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	<id>https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_T-Z</id>
	<title>Bibliography T-Z - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://romancewiki.bham.ac.uk//index.php?action=history&amp;feed=atom&amp;title=Bibliography_T-Z"/>
	<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;action=history"/>
	<updated>2026-06-26T04:36:30Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143324&amp;oldid=prev</id>
		<title>Laura V at 21:05, 28 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143324&amp;oldid=prev"/>
		<updated>2019-09-28T21:05:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 21:05, 28 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l267&quot; &gt;Line 267:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 267:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Woodruff, Juliette, 1985. : 'A spate of words, full of sound &amp;amp; fury, signifying nothing: or, How to read in Harlequin', ''Journal of Popular Culture'', 19.2 :25-32.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://www.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;bridgew&lt;/del&gt;.edu/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;SoAS&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;jiws&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nov06&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;RomanceNovels&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;pdf&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134. [&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://www.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;academia&lt;/ins&gt;.edu/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;521159&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Gender_Romance_Novels_and_Plastic_Sexuality_in_the_United_States_A_Focus_on_Female_College_Students?email_work_card=title] [https://vc.bridgew.edu&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cgi&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;viewcontent&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cgi?article=1353&amp;amp;context=jiws&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2007. : “Reading Romance Novels and Female Sexuality among American Heterosexual and Lesbian College Students.” ''The International Journal of Diversity in Organisations, Communities and Nations'' 6.6: 31-38. [http://ijd.cgpublisher.com/product/pub.29/prod.433 Abstract&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;] [https://www.academia.edu/521159/Gender_Romance_Novels_and_Plastic_Sexuality_in_the_United_States_A_Focus_on_Female_College_Students?email_work_card=title&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2007. : “Reading Romance Novels and Female Sexuality among American Heterosexual and Lesbian College Students.” ''The International Journal of Diversity in Organisations, Communities and Nations'' 6.6: 31-38. [http://ijd.cgpublisher.com/product/pub.29/prod.433 Abstract]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143323&amp;oldid=prev</id>
		<title>Laura V at 21:01, 28 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143323&amp;oldid=prev"/>
		<updated>2019-09-28T21:01:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 21:01, 28 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l269&quot; &gt;Line 269:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 269:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2006. : 'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', ''Journal of International Women’s Studies'', 8.1: 125-134.[http://www.bridgew.edu/SoAS/jiws/Nov06/RomanceNovels.pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2007. : “Reading Romance Novels and Female Sexuality among American Heterosexual and Lesbian College Students.” ''The International Journal of Diversity in Organisations, Communities and Nations'' 6.6: 31-38. [http://ijd.cgpublisher.com/product/pub.29/prod.433 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wu, Huei-Hsia. 2007. : “Reading Romance Novels and Female Sexuality among American Heterosexual and Lesbian College Students.” ''The International Journal of Diversity in Organisations, Communities and Nations'' 6.6: 31-38. [http://ijd.cgpublisher.com/product/pub.29/prod.433 Abstract&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;] [https://www.academia.edu/521159/Gender_Romance_Novels_and_Plastic_Sexuality_in_the_United_States_A_Focus_on_Female_College_Students?email_work_card=title&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. : 'Core Collections in Genre Studies: Romance Fiction 101', ''Reference &amp;amp; User Services Quarterly'', [http://rusq.org/category/issues/47-no-2/ 47.2]: 120-126.[http://rusq.org/wp-content/uploads/2007/47n2/PDFs/alert_collect.pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143322&amp;oldid=prev</id>
		<title>Laura V at 17:24, 28 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143322&amp;oldid=prev"/>
		<updated>2019-09-28T17:24:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:24, 28 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l134&quot; &gt;Line 134:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 134:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Valeo, Christina A., 2012. : 'Crusie and the Con', ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/crusie-and-the-con-by-christina-a-valeo/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Valeo, Christina A., 2012. : 'Crusie and the Con', ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/crusie-and-the-con-by-christina-a-valeo/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Valovirta, Elina, 2019. : &amp;quot;No Ordinary Love: The Romantic Formula of Stepsibling Erotica&amp;quot;. ''Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary''', Ed. 	Joel Kuortti, Kaisa Ilmonen, Elina Valovirta, Janne Korkka (Leiden: Brill Rodopi), pp. 161-??. [https://doi.org/10.1163/9789004406742_010 Abstract]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Valverde, Mariana, 1985. : ''Sex, Power and Pleasure'' (Toronto: Women's Press). [Mentions &amp;quot;formula romance&amp;quot; novels. [http://books.google.co.uk/books?id=VXrr7W_iusMC&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt].]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Valverde, Mariana, 1985. : ''Sex, Power and Pleasure'' (Toronto: Women's Press). [Mentions &amp;quot;formula romance&amp;quot; novels. [http://books.google.co.uk/books?id=VXrr7W_iusMC&amp;amp;printsec=frontcover#v=onepage&amp;amp;q&amp;amp;f=false Excerpt].]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143304&amp;oldid=prev</id>
		<title>Laura V at 11:56, 10 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143304&amp;oldid=prev"/>
		<updated>2019-09-10T11:56:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 11:56, 10 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l149&quot; &gt;Line 149:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 149:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2017. : &amp;quot;Keepers: Marking the Value of the Books on my Shelves.&amp;quot; ''Proceedings from the Document Academy'' 4.1, Article 4. [http://ideaexchange.uakron.edu/docam/vol4/iss1/4]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2017. : &amp;quot;Keepers: Marking the Value of the Books on my Shelves.&amp;quot; ''Proceedings from the Document Academy'' 4.1, Article 4. [http://ideaexchange.uakron.edu/docam/vol4/iss1/4]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2019. : &amp;quot;Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups&amp;quot;, ''Journal of the Australian Library and Information Association''. [https://doi.org/10.1080/24750158.2019.1654741 Abstract] [Added when online first and not yet included in a volume or paginated.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2019. : &amp;quot;Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups&amp;quot;, ''Journal of the Australian Library and Information Association''. [https://doi.org/10.1080/24750158.2019.1654741 Abstract] [Added when online first and not yet included in a volume or &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;officially &lt;/ins&gt;paginated.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Vitackova, Martina, 2018. : &amp;quot;Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp.&amp;quot; ''Tydskrif vir letterkunde'' 55.1. 122-133. [https://www.ajol.info/index.php/tvl/article/view/168618 Abstract and link to pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Vitackova, Martina, 2018. : &amp;quot;Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp.&amp;quot; ''Tydskrif vir letterkunde'' 55.1. 122-133. [https://www.ajol.info/index.php/tvl/article/view/168618 Abstract and link to pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143303&amp;oldid=prev</id>
		<title>Laura V at 11:50, 10 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143303&amp;oldid=prev"/>
		<updated>2019-09-10T11:50:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 11:50, 10 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l148&quot; &gt;Line 148:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 148:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2017. : &amp;quot;Keepers: Marking the Value of the Books on my Shelves.&amp;quot; ''Proceedings from the Document Academy'' 4.1, Article 4. [http://ideaexchange.uakron.edu/docam/vol4/iss1/4]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Veros, Vassiliki, 2017. : &amp;quot;Keepers: Marking the Value of the Books on my Shelves.&amp;quot; ''Proceedings from the Document Academy'' 4.1, Article 4. [http://ideaexchange.uakron.edu/docam/vol4/iss1/4]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Veros, Vassiliki, 2019. : &amp;quot;Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups&amp;quot;, ''Journal of the Australian Library and Information Association''. [https://doi.org/10.1080/24750158.2019.1654741 Abstract] [Added when online first and not yet included in a volume or paginated.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Vitackova, Martina, 2018. : &amp;quot;Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp.&amp;quot; ''Tydskrif vir letterkunde'' 55.1. 122-133. [https://www.ajol.info/index.php/tvl/article/view/168618 Abstract and link to pdf]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Vitackova, Martina, 2018. : &amp;quot;Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp.&amp;quot; ''Tydskrif vir letterkunde'' 55.1. 122-133. [https://www.ajol.info/index.php/tvl/article/view/168618 Abstract and link to pdf]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143300&amp;oldid=prev</id>
		<title>Laura V at 11:00, 3 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143300&amp;oldid=prev"/>
		<updated>2019-09-03T11:00:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 11:00, 3 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l104&quot; &gt;Line 104:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 104:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2012. : “A Parody of Love: the Narrative Uses of Rape in Popular Romance.” ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/a-parody-of-love-the-narrative-uses-of-rape-in-popular-romance-by-angela-toscano/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2012. : “A Parody of Love: the Narrative Uses of Rape in Popular Romance.” ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/a-parody-of-love-the-narrative-uses-of-rape-in-popular-romance-by-angela-toscano/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2019. : &amp;quot;The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature&amp;quot;, Chapter 8, ''Iconoclasm: The Breaking and Making of Images'', edited by Rachel F. Stapleton and Antonio Viselli. Montreal &amp;amp; Kingston: McGill-Queen's University Press.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2019. : &amp;quot;The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature&amp;quot;, Chapter 8, ''Iconoclasm: The Breaking and Making of Images'', edited by Rachel F. Stapleton and Antonio Viselli. Montreal &amp;amp; Kingston: McGill-Queen's University Press&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, pp. 173-192&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143299&amp;oldid=prev</id>
		<title>Laura V at 10:56, 3 September 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143299&amp;oldid=prev"/>
		<updated>2019-09-03T10:56:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:56, 3 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l103&quot; &gt;Line 103:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 103:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2012. : “A Parody of Love: the Narrative Uses of Rape in Popular Romance.” ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/a-parody-of-love-the-narrative-uses-of-rape-in-popular-romance-by-angela-toscano/]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Toscano, Angela, 2012. : “A Parody of Love: the Narrative Uses of Rape in Popular Romance.” ''Journal of Popular Romance Studies'' 2.2.[http://jprstudies.org/2012/04/a-parody-of-love-the-narrative-uses-of-rape-in-popular-romance-by-angela-toscano/]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Toscano, Angela, 2019. : &amp;quot;The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature&amp;quot;, Chapter 8, ''Iconoclasm: The Breaking and Making of Images'', edited by Rachel F. Stapleton and Antonio Viselli. Montreal &amp;amp; Kingston: McGill-Queen's University Press.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trachsel, Mary, 1997. : 'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', ''Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy '', 38-39: 20-41.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143231&amp;oldid=prev</id>
		<title>Laura V at 22:20, 11 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143231&amp;oldid=prev"/>
		<updated>2019-07-11T22:20:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:20, 11 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Tapper, Olivia, 2014. : &amp;quot;Romance and Innovation in Twenty-First Century Publishing.&amp;quot; ''Publishing Research Quarterly''. Online First. 9 May 2014. [http://link.springer.com/article/10.1007/s12109-014-9363-6 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Tapper, Olivia, 2014. : &amp;quot;Romance and Innovation in Twenty-First Century Publishing.&amp;quot; ''Publishing Research Quarterly''. Online First. 9 May 2014. [http://link.springer.com/article/10.1007/s12109-014-9363-6 Abstract]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Tatlock, Lynne, 2012. : ''German Writing, American Reading: Women and the Import of Fiction, 1866-1917'' (Columbus: Ohio State UP). [See Chapter 4, entitled &amp;quot;The German Art of the Happy Ending: Embellishing and Expanding the Boundaries of Home.&amp;quot;] [https://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ohiostatepress&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;org/index.htm?/books/catalogs/f12&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;html Details] and [https:&lt;/del&gt;//&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ohiostatepress.org&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Books&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Book%20PDFs&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Tatlock%20German&lt;/del&gt;.pdf &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;excerpt&lt;/del&gt;].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Tatlock, Lynne, 2012. : ''German Writing, American Reading: Women and the Import of Fiction, 1866-1917'' (Columbus: Ohio State UP). [See Chapter 4, entitled &amp;quot;The German Art of the Happy Ending: Embellishing and Expanding the Boundaries of Home.&amp;quot;] [https://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kb&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;osu&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;edu&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;bitstream&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;handle&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1811&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;52934&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Tatlock_Book4CD&lt;/ins&gt;.pdf&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;?sequence=1&amp;amp;isAllowed=y&lt;/ins&gt;].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.**&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Taylor, Helen, 1989. : 'Romantic Readers&amp;quot; in ''From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World.'', ed. Helen Carr, (London: Pandora), pp. 58-77.**&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143212&amp;oldid=prev</id>
		<title>Laura V at 16:38, 3 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143212&amp;oldid=prev"/>
		<updated>2019-07-03T16:38:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:38, 3 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l108&quot; &gt;Line 108:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 108:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Treacher, Amal, 1988. : ‘What is Life Without my Love: Desire and Romantic Fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. [http://www.questiaschool.com/read/112042277?title=What%20Is%20Life%20without%20My%20Love%3a%20Desire%20and%20Romantic%20Fiction First page.] [Takes [[Sally Wentworth]]'s ''[[Say_Hello_To_Yesterday | Say Hello to Yesterday]]'' as a case study.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Treacher, Amal, 1988. : ‘What is Life Without my Love: Desire and Romantic Fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. [http://www.questiaschool.com/read/112042277?title=What%20Is%20Life%20without%20My%20Love%3a%20Desire%20and%20Romantic%20Fiction First page.] [Takes [[Sally Wentworth]]'s ''[[Say_Hello_To_Yesterday | Say Hello to Yesterday]]'' as a case study.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trower, Shelley, Amy Tooth Murphy and Graham Smith, 2019. : ‘“Me mum likes a book, me dad’s a newspaper man”: Reading, gender and domestic life in “100 Families”’, ''Participations'' 16.1. [http://www.participations.org/Volume%2016/Issue%201/26.pdf]  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Trower, Shelley, Amy Tooth Murphy and Graham Smith, 2019. : ‘“Me mum likes a book, me dad’s a newspaper man”: Reading, gender and domestic life in “100 Families”’, ''Participations'' 16.1&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: 554-581&lt;/ins&gt;. [http://www.participations.org/Volume%2016/Issue%201/26.pdf]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Turnbull, Sue. 2002. : &amp;quot;'Nice Dress, Take It Off': Crime, Romance and the Pleasure of the Text.&amp;quot; ''International Journal of Cultural Studies'' 5, no. 1: 67-82. (about Janet Evanovich)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Turnbull, Sue. 2002. : &amp;quot;'Nice Dress, Take It Off': Crime, Romance and the Pleasure of the Text.&amp;quot; ''International Journal of Cultural Studies'' 5, no. 1: 67-82. (about Janet Evanovich)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
	<entry>
		<id>https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143211&amp;oldid=prev</id>
		<title>Laura V at 16:36, 3 July 2019</title>
		<link rel="alternate" type="text/html" href="https://romancewiki.bham.ac.uk//index.php?title=Bibliography_T-Z&amp;diff=143211&amp;oldid=prev"/>
		<updated>2019-07-03T16:36:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:36, 3 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l107&quot; &gt;Line 107:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 107:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Treacher, Amal, 1988. : ‘What is Life Without my Love: Desire and Romantic Fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. [http://www.questiaschool.com/read/112042277?title=What%20Is%20Life%20without%20My%20Love%3a%20Desire%20and%20Romantic%20Fiction First page.] [Takes [[Sally Wentworth]]'s ''[[Say_Hello_To_Yesterday | Say Hello to Yesterday]]'' as a case study.]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Treacher, Amal, 1988. : ‘What is Life Without my Love: Desire and Romantic Fiction’, in ''Sweet Dreams – Sexuality, Gender and Popular Fiction'', ed. Susannah Radstone (London: Lawrence &amp;amp; Wishart), pp. 73-90. [http://www.questiaschool.com/read/112042277?title=What%20Is%20Life%20without%20My%20Love%3a%20Desire%20and%20Romantic%20Fiction First page.] [Takes [[Sally Wentworth]]'s ''[[Say_Hello_To_Yesterday | Say Hello to Yesterday]]'' as a case study.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;Trower, Shelley, Amy Tooth Murphy and Graham Smith, 2019. : ‘“Me mum likes a book, me dad’s a newspaper man”: Reading, gender and domestic life in “100 Families”’, ''Participations'' 16.1. [http://www.participations.org/Volume%2016/Issue%201/26.pdf] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Turnbull, Sue. 2002. : &amp;quot;'Nice Dress, Take It Off': Crime, Romance and the Pleasure of the Text.&amp;quot; ''International Journal of Cultural Studies'' 5, no. 1: 67-82. (about Janet Evanovich)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;;Turnbull, Sue. 2002. : &amp;quot;'Nice Dress, Take It Off': Crime, Romance and the Pleasure of the Text.&amp;quot; ''International Journal of Cultural Studies'' 5, no. 1: 67-82. (about Janet Evanovich)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Laura V</name></author>
		
	</entry>
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