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	<id>https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_H-L</id>
	<title>Bibliography H-L - Revision history</title>
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	<updated>2026-04-07T01:18:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143267&amp;oldid=prev</id>
		<title>Laura V at 13:38, 20 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143267&amp;oldid=prev"/>
		<updated>2019-07-20T13:38:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:38, 20 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l154&quot; &gt;Line 154:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 154:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2000. : 'Hungry Heroines: The Exploration of a &amp;quot;Generative Theme&amp;quot; in Romantic Fiction,' ''Consuming for Pleasure: Selected Essays on Popular Fiction'' ed. Julia Hallam and Nickianne Moody (Liverpool: Liverpool John Moores University; Association for Research in Popular Fictions), pp. 171-???.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2000. : 'Hungry Heroines: The Exploration of a &amp;quot;Generative Theme&amp;quot; in Romantic Fiction,' ''Consuming for Pleasure: Selected Essays on Popular Fiction'' ed. Julia Hallam and Nickianne Moody (Liverpool: Liverpool John Moores University; Association for Research in Popular Fictions), pp. 171-???.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2006. : &amp;quot;Using Fiction for Transformation.&amp;quot; New Directions for Adult and Continuing Education 109: 69-77. [https://doi.org/10.1002/ace.209 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2006. : &amp;quot;Using Fiction for Transformation.&amp;quot; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;New Directions for Adult and Continuing Education&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;109: 69-77. [https://doi.org/10.1002/ace.209 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jenkins, Jacqueline, 2004. : 'Reading Women Reading: Feminism, Culture, and Memory', ''Maistresse of My Wit: Medieval Women, Modern Scholars'', ed. Louise D'Arcens and Juanita Feros Ruys (Turnhout: Brepols), pp. 317-334. [&amp;quot;Jenkins first debates the fascinating possibility of a cultural memory, a number of shared common norms, conventions, and practices that would link the otherwise non-contiguous reading experiences of medieval and contemporary women. Drawing on the results of modern romance studies, she wonders if the otherwise forbidden self-realization of women through the reading of romances could not also be the cause of the popularity of vernacular devotional literature among high-status women in the Middle Ages. In the end, however, she considers the sobering possibility that she might have accepted the results of modern romance studies precisely because of her (formerly unrecognized) investment in attributing some form of resistance to the medieval women readers of devotional texts.&amp;quot; ([https://scholarworks.iu.edu/dspace/bitstream/handle/2022/5967/05.02.16.html?sequence=1 Review by Richard Utz])]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jenkins, Jacqueline, 2004. : 'Reading Women Reading: Feminism, Culture, and Memory', ''Maistresse of My Wit: Medieval Women, Modern Scholars'', ed. Louise D'Arcens and Juanita Feros Ruys (Turnhout: Brepols), pp. 317-334. [&amp;quot;Jenkins first debates the fascinating possibility of a cultural memory, a number of shared common norms, conventions, and practices that would link the otherwise non-contiguous reading experiences of medieval and contemporary women. Drawing on the results of modern romance studies, she wonders if the otherwise forbidden self-realization of women through the reading of romances could not also be the cause of the popularity of vernacular devotional literature among high-status women in the Middle Ages. In the end, however, she considers the sobering possibility that she might have accepted the results of modern romance studies precisely because of her (formerly unrecognized) investment in attributing some form of resistance to the medieval women readers of devotional texts.&amp;quot; ([https://scholarworks.iu.edu/dspace/bitstream/handle/2022/5967/05.02.16.html?sequence=1 Review by Richard Utz])]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143266&amp;oldid=prev</id>
		<title>Laura V at 13:37, 20 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143266&amp;oldid=prev"/>
		<updated>2019-07-20T13:37:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:37, 20 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l153&quot; &gt;Line 153:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 153:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2000. : 'Hungry Heroines: The Exploration of a &amp;quot;Generative Theme&amp;quot; in Romantic Fiction,' ''Consuming for Pleasure: Selected Essays on Popular Fiction'' ed. Julia Hallam and Nickianne Moody (Liverpool: Liverpool John Moores University; Association for Research in Popular Fictions), pp. 171-???.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarvis, Christine, 2000. : 'Hungry Heroines: The Exploration of a &amp;quot;Generative Theme&amp;quot; in Romantic Fiction,' ''Consuming for Pleasure: Selected Essays on Popular Fiction'' ed. Julia Hallam and Nickianne Moody (Liverpool: Liverpool John Moores University; Association for Research in Popular Fictions), pp. 171-???.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Jarvis, Christine, 2006. : &amp;quot;Using Fiction for Transformation.&amp;quot; New Directions for Adult and Continuing Education 109: 69-77. [https://doi.org/10.1002/ace.209 Abstract]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jenkins, Jacqueline, 2004. : 'Reading Women Reading: Feminism, Culture, and Memory', ''Maistresse of My Wit: Medieval Women, Modern Scholars'', ed. Louise D'Arcens and Juanita Feros Ruys (Turnhout: Brepols), pp. 317-334. [&amp;quot;Jenkins first debates the fascinating possibility of a cultural memory, a number of shared common norms, conventions, and practices that would link the otherwise non-contiguous reading experiences of medieval and contemporary women. Drawing on the results of modern romance studies, she wonders if the otherwise forbidden self-realization of women through the reading of romances could not also be the cause of the popularity of vernacular devotional literature among high-status women in the Middle Ages. In the end, however, she considers the sobering possibility that she might have accepted the results of modern romance studies precisely because of her (formerly unrecognized) investment in attributing some form of resistance to the medieval women readers of devotional texts.&amp;quot; ([https://scholarworks.iu.edu/dspace/bitstream/handle/2022/5967/05.02.16.html?sequence=1 Review by Richard Utz])]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jenkins, Jacqueline, 2004. : 'Reading Women Reading: Feminism, Culture, and Memory', ''Maistresse of My Wit: Medieval Women, Modern Scholars'', ed. Louise D'Arcens and Juanita Feros Ruys (Turnhout: Brepols), pp. 317-334. [&amp;quot;Jenkins first debates the fascinating possibility of a cultural memory, a number of shared common norms, conventions, and practices that would link the otherwise non-contiguous reading experiences of medieval and contemporary women. Drawing on the results of modern romance studies, she wonders if the otherwise forbidden self-realization of women through the reading of romances could not also be the cause of the popularity of vernacular devotional literature among high-status women in the Middle Ages. In the end, however, she considers the sobering possibility that she might have accepted the results of modern romance studies precisely because of her (formerly unrecognized) investment in attributing some form of resistance to the medieval women readers of devotional texts.&amp;quot; ([https://scholarworks.iu.edu/dspace/bitstream/handle/2022/5967/05.02.16.html?sequence=1 Review by Richard Utz])]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143232&amp;oldid=prev</id>
		<title>Laura V at 23:02, 11 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143232&amp;oldid=prev"/>
		<updated>2019-07-11T23:02:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:02, 11 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l210&quot; &gt;Line 210:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 210:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kapell, Matthew, and Suzanne Becker., 2005. : 'Patriarchy, the Christian Romance Novel, and the 'Ecosystem of Sex'.' ''Popular Culture Review'' 16.1:147-155.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kapell, Matthew, and Suzanne Becker., 2005. : 'Patriarchy, the Christian Romance Novel, and the 'Ecosystem of Sex'.' ''Popular Culture Review'' 16.1:147-155.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kapila, Shuchi, 2010. : ''Educating Seeta: The Anglo-Indian Family Romance and the Poetics of Indirect Rule'' (Columbus, Ohio: Ohio State UP). [https://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ohiostatepress&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;org&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Books&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Book%20PDFs&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kapila%20Educating&lt;/del&gt;.pdf &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Excerpt&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kapila, Shuchi, 2010. : ''Educating Seeta: The Anglo-Indian Family Romance and the Poetics of Indirect Rule'' (Columbus, Ohio: Ohio State UP). [https://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kb&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;osu.edu/bitstream/handle&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1811&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;45316&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kapila_Book4CD&lt;/ins&gt;.pdf&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;?sequence=1&amp;amp;isAllowed=y&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kaplan, Deborah, 2012. : ' &amp;quot;Why would any woman want to read such stories?&amp;quot;: The Distinctions Between Genre Romances and Slash Fiction,' ''New Approaches to Popular Romance Fiction: Critical Essays'', ed. Sarah S. G. Frantz and Eric Murphy Selinger (Jefferson, North Carolina: McFarland), pp. 121-132.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kaplan, Deborah, 2012. : ' &amp;quot;Why would any woman want to read such stories?&amp;quot;: The Distinctions Between Genre Romances and Slash Fiction,' ''New Approaches to Popular Romance Fiction: Critical Essays'', ed. Sarah S. G. Frantz and Eric Murphy Selinger (Jefferson, North Carolina: McFarland), pp. 121-132.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143230&amp;oldid=prev</id>
		<title>Laura V at 13:44, 11 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143230&amp;oldid=prev"/>
		<updated>2019-07-11T13:44:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:44, 11 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l336&quot; &gt;Line 336:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 336:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2003. : “The Erotics of Ontology: Failed Presence in Heidegger and the Mass-Market Romance.” ''Comparative Literature and Culture'' 5.3, 2003. [http://docs.lib.purdue.edu/clcweb/vol5/iss3/5/ Abstract and pdf.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2003. : “The Erotics of Ontology: Failed Presence in Heidegger and the Mass-Market Romance.” ''Comparative Literature and Culture'' 5.3, 2003. [http://docs.lib.purdue.edu/clcweb/vol5/iss3/5/ Abstract and pdf.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2006. :''The Dangerous Lover; Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative.''(Columbus, OH: Ohio State University Press). [&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Includes a chapter on the contemporary historical romance, which is available in pdf format, along with the introduction and bibliographical matter [http&lt;/del&gt;://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;www&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ohiostatepress&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;org&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Books&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Book%20PDFs&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lutz%20Dangerous&lt;/del&gt;.pdf &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;here&lt;/del&gt;] ]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2006. :''The Dangerous Lover; Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative.''(Columbus, OH: Ohio State University Press).[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kb&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;osu&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;edu/bitstream&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;handle&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1811&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;24173/Lutz_T-S_Final&lt;/ins&gt;.pdf&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;?sequence=1&amp;amp;isAllowed=y&lt;/ins&gt;] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[Includes a chapter on the contemporary historical romance&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2007. : 'The Haunted Space of the Mind: The Revival of the Gothic Romance in the Twenty-First Century.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 81-92.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lutz, Deborah, 2007. : 'The Haunted Space of the Mind: The Revival of the Gothic Romance in the Twenty-First Century.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 81-92.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lynch, Katherine E., Ruth E. Sternglantz, and Len Barot, 2012. : “Queering the Romantic Heroine: Where Her Power Lies,” ''Journal of Popular Romance Studies'' 3.1.[http://jprstudies.org/2012/10/queering-the-romantic-heroine-where-her-power-lies-by-katherine-e-lynch-ruth-e-sternglantz-and-len-barot/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Lynch, Katherine E., Ruth E. Sternglantz, and Len Barot, 2012. : “Queering the Romantic Heroine: Where Her Power Lies,” ''Journal of Popular Romance Studies'' 3.1.[http://jprstudies.org/2012/10/queering-the-romantic-heroine-where-her-power-lies-by-katherine-e-lynch-ruth-e-sternglantz-and-len-barot/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143204&amp;oldid=prev</id>
		<title>Laura V at 19:54, 22 June 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143204&amp;oldid=prev"/>
		<updated>2019-06-22T19:54:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:54, 22 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l144&quot; &gt;Line 144:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 144:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira, 2010. : '“The Sheik Who Loved Me”: Romancing the War on Terror', ''Signs'' 35.4: 993-1017. [http://www.journals.uchicago.edu/doi/abs/10.1086/651044?journalCode=signs Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira, 2010. : '“The Sheik Who Loved Me”: Romancing the War on Terror', ''Signs'' 35.4: 993-1017. [http://www.journals.uchicago.edu/doi/abs/10.1086/651044?journalCode=signs Abstract]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira. 2011. : &amp;quot;Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances.&amp;quot; ''American Quarterly'' 63, no. 4: 895-928. [http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/american_quarterly/v063/63.4.jarmakani.html Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira. 2011. : &amp;quot;Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances.&amp;quot; ''American Quarterly'' 63, no. 4: 895-928. [http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/american_quarterly/v063/63.4.jarmakani.html Abstract&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;] [https://womensstudies.sdsu.edu/people/bios/docs/jarmakani/desiring%20big%20bad%20blade.pdf Pdf&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira, 2015. : ''An Imperialist Love Story: Desert Romances and the War on Terror''. New York: New York UP, 2015. [https://books.google.co.uk/books?id=k5HwCQAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt] [http://jprstudies.org/2016/07/review-an-imperialist-love-story-desert-romances-and-the-war-on-terror-by-amira-jarmakani/ See also the review by Heather Schell in the ''Journal of Popular Romance Studies'']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Jarmakani, Amira, 2015. : ''An Imperialist Love Story: Desert Romances and the War on Terror''. New York: New York UP, 2015. [https://books.google.co.uk/books?id=k5HwCQAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt] [http://jprstudies.org/2016/07/review-an-imperialist-love-story-desert-romances-and-the-war-on-terror-by-amira-jarmakani/ See also the review by Heather Schell in the ''Journal of Popular Romance Studies'']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143191&amp;oldid=prev</id>
		<title>Laura V at 18:00, 30 May 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143191&amp;oldid=prev"/>
		<updated>2019-05-30T18:00:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:00, 30 May 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l225&quot; &gt;Line 225:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 225:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kemppinen, Anne, 1989. : “Translation for Popular Literature with Special Reference to Harlequin Books and their Finnish Translation”, in ''Empirical Studies in Translation and Linguistics'',  Studies in Languages, nº 17, ed. Sonja Tirkkonen-Condit &amp;amp; Stephen Condit (Savonlinna: University of Joensuu, Faculty of Arts), pp. 25-36.**&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kemppinen, Anne, 1989. : “Translation for Popular Literature with Special Reference to Harlequin Books and their Finnish Translation”, in ''Empirical Studies in Translation and Linguistics'',  Studies in Languages, nº 17, ed. Sonja Tirkkonen-Condit &amp;amp; Stephen Condit (Savonlinna: University of Joensuu, Faculty of Arts), pp. 25-36.**&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Kerr, Ashley Elizabeth, 2019. : “Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels”, ''Chasqui'' 48.1: 293-310. [https://search.proquest.com/openview/d4c56f1feacb03adcd0136a8f32d9353/1?pq-origsite=gscholar&amp;amp;cbl=27737 Excerpt.] [This is about three novels (written in 2005 and 2010) by Argentinian authors and set in the nineteenth century.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killeen, Jarlath, 2018. : 'Nora Roberts: the Power of Love', in ''Twenty-First Century Popular Fiction'', ed. Bernice M. Murphy and Stephen Matterson (Edinburgh: Edinburgh University Press), pp.53-65.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killeen, Jarlath, 2018. : 'Nora Roberts: the Power of Love', in ''Twenty-First Century Popular Fiction'', ed. Bernice M. Murphy and Stephen Matterson (Edinburgh: Edinburgh University Press), pp.53-65.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143170&amp;oldid=prev</id>
		<title>Laura V at 20:14, 29 March 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143170&amp;oldid=prev"/>
		<updated>2019-03-29T20:14:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:14, 29 March 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==H==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==H==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Haddad, Emily A., 2007. : 'Bound to Love: Captivity in Harlequin Sheikh Novels.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 42-64.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Haddad, Emily A., 2007. : 'Bound to Love: Captivity in Harlequin Sheikh Novels.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 42-64.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Haefner, Margaret J., 2009. : &amp;quot;Challenging the -isms: Gender and Race in Brockmann's Troubleshooters, Inc. Romance Novels&amp;quot;, ''Journal of Media Sociology'' 1.3/4 (2009): 182-201.[http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.461.4162&amp;amp;rep=rep1&amp;amp;type=pdf#page=52]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hagemann, Susanne, 1996. : &amp;quot;Gendering Places: [[Georgette Heyer]]'s Cultural Topography.&amp;quot; ''Scotland to Slovenia: European Identities and Transcultural Communication. Proceedings of the Fourth International Scottish Studies Symposium''. Ed. Horst W. Drescher and Susanne Hagemann. Scottish Studies International 21. Frankfurt am Main: Lang, 1996. 187–199. [Reprinted in: ''Georgette Heyer: A Critical Retrospective''. Ed. Mary Fahnestock-Thomas. Saraland, AL: PrinnyWorld Press, 2001. 480–492.] **&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hagemann, Susanne, 1996. : &amp;quot;Gendering Places: [[Georgette Heyer]]'s Cultural Topography.&amp;quot; ''Scotland to Slovenia: European Identities and Transcultural Communication. Proceedings of the Fourth International Scottish Studies Symposium''. Ed. Horst W. Drescher and Susanne Hagemann. Scottish Studies International 21. Frankfurt am Main: Lang, 1996. 187–199. [Reprinted in: ''Georgette Heyer: A Critical Retrospective''. Ed. Mary Fahnestock-Thomas. Saraland, AL: PrinnyWorld Press, 2001. 480–492.] **&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143043&amp;oldid=prev</id>
		<title>Laura V at 23:19, 9 January 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143043&amp;oldid=prev"/>
		<updated>2019-01-09T23:19:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:19, 9 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot; &gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Marlene, 2013. : &amp;quot;A New Breed of Romance.&amp;quot; ''Library Journal'' 138.17: 49-49. [&amp;quot;Romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Marlene, 2013. : &amp;quot;A New Breed of Romance.&amp;quot; ''Library Journal'' 138.17: 49-49. [&amp;quot;Romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Racheal&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;2018.: “Really Romantic? Pirates in Romantic Fiction.” ''Pirates in History and Popular Culture,'' edited by Antonio Sanna, McFarland &amp;amp; Company Publishing, pp. 109–119.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Racheal&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;2018. : “Really Romantic? Pirates in Romantic Fiction.” ''Pirates in History and Popular Culture,'' edited by Antonio Sanna &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Jefferson&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;North Carolina: &lt;/ins&gt;McFarland &amp;amp; Company Publishing&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;, pp. 109–119. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[https://books.google.co.uk/books?id=JXJuDwAAQBAJ&amp;amp;pg=PA109&amp;amp;lpg=PA109#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hashim, Ruzy Suliza, and Shahizah Ismail Hamdan. 2010. : &amp;quot;Facets of Women in Malay Romance Fiction.&amp;quot; ''Kunapipi: Journal of Postcolonial Writing'' 32, no. 1-2: 67-79.[http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1255&amp;amp;context=kunapipi]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hashim, Ruzy Suliza, and Shahizah Ismail Hamdan. 2010. : &amp;quot;Facets of Women in Malay Romance Fiction.&amp;quot; ''Kunapipi: Journal of Postcolonial Writing'' 32, no. 1-2: 67-79.[http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1255&amp;amp;context=kunapipi]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143041&amp;oldid=prev</id>
		<title>Christinamartinez: /* H */</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=143041&amp;oldid=prev"/>
		<updated>2019-01-09T22:57:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;H&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:57, 9 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot; &gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Marlene, 2013. : &amp;quot;A New Breed of Romance.&amp;quot; ''Library Journal'' 138.17: 49-49. [&amp;quot;Romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Harris, Marlene, 2013. : &amp;quot;A New Breed of Romance.&amp;quot; ''Library Journal'' 138.17: 49-49. [&amp;quot;Romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Harris, Racheal.2018.: “Really Romantic? Pirates in Romantic Fiction.” ''Pirates in History and Popular Culture,'' edited by Antonio Sanna, McFarland &amp;amp; Company Publishing, pp. 109–119.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hashim, Ruzy Suliza, and Shahizah Ismail Hamdan. 2010. : &amp;quot;Facets of Women in Malay Romance Fiction.&amp;quot; ''Kunapipi: Journal of Postcolonial Writing'' 32, no. 1-2: 67-79.[http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1255&amp;amp;context=kunapipi]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Hashim, Ruzy Suliza, and Shahizah Ismail Hamdan. 2010. : &amp;quot;Facets of Women in Malay Romance Fiction.&amp;quot; ''Kunapipi: Journal of Postcolonial Writing'' 32, no. 1-2: 67-79.[http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1255&amp;amp;context=kunapipi]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Christinamartinez</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=142914&amp;oldid=prev</id>
		<title>Laura V at 16:05, 29 November 2018</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_H-L&amp;diff=142914&amp;oldid=prev"/>
		<updated>2018-11-29T16:05:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:05, 29 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l222&quot; &gt;Line 222:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 222:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kemppinen, Anne, 1989. : “Translation for Popular Literature with Special Reference to Harlequin Books and their Finnish Translation”, in ''Empirical Studies in Translation and Linguistics'',  Studies in Languages, nº 17, ed. Sonja Tirkkonen-Condit &amp;amp; Stephen Condit (Savonlinna: University of Joensuu, Faculty of Arts), pp. 25-36.**&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Kemppinen, Anne, 1989. : “Translation for Popular Literature with Special Reference to Harlequin Books and their Finnish Translation”, in ''Empirical Studies in Translation and Linguistics'',  Studies in Languages, nº 17, ed. Sonja Tirkkonen-Condit &amp;amp; Stephen Condit (Savonlinna: University of Joensuu, Faculty of Arts), pp. 25-36.**&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killeen, Jarlath, 2018. : 'Nora Roberts: the Power of Love', in ''Twenty-First Century Popular Fiction'', ed. Bernice M. Murphy and Stephen Matterson (Edinburgh: Edinburgh University Press), pp.53-65.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killeen, Jarlath, 2018. : 'Nora Roberts: the Power of Love', in ''Twenty-First Century Popular Fiction'', ed. Bernice M. Murphy and Stephen Matterson (Edinburgh: Edinburgh University Press), pp.53-65.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killing, Peter, 1978. : ''Harlequin Enterprises Limited: Case Material of the Western School of Business Administration'' (London, Ontario: University of Western Ontario). **&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Killing, Peter, 1978. : ''Harlequin Enterprises Limited: Case Material of the Western School of Business Administration'' (London, Ontario: University of Western Ontario). **&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
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