and_Colonial_Pseudo_Literature_2010_]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Gehrmann, Susanne, 2018. : “Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa”. ''Africa Today'' 65.1: 65-84. [https://www.jstor.org/stable/10.2979/africatoday.65.1.05?seq=1#page_scan_tab_contents Abstract]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gifford, James, 2017. : “Mary Stewart’s Greek Novels: Hellenism, Orientalism and the Cultural Politics of Pulp Presentation.” ''Greece in British Women’s Literary Imagination, 1913-2013''. Ed. Eleni Papargyriou, Semele Assinder and David Holton. New York: Peter Lang, 2017. 99-118. [https://www.peterlang.com/view/9781433140488/chapter06.xhtml Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gifford, James, 2017. : “Mary Stewart’s Greek Novels: Hellenism, Orientalism and the Cultural Politics of Pulp Presentation.” ''Greece in British Women’s Literary Imagination, 1913-2013''. Ed. Eleni Papargyriou, Semele Assinder and David Holton. New York: Peter Lang, 2017. 99-118. [https://www.peterlang.com/view/9781433140488/chapter06.xhtml Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=142911&amp;oldid=prev</id>
		<title>Laura V at 13:00, 17 November 2018</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=142911&amp;oldid=prev"/>
		<updated>2018-11-17T13:00:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:00, 17 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l279&quot; &gt;Line 279:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 279:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gillis, Stacy, 2015. : &amp;quot;The Cross-Dresser, the Thief, His Daughter and Her Lover: Queer Desire and Romance in Georgette Heyer’s ''These Old Shades''&amp;quot;, ''Women: A Cultural Review'' 26.1-2: 57-74. [http://www.tandfonline.com/doi/abs/10.1080/09574042.2015.1035024#.VdNvqLP7s_t Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Gillis, Stacy, 2015. : &amp;quot;The Cross-Dresser, the Thief, His Daughter and Her Lover: Queer Desire and Romance in Georgette Heyer’s ''These Old Shades''&amp;quot;, ''Women: A Cultural Review'' 26.1-2: 57-74. [http://www.tandfonline.com/doi/abs/10.1080/09574042.2015.1035024#.VdNvqLP7s_t Abstract]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Gillis, Stacy, 2018. : “Manners, Money, and Marriage: Austen, Heyer, and the Literary Genealogy of the Regency Romance”. ''After Austen: Reinventions, Rewritings, Revisitings''. Ed. Lisa Hopkins. Cham, Switzerland: Palgrave Macmillan, 2018. 81-101.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Glass, E. R., and A. Mineo. 1986. : &amp;quot;Georgette Heyer and the Uses of Regency.&amp;quot; In Marucci, Franco (ed.); Bruttini, Adriano (ed.) ''La performance del testo,'' 283-292. Siena: Ticci.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Glass, E. R., and A. Mineo. 1986. : &amp;quot;Georgette Heyer and the Uses of Regency.&amp;quot; In Marucci, Franco (ed.); Bruttini, Adriano (ed.) ''La performance del testo,'' 283-292. Siena: Ticci.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=142894&amp;oldid=prev</id>
		<title>Laura V at 12:58, 23 October 2018</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_D-G&amp;diff=142894&amp;oldid=prev"/>
		<updated>2018-10-23T12:58:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:58, 23 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l190&quot; &gt;Line 190:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 190:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fletcher, Lisa, Beth Driscoll, and Kim Wilkins, 2018. : &amp;quot;Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance&amp;quot;, ''Journal of Popular Culture''. Online First 16 July 2018. [https://onlinelibrary.wiley.com/doi/abs/10.1111/jpcu.12706 Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fletcher, Lisa, Beth Driscoll, and Kim Wilkins, 2018. : &amp;quot;Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance&amp;quot;, ''Journal of Popular Culture''. Online First 16 July 2018. [https://onlinelibrary.wiley.com/doi/abs/10.1111/jpcu.12706 Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fong, Katrina, Justin B. Mullin, and Raymond A. Mar, 2015: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&amp;quot;How Exposure to Literary Genres Relates to Attitudes Toward Gender Roles and Sexual Behavior.&amp;quot; ''Psychology of Aesthetics, Creativity, and the Arts''. Advance online publication. 27 April 2015. [http://www.yorku.ca/mar/Fong%20et%20al_PACA_Genre%20and%20sexual%20attitudes.pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;;Fong, Katrina, Justin B. Mullin and Raymond A. Mar, 2013. : &amp;quot;What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity&amp;quot;. ''Psychology of Aesthetics, Creativity, and the Arts'' 7.4 (2013): 370-376.[http://www.yorku.ca/mar/fong%20et%20al%202013_PACA_what%20you%20read%20matters.pdf]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Fong, Katrina, Justin B. Mullin, and Raymond A. Mar, 2015&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/ins&gt;: &amp;quot;How Exposure to Literary Genres Relates to Attitudes Toward Gender Roles and Sexual Behavior.&amp;quot; ''Psychology of Aesthetics, Creativity, and the Arts''. Advance online publication. 27 April 2015. [http://www.yorku.ca/mar/Fong%20et%20al_PACA_Genre%20and%20sexual%20attitudes.pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Forbes, Curdella, 2006. : 'X Press Publications: Pop Culture, “Pop Lit” and Caribbean Literary Criticism: An Essay of Provocation', ''Anthurium: A Caribbean Studies Journal'' 4.1. [http://anthurium.miami.edu/volume_4/issue_1/forbes-xpress.html]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Forbes, Curdella, 2006. : 'X Press Publications: Pop Culture, “Pop Lit” and Caribbean Literary Criticism: An Essay of Provocation', ''Anthurium: A Caribbean Studies Journal'' 4.1. [http://anthurium.miami.edu/volume_4/issue_1/forbes-xpress.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
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