Difference between revisions of ""Rom-Coms" Academic Bibliography"

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;Deleyto, Celestino. : ''The Secret Life of Romantic Comedy''. Manchester: Manchester UP, 2009.
 
;Deleyto, Celestino. : ''The Secret Life of Romantic Comedy''. Manchester: Manchester UP, 2009.
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;Deleyto, Celestino. : “The Comic, the Serious and the Middle: Desire and Space in Contemporary Film Romantic Comedy.” ''Journal of Popular Romance Studies'' 2.1.[http://jprstudies.org/2011/10/the-comic-the-serious-and-the-middle-desire-and-space-in-contemporary-film-romantic-comedy-by-celestino-deleyto/]
  
 
;Delveroudi, Elisa-Anna. : “H Politiki stis Komodies tou Ellinikou Kinimatografou.” Istorika, 14/26 (1997): 146-165.  
 
;Delveroudi, Elisa-Anna. : “H Politiki stis Komodies tou Ellinikou Kinimatografou.” Istorika, 14/26 (1997): 146-165.  
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;Kirkland, Ewan. : "Romantic Comedy and the Construction of Heterosexuality." ''Scope'' 9 (2007).[http://www.scope.nottingham.ac.uk/article.php?issue=9&id=957]
 
;Kirkland, Ewan. : "Romantic Comedy and the Construction of Heterosexuality." ''Scope'' 9 (2007).[http://www.scope.nottingham.ac.uk/article.php?issue=9&id=957]
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;Krutnik, Frank. : “Conforming Passions?: Contemporary Romantic Comedy.” ''Genre and Contemporary Hollywood''. Steve Neale (ed). London: British Film Institute, 2002. 130-47.
  
 
;Lapsley, Robert and Michael Westlake. : “From Casablanca to Pretty Woman: The Politics of Romance.” ''Screen'' 33.1 (1992): 27-49. [http://screen.oxfordjournals.org/cgi/pdf_extract/33/1/27 Excerpt]
 
;Lapsley, Robert and Michael Westlake. : “From Casablanca to Pretty Woman: The Politics of Romance.” ''Screen'' 33.1 (1992): 27-49. [http://screen.oxfordjournals.org/cgi/pdf_extract/33/1/27 Excerpt]
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;Mortimer, Claire. : ''Romantic Comedy''. London: Routledge, 2010. [http://books.google.com/books?id=4iZLoRJ89AQC&printsec=frontcover&source=gbs_atb#v=onepage&q&f=false Excerpt]
 
;Mortimer, Claire. : ''Romantic Comedy''. London: Routledge, 2010. [http://books.google.com/books?id=4iZLoRJ89AQC&printsec=frontcover&source=gbs_atb#v=onepage&q&f=false Excerpt]
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;Neale, Steve. : “The Big romance or Something Wild?: romantic comedy today.” ''Screen'' 33.3 (1992): 284-99.
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;Neale, Steve and, Frank Krutnik. : ''Popular Film and Television Comedy''. London & New York: Routledge, 1990.
  
 
;Negra, Diane. :  "Structural Integrity, Historical Reversion, and the Post-9/11 Chick Flick." ''Feminist Media Studies'' 8:1 (2008): 51-68.
 
;Negra, Diane. :  "Structural Integrity, Historical Reversion, and the Post-9/11 Chick Flick." ''Feminist Media Studies'' 8:1 (2008): 51-68.
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;Sutton, Paul. : "''Après le Coup de Foudre'': Narrative, Love and Spectatorship in Groundhog Day." ''Falling in Love Again: Romantic Comedy in Contemporary Cinema''. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 38-??.
 
;Sutton, Paul. : "''Après le Coup de Foudre'': Narrative, Love and Spectatorship in Groundhog Day." ''Falling in Love Again: Romantic Comedy in Contemporary Cinema''. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 38-??.
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;Thomas, Deborah. : ''Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films''. Moffat: Cameron & Hollis, 2000.
  
 
;Turim, Maureen. : "Women's Films: Comedy, Drama, Romance." ''Chick Flicks: Contemporary Women at the Movies''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2008. 26- [http://books.google.co.uk/books?id=KZ3oqbNWV0AC&lpg=PP1&pg=PA26#v=onepage&q&f=false Excerpt]
 
;Turim, Maureen. : "Women's Films: Comedy, Drama, Romance." ''Chick Flicks: Contemporary Women at the Movies''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2008. 26- [http://books.google.co.uk/books?id=KZ3oqbNWV0AC&lpg=PP1&pg=PA26#v=onepage&q&f=false Excerpt]
  
 
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Revision as of 21:21, 18 October 2011


A-C

Abbott, Stacey and Deborah Jermyn. 
"Introduction - A Lot Like Love: The Romantic Comedy in Contemporary Cinema." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 1-?
Abbott, Stacey. 
"Prom-Coms: Reliving the Dreams and Nightmares of High-School Romance." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 52-??.
Bowdre, Karen. 
"Romantic Comedies and the Raced Body." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 105-???.
Burns, Amy, 2011. 
"'Tell me all about your new man': (Re)Constructing Masculinity in Contemporary Chick Texts." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 4.1. Links to abstract and pdf
Cavell, Stanley. 
Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, Massachusetts: Harvard UP, 1981.

D-F

Deleyto, Celestino. 
The Secret Life of Romantic Comedy. Manchester: Manchester UP, 2009.
Deleyto, Celestino. 
“The Comic, the Serious and the Middle: Desire and Space in Contemporary Film Romantic Comedy.” Journal of Popular Romance Studies 2.1.[1]
Delveroudi, Elisa-Anna. 
“H Politiki stis Komodies tou Ellinikou Kinimatografou.” Istorika, 14/26 (1997): 146-165.
DiBattista, Maria. 
Fast-Talking Dames. New Haven, Connecticut: Yale UP, 2001.
Dodd, Alan and Martin Fradley. 
"'I Believe that if I Haven't Found my Prince Charming Already, that I Will; or He Will Find Me, If He Hasn't Already': Jennifer Lopez, Romantic Comedy and Contemporary Stardom." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 190-???.
Dowd, James J. and Nicole R. Pallotta. 
“The End of Romance: The Demystification of Love in the Postmodern Age” Sociological Perspectives 43.4 (2000): 549-580. Abstract
Evans, Peter William and Celestino Deleyto, eds. 
Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s. Edinburgh: Edinburgh UP, 1998.
Ferriss, Suzanne, and Mallory Young. 
"Introduction: Chick Flicks and Chick Culture." Chick Flicks: Contemporary Women at the Movies. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2008. 1-25. Excerpt

G-I

Gehring, Wes D. 
Romantic vs. Screwball Comedy: Charting the Difference. ????: Scarecrow Press, 2002.
Glitre, Kathrina. 
Hollywood Romantic Comedy: States of the Union 1934-1965. Manchester: Manchester UP, 2006.
Grindon, Leger. 
The Hollywood Romantic Comedy: Conventions, History and Controversies. ????: Wiley-Blackwell, 2011.
Harbidge, Lesley. 
"A New Direction in Comedian Comedy." Eternal Sunshine of the Spotless Mind, Punch-Drunk Love and the Post-Comedian Rom-Com." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 176-???.
Harvey, James. 
Romantic Comedy in Hollywood, from Lubitsch to Sturges. 1987. New York: Da Capo, 1998.
Hines, Claire. 
"Armed and Fabulous: Miss Congeniality's Queer Rom-Com." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 117-???.

J-L

Jermyn, Deborah. 
"I Heart NY: The Rom-Com’s Love Affair with New York." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 9-24.
Kaklamanidou, Betty. 
“The New Millennium Hollywood Romantic Comedy: Charting a Genre’s History.” Gender and Genre. Eds. Kornelia Slavova & Isabelle Boof-Vermesse. Bulgaria: Sofia University Press, 2010. 167-178.
Kaklamanidou, Betty. 
“‘The Bells Are Ringing for Me and My Gal’: Marriage and Gender in the Contemporary Greek Romantic Comedy.” Journal of Popular Romance Studies 2.1, 2011.[2]
Kaklamanidou, Betty. 
“The Greek ‘American’ Dream: The Semiotics of the Greek Romantic Comedy.” Semiotics and ideo-logies. Eds. Grigoris Pashalidis & Eleni Hodolidou. Thessaloniki: University Studio Press, in Greek. (forthcoming).
Kartalou, Athena. 
“Gender, Professional, and Class Identities in Miss Director and Modern Cinderella.” Journal of Modern Greek Studies, Vol. 18/1, (2000): 105-118. Abstract
Kendall, Elizabeth. 
The Runaway Bride: Hollywood Romantic Comedy of the 1930s. ????: Cooper Square Press, 2002.
Kirkland, Ewan. 
"Romantic Comedy and the Construction of Heterosexuality." Scope 9 (2007).[3]
Krutnik, Frank. 
“Conforming Passions?: Contemporary Romantic Comedy.” Genre and Contemporary Hollywood. Steve Neale (ed). London: British Film Institute, 2002. 130-47.
Lapsley, Robert and Michael Westlake. 
“From Casablanca to Pretty Woman: The Politics of Romance.” Screen 33.1 (1992): 27-49. Excerpt

M-O

McCabe, Janet. 
"Lost in Transition: Problems of Modern (Heterosexual) Romance and the Catatonic Male Hero in the Post-Feminist Age." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 160-???.
McDonald, Tamar Jeffers. 
Romantic Comedy: Boy Meets Girl Meets Genre. London: Wallflower, 2007. Excerpt
McDonald, Tamar Jeffers. 
"Homme-com: Engendering Change in Contemporary Romantic Comedy." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 146-???.
McRobbie, Angela. 
"Post-Feminism and Popular Culture." Feminist Media Studies 4.3 (2004): 255-264. [Contains a section on "The film Bridget Jones’s Diary" (261).]
Mortimer, Claire. 
Romantic Comedy. London: Routledge, 2010. Excerpt
Neale, Steve. 
“The Big romance or Something Wild?: romantic comedy today.” Screen 33.3 (1992): 284-99.
Neale, Steve and, Frank Krutnik. 
Popular Film and Television Comedy. London & New York: Routledge, 1990.
Negra, Diane. 
"Structural Integrity, Historical Reversion, and the Post-9/11 Chick Flick." Feminist Media Studies 8:1 (2008): 51-68.

P-R

Paradeisi, Maria. 
“H Parousiasi tis Gynaikas stis “komenti” tou ellinikou kinimatografou.” To Vima ton Koinonikon Epistimon 11, (1993): 185-204.
Radner, Hilary. 
"Le Divorce: Romance, Separation and Reconciliation." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 208-???.
Radner, Hilary. 
Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture. New York: Routledge, 2010. Excerpt
Redmond, Sean. 
"The Healing Power of Romantic Love in Popular Indian Romantic Comedies: Raja Hindustani: Home Elsewhere and Elsewhere Home." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 65-??.
Roe, Annabelle Honess. 
"A 'Special Relationship'? The Coupling of Britain and America in Working Title's Romantic Comedies." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 79-??.
Rollet, Brigitte. 
"Translatlantic Exchanges and Influences: Décalage horaire (Jet Lag) Gender and the Romantic Comedy à la française.” Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 92-104.
Rubinfeld, Mark D. 
Bound To Bond: Gender, Genre, and the Hollywood Romantic Comedy. Connecticut: Praeger, 2001.

S-U

Stassinopoulou, Maria. 
“Ti Gureyei h Istoria ston Kinhmatografo?” Istorika, 12/23, (1995): 421-437
Stevens, Kyle. 
"What a Difference a Gay Makes: Marriage in the 1990s Romantic Comedy." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 132-???.
Stilwell, Robynn J. 
"Music, Ritual, and Genre in Edward Burns' Indie Romantic Comedies." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 24-??.
Sutton, Paul. 
"Après le Coup de Foudre: Narrative, Love and Spectatorship in Groundhog Day." Falling in Love Again: Romantic Comedy in Contemporary Cinema. Ed. Stacey Abbott and Deborah Jermyn. London: I. B. Tauris, 2009. 38-??.
Thomas, Deborah. 
Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films. Moffat: Cameron & Hollis, 2000.
Turim, Maureen. 
"Women's Films: Comedy, Drama, Romance." Chick Flicks: Contemporary Women at the Movies. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2008. 26- Excerpt

V-Z