Difference between revisions of "Chick Lit Academic Bibliography"

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;Butler, Pamela and Jigna Desai. : “Manolos, Marriage, and Mantras: Chick-Lit Criticism and Transnational Feminism.” ''Meridians'' 8.2 (2008): 1-31. [http://muse.jhu.edu/login?uri=/journals/meridians/v008/8.2.butler.html Abstract]
 
;Butler, Pamela and Jigna Desai. : “Manolos, Marriage, and Mantras: Chick-Lit Criticism and Transnational Feminism.” ''Meridians'' 8.2 (2008): 1-31. [http://muse.jhu.edu/login?uri=/journals/meridians/v008/8.2.butler.html Abstract]
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;Craddock, Louise. : "Bridget Jones's Little Red Dress: Chicklit, Mass-market Popular Romance and Feminism." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 43-51. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
==D-F==
 
==D-F==
  
 
;Davis-Kahl, Stephanie. : "The Case for Chick Lit in Academic Libraries." ''Collection Building'' 27.1 (2008): 18-21. [Abstract and link to pdf http://works.bepress.com/stephanie_davis_kahl/1]
 
;Davis-Kahl, Stephanie. : "The Case for Chick Lit in Academic Libraries." ''Collection Building'' 27.1 (2008): 18-21. [Abstract and link to pdf http://works.bepress.com/stephanie_davis_kahl/1]
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;Dorney, Kate. : "Shop Boys and Girls! Interpellating Readers as Consumers in Chicklit and Ladlit." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 12-22. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
;Ferriss, Suzanne and Mallory Young. : ''Chick Lit: The New Woman's Fiction''. New York: Routledge, 2006.
 
;Ferriss, Suzanne and Mallory Young. : ''Chick Lit: The New Woman's Fiction''. New York: Routledge, 2006.
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;Gormley, Sarah. : "Introduction." ''[http://extra.shu.ac.uk/wpw/chicklit/ Chick Lit]''. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[http://extra.shu.ac.uk/wpw/chicklit/gormley.html]
 
;Gormley, Sarah. : "Introduction." ''[http://extra.shu.ac.uk/wpw/chicklit/ Chick Lit]''. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[http://extra.shu.ac.uk/wpw/chicklit/gormley.html]
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;Gorton, Kristyn. : "'Kiss My Tiara': Chicklit and Female Empowerment." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 23-28. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
;Harzewski, Stephanie. : "Tradition and Displacement in the New Novel of Manners." ''Chick Lit: The New Woman's Fiction''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 29–46.
 
;Harzewski, Stephanie. : "Tradition and Displacement in the New Novel of Manners." ''Chick Lit: The New Woman's Fiction''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 29–46.
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;Harzewski, Stephanie. : ''Chick Lit and Postfeminism.'' Charlottesville: University of Virginia Press, 2011.
 
;Harzewski, Stephanie. : ''Chick Lit and Postfeminism.'' Charlottesville: University of Virginia Press, 2011.
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;Horrocks, Clare. : "Tart Noir: Chicklit with Criminal Balls." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 59-64. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
;Hurst, Rochelle. “The Barrister’s Bedmate: Harlequin Mills & Boon and the Bridget Jones Debate.” ''Australian Feminist Studies'' 24.62 (2009): 453-468. [Feminist critique of Harlequin Mills & Boons (especially a selection by [[Emma Darcy]]) and comparison with Helen Fielding's ''Bridget Jones'' novels. For a discussion of why many aspects of this essay's methodology are troubling, from an academic perspective, see [http://www.readreactreview.com/2010/02/10/feminist-critique-of-romance-ur-doin-it-wrong/ this article by Jessica at ''Read React Review'']].
 
;Hurst, Rochelle. “The Barrister’s Bedmate: Harlequin Mills & Boon and the Bridget Jones Debate.” ''Australian Feminist Studies'' 24.62 (2009): 453-468. [Feminist critique of Harlequin Mills & Boons (especially a selection by [[Emma Darcy]]) and comparison with Helen Fielding's ''Bridget Jones'' novels. For a discussion of why many aspects of this essay's methodology are troubling, from an academic perspective, see [http://www.readreactreview.com/2010/02/10/feminist-critique-of-romance-ur-doin-it-wrong/ this article by Jessica at ''Read React Review'']].
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;Knowles, Joanne. : "Editorial." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 3-4. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
 
;Knowles, Joanne. : "Editorial." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 3-4. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
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;Knowles, Joanne. : "Material Girls: Location and Economics in Chicklit Fiction, Or, How Singletons Finance Their Jimmy Choo Collections." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 37-42. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
;Konchar Farr, Cecilia. : "It Was Chick Lit All Along: The Gendering of a Genre." ''You've Come A Long Way Baby: Women, Politics, and Popular Culture''. Ed. Lilly J. Goren. Lexington, Kentucky: University Press of Kentucky, 2009. 201-214. [http://books.google.co.uk/books?id=G132LEhM4ucC&lpg=PA208&pg=PA201#v=onepage&q&f=false Excerpt]
 
;Konchar Farr, Cecilia. : "It Was Chick Lit All Along: The Gendering of a Genre." ''You've Come A Long Way Baby: Women, Politics, and Popular Culture''. Ed. Lilly J. Goren. Lexington, Kentucky: University Press of Kentucky, 2009. 201-214. [http://books.google.co.uk/books?id=G132LEhM4ucC&lpg=PA208&pg=PA201#v=onepage&q&f=false Excerpt]
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;Mazza, Cris. : "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre."  ''Chick Lit: The New Woman's Fiction''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. ??-??
 
;Mazza, Cris. : "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre."  ''Chick Lit: The New Woman's Fiction''. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. ??-??
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;Moody, Nickianne. : "Empathy and Irony in the Soundtrack to Chicklit." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 52-58. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
==P-R==
 
==P-R==
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;Smith, Caroline J. : ''Cosmopolitan Culture and Consumerism in Chick Lit''. New York: Routledge, 2008. [http://books.google.co.uk/books?id=XDACykiKvL8C&lpg=PP1&pg=PP1#v=onepage&q&f=false Excerpt]
 
;Smith, Caroline J. : ''Cosmopolitan Culture and Consumerism in Chick Lit''. New York: Routledge, 2008. [http://books.google.co.uk/books?id=XDACykiKvL8C&lpg=PP1&pg=PP1#v=onepage&q&f=false Excerpt]
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;Smyczyńska, Katarzyna. : "Commitment Phobia and Emotional Fuckwittage: Postmillennial Constructions of Male 'Other' in Chicklit Novels." ''Diegesis: Journal of the Association for Research in Popular Fictions'' 8 (2004): 29-36. [http://www.arpf.org.uk/wp-content/uploads/2011/04/No.-8-Winter-2004.pdf Whole issue as pdf.]
  
 
;Smyczyńska, Katarzyna. : ''The World According to Bridget Jones: Discourses of Identity in Chicklit Fictions''. Frankfurt am Main: Peter Lang, 2007.
 
;Smyczyńska, Katarzyna. : ''The World According to Bridget Jones: Discourses of Identity in Chicklit Fictions''. Frankfurt am Main: Peter Lang, 2007.

Revision as of 16:51, 24 May 2011


A-C

Butler, Pamela and Jigna Desai. 
“Manolos, Marriage, and Mantras: Chick-Lit Criticism and Transnational Feminism.” Meridians 8.2 (2008): 1-31. Abstract
Craddock, Louise. 
"Bridget Jones's Little Red Dress: Chicklit, Mass-market Popular Romance and Feminism." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 43-51. Whole issue as pdf.

D-F

Davis-Kahl, Stephanie. 
"The Case for Chick Lit in Academic Libraries." Collection Building 27.1 (2008): 18-21. [Abstract and link to pdf http://works.bepress.com/stephanie_davis_kahl/1]
Dorney, Kate. 
"Shop Boys and Girls! Interpellating Readers as Consumers in Chicklit and Ladlit." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 12-22. Whole issue as pdf.
Ferriss, Suzanne and Mallory Young. 
Chick Lit: The New Woman's Fiction. New York: Routledge, 2006.
Ferriss Suzanne and Mallory Young. 
“Chicks, Girls and Choice: Redefining Feminism.” Junctures: The Journal for Thematic Dialogue 6 (2006): 87-97. [1]

G-I

Gamble, Sarah. 
"When Romantic Heroines Turn Bad: The Rise of the ‘Anti-Chicklit’ Novel." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[2]
Gill, Rosalind. 
"Lad lit as mediated intimacy: A postfeminist tale of female power, male vulnerability and toast." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[3]
Gill, Rosalind and Elena Herdieckerhoff. 
"Rewriting the Romance: New Femininities in Chick Lit?" Feminist Media Studies 6.4 (2006): 487-504. [Abstract and pdf available from LSE Research Online]
Gormley, Sarah. 
"Introduction." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[4]
Gorton, Kristyn. 
"'Kiss My Tiara': Chicklit and Female Empowerment." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 23-28. Whole issue as pdf.
Harzewski, Stephanie. 
"Tradition and Displacement in the New Novel of Manners." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 29–46.
Harzewski, Stephanie. 
"The new novel of manners: Chick lit and postfeminist sexual politics" (January 1, 2006). Dissertations available from ProQuest. Paper AAI3225468. [Abstract http://repository.upenn.edu/dissertations/AAI3225468]
Harzewski, Stephanie. 
Chick Lit and Postfeminism. Charlottesville: University of Virginia Press, 2011.
Horrocks, Clare. 
"Tart Noir: Chicklit with Criminal Balls." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 59-64. Whole issue as pdf.
Hurst, Rochelle. “The Barrister’s Bedmate
Harlequin Mills & Boon and the Bridget Jones Debate.” Australian Feminist Studies 24.62 (2009): 453-468. [Feminist critique of Harlequin Mills & Boons (especially a selection by Emma Darcy) and comparison with Helen Fielding's Bridget Jones novels. For a discussion of why many aspects of this essay's methodology are troubling, from an academic perspective, see this article by Jessica at Read React Review].
Isbister, Georgina C. 
"Chick Lit: A Postfeminist Fairy Tale." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[5]

J-L

Knowles, Joanne. 
"Editorial." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 3-4. Whole issue as pdf.
Knowles, Joanne. 
"Material Girls: Location and Economics in Chicklit Fiction, Or, How Singletons Finance Their Jimmy Choo Collections." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 37-42. Whole issue as pdf.
Konchar Farr, Cecilia. 
"It Was Chick Lit All Along: The Gendering of a Genre." You've Come A Long Way Baby: Women, Politics, and Popular Culture. Ed. Lilly J. Goren. Lexington, Kentucky: University Press of Kentucky, 2009. 201-214. Excerpt
Lerman, Amy S. 
“Jane Green and the Contemporary ‘Singleton’: Why Women Can Laugh at their Bachelorette Predicaments.” The 2000-2003 Proceedings of the SW/Texas PCA/ACA Conference. Ed. Leslie Fife. 1285-1298.

M-O

Mazza, Cris. 
"Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. ??-??
Moody, Nickianne. 
"Empathy and Irony in the Soundtrack to Chicklit." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 52-58. Whole issue as pdf.

P-R

Pérez-Serrano, Elena. 
"Chick Lit and Marian Keyes: The ideological background of the genre." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[6]

S-U

Smith, Caroline J. 
Cosmopolitan Culture and Consumerism in Chick Lit. New York: Routledge, 2008. Excerpt
Smyczyńska, Katarzyna. 
"Commitment Phobia and Emotional Fuckwittage: Postmillennial Constructions of Male 'Other' in Chicklit Novels." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 29-36. Whole issue as pdf.
Smyczyńska, Katarzyna. 
The World According to Bridget Jones: Discourses of Identity in Chicklit Fictions. Frankfurt am Main: Peter Lang, 2007.

V-Z

Van Slooten, Jessica Lyn. 
"Fashionable Indebted: Conspicuous Consumption, Fashion, and Romance in Sophie Kinsella's Shopaholic Trilogy." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. ???-???.
Wells, Juliette. 
"Mother of Chick Lit? Women Writers, Readers, and Literary History." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. ???-???.
Whelehan, Imelda. 
Overloaded: Popular Culture and the Future of Feminism. London: The Women’s Press Ltd., 2000. [Looks at various aspects of popular culture: men's magazines (Loaded, Maxim, GQ); TV shows (Ally McBeal, Sex in the City, Men Behaving Badly) and novels (Bridget Jones' Diary).]
Whelehan, Imelda. 
Helen Fielding’s Bridget Jones’s Diary: A Reader’s Guide. New York: Continuum, 2002. Excerpt
Whelehan, Imelda. 
"Sex and the Single Girl: Helen Fielding, Erica Jong and Helen Gurley Brown." Essays and Studies 2004: Contemporary British Women Writers. Ed. Emma Parker. Cambridge: D.S. Brewer, 2004.
Whelehan, Imelda. 
"High Anxiety: Feminism, Chicklit And Women In The Noughties." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 5-11. Whole issue as pdf.
Whelehan, Imelda. 
"Teening Chick Lit?" Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[7]
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