Difference between revisions of "The Mummy Case"
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− | [[Category:Category Romance]][[Category:Romantic Suspense]][[Category:First Person Romance]] | + | {{DEFAULTSORT:Mummy Case, The}}[[Category:Category Romance]][[Category:Romantic Suspense]][[Category:First Person Romance]][[Category:Archaeology]] [[Category:Ghost]] [[Category:1994 Releases]] |
* '''Author''': [[Dawn Stewardson]] | * '''Author''': [[Dawn Stewardson]] | ||
− | * '''Publisher''': [[ | + | * '''Publisher''': [[Harlequin Intrigue]] [[Harlequin Intrigue By The Numbers|# 257]] |
− | * '''Year''': | + | * '''Year''': 1994 |
* '''Setting''': | * '''Setting''': | ||
− | * '''Amazon Listing''' | + | * '''Amazon Listing''': [http://www.amazon.com/gp/product/0373272572/ref=nosim/103-3685024-2000659?n=283155 The Mummy Case] |
− | [http://www.amazon.com/gp/product/0373272572/ref=nosim/103-3685024-2000659?n=283155 The Mummy Case] | ||
+ | == Book Description == | ||
+ | Her voice came from beyond the grave. When her ancient jewel-encrusted burial tomb vanished, a long-dead Egyptian princess spoke, demanding its return. | ||
+ | |||
+ | Her voice was sensuous and held secrets of Ages and was heard only by rookie investigator Marina Haine. Marina found the missing sarcophagus, but the mummy inside wasn’t the princess—she was a modern, murdered woman. | ||
+ | |||
+ | Her voice was not nearly as unnerving or mysterious as Revington York, Marina’s raven-haired prime suspect. | ||
+ | |||
+ | Her voice both warned of danger and sang of love. Marina had every reason to believe Rev would land behind bars—but the princess was planning a very different kind of future…. | ||
+ | |||
+ | == Related Titles == | ||
First in the [[Voice Of The Nile]] duet, followed by [[The Mummy Beads]]. | First in the [[Voice Of The Nile]] duet, followed by [[The Mummy Beads]]. |
Latest revision as of 01:09, 15 January 2009
- Author: Dawn Stewardson
- Publisher: Harlequin Intrigue # 257
- Year: 1994
- Setting:
- Amazon Listing: The Mummy Case
Book Description
Her voice came from beyond the grave. When her ancient jewel-encrusted burial tomb vanished, a long-dead Egyptian princess spoke, demanding its return.
Her voice was sensuous and held secrets of Ages and was heard only by rookie investigator Marina Haine. Marina found the missing sarcophagus, but the mummy inside wasn’t the princess—she was a modern, murdered woman.
Her voice was not nearly as unnerving or mysterious as Revington York, Marina’s raven-haired prime suspect.
Her voice both warned of danger and sang of love. Marina had every reason to believe Rev would land behind bars—but the princess was planning a very different kind of future….
Related Titles
First in the Voice Of The Nile duet, followed by The Mummy Beads.