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	<id>https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_P-S</id>
	<title>Bibliography P-S - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_P-S"/>
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	<updated>2026-05-12T19:28:07Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143311&amp;oldid=prev</id>
		<title>Laura V at 08:06, 17 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143311&amp;oldid=prev"/>
		<updated>2019-09-17T08:06:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:06, 17 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot; &gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parameswaran Radhika, 1999. : 'Western Romance Fiction as English-Language Media in Postcolonial India', ''Journal of Communication'', 49.3: 84-105. [http://www.questia.com/PM.qst?a=o&amp;amp;se=gglsc&amp;amp;d=96458480 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parameswaran, Radhika, 2002. : 'Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India', ''Journal of Communication'', 52.4: 832-851. [http://www.blackwell-synergy.com/doi/abs/10.1111/j.1460-2466.2002.tb02576.x?journalCode=jcom Abstract&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;] [https://www.academia.edu/8410501/Reading_Fictions_of_Romance_Gender_Sexuality_and_Nationalism_in_Postcolonial_India?email_work_card=title pdf&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parnell, Claire, 2018. : ‘Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels.’ ''Australian Literary Studies'' 33.4.[https://www.australianliterarystudies.com.au/articles/models-of-publishing-and-opportunities-for-change-representations-in-harlequin-montlake-and-self-published-romance-novels]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Parnell, Claire, 2018. : ‘Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels.’ ''Australian Literary Studies'' 33.4.[https://www.australianliterarystudies.com.au/articles/models-of-publishing-and-opportunities-for-change-representations-in-harlequin-montlake-and-self-published-romance-novels]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143281&amp;oldid=prev</id>
		<title>Laura V at 17:30, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143281&amp;oldid=prev"/>
		<updated>2019-07-31T17:30:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:30, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l363&quot; &gt;Line 363:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 363:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Struve, Laura, 2011. : &amp;quot;Sisters of Sorts: Reading Romantic Fiction and the Bonds Among Female Readers.&amp;quot; ''Journal of Popular Culture'' 44.6: 1289–1306. [http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2011.00901.x/abstract Excerpt][https://www.academia.edu/11965485/Sisters_of_Sorts_Reading_Romantic_Fiction_and_the_Bonds_Among_Female_Readers]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Struve, Laura, 2011. : &amp;quot;Sisters of Sorts: Reading Romantic Fiction and the Bonds Among Female Readers.&amp;quot; ''Journal of Popular Culture'' 44.6: 1289–1306. [http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2011.00901.x/abstract Excerpt][https://www.academia.edu/11965485/Sisters_of_Sorts_Reading_Romantic_Fiction_and_the_Bonds_Among_Female_Readers &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;pdf&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143280&amp;oldid=prev</id>
		<title>Laura V at 17:29, 31 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143280&amp;oldid=prev"/>
		<updated>2019-07-31T17:29:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:29, 31 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l363&quot; &gt;Line 363:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 363:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Stowers, Eva, 2007. : 'City of Fantasy: Romance Novels in Las Vegas.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 198-205.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Struve, Laura, 2011. : &amp;quot;Sisters of Sorts: Reading Romantic Fiction and the Bonds Among Female Readers.&amp;quot; ''Journal of Popular Culture'' 44.6: 1289–1306. [http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2011.00901.x/abstract Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Struve, Laura, 2011. : &amp;quot;Sisters of Sorts: Reading Romantic Fiction and the Bonds Among Female Readers.&amp;quot; ''Journal of Popular Culture'' 44.6: 1289–1306. [http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2011.00901.x/abstract Excerpt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;][https://www.academia.edu/11965485/Sisters_of_Sorts_Reading_Romantic_Fiction_and_the_Bonds_Among_Female_Readers&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sucatre, Conrad V., 2005 : ''Old School Romance'' (Vintage Romance Publishing).** [I have not been able to identify a place of publication, and clearly this is not an academic publisher. The author says that the book is about 'the romance writing industry as it existed prior to 1950. At my fingertips were the books and biographies of such authors as Faith Baldwin, Emilie Loring, Kathleen Norris, Temple Bailey, Elsa Barker and many others. I assembled all these facts into my book'.[http://www.geocities.com/heathpublishing/]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143229&amp;oldid=prev</id>
		<title>Laura V at 13:31, 11 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143229&amp;oldid=prev"/>
		<updated>2019-07-11T13:31:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:31, 11 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l238&quot; &gt;Line 238:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 238:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Sanders, Lise Shapiro, 2006. : ''Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920''. Columbus: Ohio State University Press.[https://kb.osu.edu/bitstream/handle/1811/6327/Sanders_T-S_Final.pdf?sequence=1&amp;amp;isAllowed=y] [See Chapters 3 and 4 on &amp;quot;The Failures of the Romance: Boredom and the Production of Consuming Desires&amp;quot; and &amp;quot;Imagining Alternatives to the Romance: Absorption and Distraction as Modes of Reading.&amp;quot;]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sanders, Lise Shapiro, 2018. : &amp;quot;Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s&amp;quot;. ''Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period''. Ed. Catherine Clay, Maria DiCenzo, Barbara Green, and Fiona Hackney. Edinburgh: Edinburgh University Press. [https://books.google.co.uk/books?id=TIJ8DwAAQBAJ&amp;amp;lpg=PP1&amp;amp;pg=PT181#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Sanders, Lise Shapiro, 2018. : &amp;quot;Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s&amp;quot;. ''Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period''. Ed. Catherine Clay, Maria DiCenzo, Barbara Green, and Fiona Hackney. Edinburgh: Edinburgh University Press. [https://books.google.co.uk/books?id=TIJ8DwAAQBAJ&amp;amp;lpg=PP1&amp;amp;pg=PT181#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143217&amp;oldid=prev</id>
		<title>Laura V at 17:47, 3 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143217&amp;oldid=prev"/>
		<updated>2019-07-03T17:47:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:47, 3 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l92&quot; &gt;Line 92:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 92:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Philips, Deborah. 2012. : &amp;quot;The Empire of Romance: Love in a Postcolonial Climate.&amp;quot; In ''End of Empire and the English Novel since 1945,'' Ed. Rachael Gilmour and Bill Schwarz. 114-133. Manchester, England: Manchester UP, 2012.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Philips, Deborah. 2012. : &amp;quot;The Empire of Romance: Love in a Postcolonial Climate.&amp;quot; In ''End of Empire and the English Novel since 1945,'' Ed. Rachael Gilmour and Bill Schwarz. 114-133. Manchester, England: Manchester UP, 2012.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Philips, Deborah. Forthcoming. : &amp;quot;Fifty Shades of Romance.&amp;quot; ''International Journal of Cultural Studies''. [https://cris.brighton.ac.uk/ws/portalfiles/portal/5900241/palma_50_shades.pdf Manuscript version]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Philips, Deborah. Forthcoming. : &amp;quot;In defence of reading trash: feminists reading the romance.&amp;quot; ''European Journal of Cultural Studies''. [https://cris.brighton.ac.uk/ws/portalfiles/portal/506061/In+defence+of+reading+trash+%283%29.pdf Manuscript version]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Popova, Milena, 2018. : &amp;quot;Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction&amp;quot;. ''Journal of Popular Romance Studies'' 7. [http://jprstudies.org/2018/07/rewriting-the-romance-emotion-work-and-consent-in-arranged-marriage-fanfictionby-milena-popova/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Popova, Milena, 2018. : &amp;quot;Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction&amp;quot;. ''Journal of Popular Romance Studies'' 7. [http://jprstudies.org/2018/07/rewriting-the-romance-emotion-work-and-consent-in-arranged-marriage-fanfictionby-milena-popova/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143196&amp;oldid=prev</id>
		<title>Laura V at 00:08, 10 June 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143196&amp;oldid=prev"/>
		<updated>2019-06-10T00:08:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:08, 10 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pagliassotti, Dru, 2010. : 'Better than Romance? Japanese BL Manga and the Subgenre of Male/Male Romantic Fiction', ''Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre'', Ed. Antonia Levi, Mark McHarry &amp;amp; Dru Pagliassotti (Jefferson, North Carolina: McFarland), pp. 59-83. [http://books.google.co.uk/books?id=9vn7hjM2v4QC&amp;amp;lpg=PA79&amp;amp;pg=PA59#v=onepage&amp;amp;q&amp;amp;f=false Excerpt.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pagliassotti, Dru, 2010. : 'Better than Romance? Japanese BL Manga and the Subgenre of Male/Male Romantic Fiction', ''Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre'', Ed. Antonia Levi, Mark McHarry &amp;amp; Dru Pagliassotti (Jefferson, North Carolina: McFarland), pp. 59-83. [http://books.google.co.uk/books?id=9vn7hjM2v4QC&amp;amp;lpg=PA79&amp;amp;pg=PA59#v=onepage&amp;amp;q&amp;amp;f=false Excerpt.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pagliassotti, Dru, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;2012&lt;/del&gt;. : &amp;quot;Love and the Machine: Technology and Human Relationships in Steampunk Romance and Erotica,&amp;quot; in ''Steaming Into a Victorian Future: A Steampunk Anthology'', ed. Julie Anne Taddeo and Cynthia J. Miller (Lanham, Maryland: Scarecrow), pp. 65-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;8?&lt;/del&gt;. [http://books.google.co.uk/books?id=bYmIZNOHInoC&amp;amp;lpg=PA43&amp;amp;ots=EllchlFAGD&amp;amp;pg=PA65#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Pagliassotti, Dru, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2013&lt;/ins&gt;. : &amp;quot;Love and the Machine: Technology and Human Relationships in Steampunk Romance and Erotica,&amp;quot; in ''Steaming Into a Victorian Future: A Steampunk Anthology'', ed. Julie Anne Taddeo and Cynthia J. Miller (Lanham, Maryland: Scarecrow), pp. 65-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;87&lt;/ins&gt;. [http://books.google.co.uk/books?id=bYmIZNOHInoC&amp;amp;lpg=PA43&amp;amp;ots=EllchlFAGD&amp;amp;pg=PA65#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Paige, Lori A., 2018. : ''The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993''. Jefferson, North Carolina: McFarland, 2018. [https://books.google.co.uk/books?id=-YBvDwAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Paige, Lori A., 2018. : ''The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993''. Jefferson, North Carolina: McFarland, 2018. [https://books.google.co.uk/books?id=-YBvDwAAQBAJ&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143174&amp;oldid=prev</id>
		<title>Christinamartinez: /* P */</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143174&amp;oldid=prev"/>
		<updated>2019-04-10T17:08:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;P&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:08, 10 April 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l106&quot; &gt;Line 106:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 106:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Press, Andrea L., 1986. : 'New Views on the Mass Production of Women's Culture', ''Communication Research'' 13.1: 139-149. [Review essay on Radway's ''Reading the Romance'', Modleski's ''Loving with a Vengeance'' and two books on soap operas.] [http://crx.sagepub.com/content/13/1/139.extract Excerpt].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Press, Andrea L., 1986. : 'New Views on the Mass Production of Women's Culture', ''Communication Research'' 13.1: 139-149. [Review essay on Radway's ''Reading the Romance'', Modleski's ''Loving with a Vengeance'' and two books on soap operas.] [http://crx.sagepub.com/content/13/1/139.extract Excerpt].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Priest, Hannah. 2018. : “Sparkly Vampires and Shimmering Aliens: The Paranormal Romance of Stephenie Meyer.” ''Twenty-First-Century Popular Fiction,'' edited by Bernice M. Murphy and Stephen Matterson, Edinburgh University Press, 2018, pp. 182–192&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Proctor, Candice, 2007. : 'The Romance Genre Blues or Why We Don't Get No Respect.' in ''Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels.'' ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 12-19.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Christinamartinez</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143157&amp;oldid=prev</id>
		<title>Laura V at 16:01, 5 March 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143157&amp;oldid=prev"/>
		<updated>2019-03-05T16:01:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:01, 5 March 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l201&quot; &gt;Line 201:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 201:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press). [Preview of parts of this available [http://books.google.com/books?id=Ja_Ia-oZo4wC&amp;amp;lpg=PP1&amp;amp;pg=PP1#v=onepage&amp;amp;q=&amp;amp;f=false via Google Books].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press). [Preview of parts of this available [http://books.google.com/books?id=Ja_Ia-oZo4wC&amp;amp;lpg=PP1&amp;amp;pg=PP1#v=onepage&amp;amp;q=&amp;amp;f=false via Google Books].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rosanowski, Annika, 2019. : &amp;quot;Can She Have It All? Pregnancy Narratives in Contemporary Category Romance&amp;quot;, Journal of Popular Romance Studies 8 (2019). [http://jprstudies.org/2019/03/can-she-have-it-all-pregnancy-narratives-in-contemporary-category-romanceby-annika-rosanowski/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rosanowski, Annika, 2019. : &amp;quot;Can She Have It All? Pregnancy Narratives in Contemporary Category Romance&amp;quot;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Journal of Popular Romance Studies&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;8 (2019). [http://jprstudies.org/2019/03/can-she-have-it-all-pregnancy-narratives-in-contemporary-category-romanceby-annika-rosanowski/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265. [&amp;quot;Argues that among the forces that shape desire in women and men are the depictions of relationships and sexual expression in popular fiction. [...] It is contended that by encompassing primarily the courtship phase of relationships, the scripts provide little guidance relevant to maintaining long-term relationships.&amp;quot;] [http://psycnet.apa.org/psycinfo/1986-17217-001 Abstract][http://myweb.fiu.edu/srose/wp-content/uploads/sites/127/2014/08/1985-Rose-IsRomanceDysfunctional-1.pdf pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265. [&amp;quot;Argues that among the forces that shape desire in women and men are the depictions of relationships and sexual expression in popular fiction. [...] It is contended that by encompassing primarily the courtship phase of relationships, the scripts provide little guidance relevant to maintaining long-term relationships.&amp;quot;] [http://psycnet.apa.org/psycinfo/1986-17217-001 Abstract][http://myweb.fiu.edu/srose/wp-content/uploads/sites/127/2014/08/1985-Rose-IsRomanceDysfunctional-1.pdf pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143156&amp;oldid=prev</id>
		<title>Laura V at 16:00, 5 March 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=143156&amp;oldid=prev"/>
		<updated>2019-03-05T16:00:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:00, 5 March 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l200&quot; &gt;Line 200:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 200:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press). [Preview of parts of this available [http://books.google.com/books?id=Ja_Ia-oZo4wC&amp;amp;lpg=PP1&amp;amp;pg=PP1#v=onepage&amp;amp;q=&amp;amp;f=false via Google Books].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[http://www.questia.com/PM.qst?a=o&amp;amp;d=101551297 Romantic Conventions], 1999. : Anne K. Kaler and Rosemary E. Johnson-Kurek, eds.  (Bowling Green, OH: Bowling Green State University Popular Press). [Preview of parts of this available [http://books.google.com/books?id=Ja_Ia-oZo4wC&amp;amp;lpg=PP1&amp;amp;pg=PP1#v=onepage&amp;amp;q=&amp;amp;f=false via Google Books].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Rosanowski, Annika, 2019. : &amp;quot;Can She Have It All? Pregnancy Narratives in Contemporary Category Romance&amp;quot;, Journal of Popular Romance Studies 8 (2019). [http://jprstudies.org/2019/03/can-she-have-it-all-pregnancy-narratives-in-contemporary-category-romanceby-annika-rosanowski/]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265. [&amp;quot;Argues that among the forces that shape desire in women and men are the depictions of relationships and sexual expression in popular fiction. [...] It is contended that by encompassing primarily the courtship phase of relationships, the scripts provide little guidance relevant to maintaining long-term relationships.&amp;quot;] [http://psycnet.apa.org/psycinfo/1986-17217-001 Abstract][http://myweb.fiu.edu/srose/wp-content/uploads/sites/127/2014/08/1985-Rose-IsRomanceDysfunctional-1.pdf pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Rose, Suzanna, 1985. :  &amp;quot;Is Romance Dysfunctional?.&amp;quot; ''International Journal of Women's Studies'', 8.3: 250-265. [&amp;quot;Argues that among the forces that shape desire in women and men are the depictions of relationships and sexual expression in popular fiction. [...] It is contended that by encompassing primarily the courtship phase of relationships, the scripts provide little guidance relevant to maintaining long-term relationships.&amp;quot;] [http://psycnet.apa.org/psycinfo/1986-17217-001 Abstract][http://myweb.fiu.edu/srose/wp-content/uploads/sites/127/2014/08/1985-Rose-IsRomanceDysfunctional-1.pdf pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=142974&amp;oldid=prev</id>
		<title>Laura V at 23:18, 31 December 2018</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_P-S&amp;diff=142974&amp;oldid=prev"/>
		<updated>2018-12-31T23:18:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:18, 31 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l231&quot; &gt;Line 231:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 231:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;[[Barbara Samuel|Samuel, Barbara]], 1997. : &amp;quot;The Art of Romance Novels.&amp;quot; ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 78-80.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Santaulària, Isabel, 2002. :&amp;quot;The Fallacy of Eternal Love: Romance, Vampires and the Deconstruction of Love in [[Linda Lael Miller]]'s ''Forever and the Night'' and ''For All Eternity''.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.'' Ed. Maria O’Neill and Carmen Zamorano Llena (Lleida, Spain: Universitat de Lleida), pp. 111-126.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;;Sanders, Lise Shapiro, 2018. : &amp;quot;Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s&amp;quot;. ''Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period''. Ed. Catherine Clay, Maria DiCenzo, Barbara Green, and Fiona Hackney. Edinburgh: Edinburgh University Press. [https://books.google.co.uk/books?id=TIJ8DwAAQBAJ&amp;amp;lpg=PP1&amp;amp;pg=PT181#v=onepage&amp;amp;q&amp;amp;f=false Excerpt]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Santaulària, Isabel, 2002. : &amp;quot;The Fallacy of Eternal Love: Romance, Vampires and the Deconstruction of Love in [[Linda Lael Miller]]'s ''Forever and the Night'' and ''For All Eternity''.&amp;quot; in  ''The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process.'' Ed. Maria O’Neill and Carmen Zamorano Llena (Lleida, Spain: Universitat de Lleida), pp. 111-126.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Schalk, Sami, 2016. : &amp;quot;Happily Ever After for Whom? Blackness and Disability in Romance Narratives.&amp;quot; ''Journal of Popular Culture'' 49.6: 1241–1260. [http://onlinelibrary.wiley.com/doi/10.1111/jpcu.12491/abstract Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Schalk, Sami, 2016. : &amp;quot;Happily Ever After for Whom? Blackness and Disability in Romance Narratives.&amp;quot; ''Journal of Popular Culture'' 49.6: 1241–1260. [http://onlinelibrary.wiley.com/doi/10.1111/jpcu.12491/abstract Excerpt]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
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