Difference between revisions of "Mainstream"
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LK Hunsaker (talk | contribs) (New page: '''Mainstream Romance''' features deep characterization along with social issues or themes. The writing style is emphasized and it may veer from category romance by adding subplots and wa...) |
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'''Mainstream Romance''' features deep characterization along with social issues or themes. The writing style is emphasized and it may veer from category romance by adding subplots and wandering into thoughts of the character(s) and making statements about our culture or society of the time. Along with this is always a strong romance or burgeoning romance in the main story line, and possibly more than one. The romance is described subtly instead of vividly, with much detail left to the reader's imagination. | '''Mainstream Romance''' features deep characterization along with social issues or themes. The writing style is emphasized and it may veer from category romance by adding subplots and wandering into thoughts of the character(s) and making statements about our culture or society of the time. Along with this is always a strong romance or burgeoning romance in the main story line, and possibly more than one. The romance is described subtly instead of vividly, with much detail left to the reader's imagination. | ||
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* [[LK Hunsaker]] | * [[LK Hunsaker]] | ||
| − | + | * [[Francis Ray| Ray, Francis]] | |
* [[Nicholas Sparks]] | * [[Nicholas Sparks]] | ||
Latest revision as of 03:58, 4 January 2012
Mainstream Romance features deep characterization along with social issues or themes. The writing style is emphasized and it may veer from category romance by adding subplots and wandering into thoughts of the character(s) and making statements about our culture or society of the time. Along with this is always a strong romance or burgeoning romance in the main story line, and possibly more than one. The romance is described subtly instead of vividly, with much detail left to the reader's imagination.
