Difference between revisions of "Bibliography A-C"

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;Anderson, Rachel, 1974. : ''The Purple Heart Throbs: The Sub-literature of Love'' (London: Hodder and Stoughton).
 
;Anderson, Rachel, 1974. : ''The Purple Heart Throbs: The Sub-literature of Love'' (London: Hodder and Stoughton).
 +
 +
;Andresen, Julie Tetel, 1999. : "Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer." in ''Romantic Conventions.'' Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek (Bowling Green, OH: Popular) pp. 173-186.
  
 
;Ang, Ien, 1996. : ''Living Room Wars: Rethinking Media Audiences for a Postmodern World'' (London & New York: Routledge). [Chapter 6 is titled 'Feminist Desire and Female Pleasure: On Janice Radway's ''Reading the Romance''']
 
;Ang, Ien, 1996. : ''Living Room Wars: Rethinking Media Audiences for a Postmodern World'' (London & New York: Routledge). [Chapter 6 is titled 'Feminist Desire and Female Pleasure: On Janice Radway's ''Reading the Romance''']
Line 28: Line 30:
  
 
;Blake, Susan L., 2003. : 'What "Race" is the Sheik?: Rereading a Desert Romance', in ''Doubled Plots: Romance and History'', see below, pp. 67-85. **
 
;Blake, Susan L., 2003. : 'What "Race" is the Sheik?: Rereading a Desert Romance', in ''Doubled Plots: Romance and History'', see below, pp. 67-85. **
 +
 +
;Booth, Sandra, 1997. : "Paradox in Popular Romances of the 1990s: The Paranormal versus Feminist Humor." ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 94-106.
  
 
;Bott, Amber, 1999. : 'Cavewoman Impulses: The Jungian Shadow Archetype in Popular Romantic Fiction', in ''Romantic Conventions'', see below, pp. 62-74. **
 
;Bott, Amber, 1999. : 'Cavewoman Impulses: The Jungian Shadow Archetype in Popular Romantic Fiction', in ''Romantic Conventions'', see below, pp. 62-74. **
Line 60: Line 64:
  
 
;Christian-Smith, Linda K., 1990. : ''Becoming a Woman Through Romance'' (New York; London: Routledge).
 
;Christian-Smith, Linda K., 1990. : ''Becoming a Woman Through Romance'' (New York; London: Routledge).
 +
 +
;Clancy, Kim, 1992. :"Tania Modleski, Loving with a Vengeance: Mass-Produced Fantasies for Women." in ''Reading into Cultural Studies.'' Ed. Martin Barker and Anne Beezer, (London: Routledge) pp. 119-133.
  
 
;Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca, 1996. : 'Reading Romance, Reading Ourselves', ''The Centennial Review'', 40.2: 359-84.
 
;Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca, 1996. : 'Reading Romance, Reading Ourselves', ''The Centennial Review'', 40.2: 359-84.
  
 
;Clawson, L., 2005. : 'Cowboys and schoolteachers: Gender in romance novels, secular and Christian', ''Sociological Perspectives'',48.4:461-79. [http://caliber.ucpress.net/doi/abs/10.1525/sop.2005.48.4.461 Abstract]
 
;Clawson, L., 2005. : 'Cowboys and schoolteachers: Gender in romance novels, secular and Christian', ''Sociological Perspectives'',48.4:461-79. [http://caliber.ucpress.net/doi/abs/10.1525/sop.2005.48.4.461 Abstract]
 +
 +
;Coddington, Lynn, 1997. : "Wavering between Worlds: Feminist Influences in the Romance Genre." ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 58-77.
  
 
;Cohn, Jan, 1988. : Romance and the Erotics of Property: Mass-Market Fiction for Women (Durham and London: Duke UP). [http://www.questia.com/PM.qst?a=o&d=5634004 Contents page and excerpts]
 
;Cohn, Jan, 1988. : Romance and the Erotics of Property: Mass-Market Fiction for Women (Durham and London: Duke UP). [http://www.questia.com/PM.qst?a=o&d=5634004 Contents page and excerpts]
Line 102: Line 110:
  
 
;Ehnenn, Jill, 1998. : 'Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel', ''Atlantis'', special issue on "Sexualities and Feminisms",  23.1: 120-127. [http://www.msvu.ca/atlantis/frame/volumes.htm?http://www.msvu.ca/atlantis/vol/abstract/23.1ab.htm Abstract]
 
;Ehnenn, Jill, 1998. : 'Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel', ''Atlantis'', special issue on "Sexualities and Feminisms",  23.1: 120-127. [http://www.msvu.ca/atlantis/frame/volumes.htm?http://www.msvu.ca/atlantis/vol/abstract/23.1ab.htm Abstract]
 +
 +
;Emrys, A. B., 1994. : "Magic Regencies: How Fantasy Forms a Hybrid." ''Popular Culture Review'' 5.1: 85-93.
 +
 +
;Esquibel, Catrióna Rueda, 1992. : "A Duel of Wits and the Lesbian Romance Novel: Or, Verbal Intercourse in Fictional Regency England." in ''New Perspectives on Women and Comedy.'' Ed. Regina Barreca, (Philadelphia, PA: Gordon and Breach) pp. 123-133.
  
 
;Felski, Rita, 1990. : 'Kitsch, Romance Fiction And Male Paranoia: Stephen King meets the Frankfurt School', ''Continuum: The Australian Journal of Media & Culture'', 4.1.[http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Felski.html]
 
;Felski, Rita, 1990. : 'Kitsch, Romance Fiction And Male Paranoia: Stephen King meets the Frankfurt School', ''Continuum: The Australian Journal of Media & Culture'', 4.1.[http://wwwmcc.murdoch.edu.au/ReadingRoom/4.1/Felski.html]
Line 111: Line 123:
 
;Fox, Pamela, 1994. : 'The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing', ''NOVEL: A Forum on Fiction'', 27.2: 140-160.  
 
;Fox, Pamela, 1994. : 'The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing', ''NOVEL: A Forum on Fiction'', 27.2: 140-160.  
  
;Frantz, Sarah S. G. : "'Expressing' Herself:  The Romance Novel and the Feminine Will to Power,"  in ''Scorned Literature:  Essays on the History and Criticism of Popular Mass-Produced Fiction in America.''  Eds. Lydia Cushman Schurman and Deidre Johnson.  Connecticut:  Greenwood Press, 2002. 17-36.
+
;Franco, Jean, 1986. : "The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative." in ''Studies in Entertainment: Critical Approaches to Mass Culture.'' Ed. Tania Modleski, (Bloomington: Indiana UP), pp. 119-138. (especially Harlequin Romances; treatment of women; compared to photonovel)
 +
 
 +
;Franco, Jean, 2004. : "Plotting Women: Popular Narratives for Women in the United States and in Latin America." in ''The Latin American Cultural Studies Reader.'' Eds. Ana Del Sarto, Alicia Ríos, and Abril Trigo, (Durham, NC: Duke UP) pp. 183-202.
 +
 
 +
;Frantz, Sarah S. G., 2002. : "'Expressing' Herself:  The Romance Novel and the Feminine Will to Power,"  in ''Scorned Literature:  Essays on the History and Criticism of Popular Mass-Produced Fiction in America.''  Eds. Lydia Cushman Schurman and Deidre Johnson.  (Connecticut:  Greenwood Press) pp. 17-36.
  
 
;Frenier, Mariam Darce, 1988. : ''Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s [[Category]] Romances'', Contributions in Women’s Studies, no. 94. (New York: Greenwood Press). [http://www.questia.com/PM.qst?a=o&d=27366802 Contents page and excerpts]
 
;Frenier, Mariam Darce, 1988. : ''Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s [[Category]] Romances'', Contributions in Women’s Studies, no. 94. (New York: Greenwood Press). [http://www.questia.com/PM.qst?a=o&d=27366802 Contents page and excerpts]
  
 
;Ganguly, Keya. 1991. : 'Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture', ''Communication'', 12: 129-50. **
 
;Ganguly, Keya. 1991. : 'Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture', ''Communication'', 12: 129-50. **
 +
 +
;Goodwin, Sarah Webster, 1997. : "Romance and Change: Teaching the Romance to Undergraduates." ''Paradoxa: Studies in World Literary Genres'' 3.1-2: 233-241.
  
 
;Grescoe, Paul, 1996. : ''The Merchants of Venus: Inside [[Harlequin]] and the Empire of Romance'' (Vancouver, B.C.: Raincoast). **
 
;Grescoe, Paul, 1996. : ''The Merchants of Venus: Inside [[Harlequin]] and the Empire of Romance'' (Vancouver, B.C.: Raincoast). **

Revision as of 21:38, 1 June 2006

Items with the "**" have not been personally checked. This means that the details given in the entry may not be entirely accurate.

From this page you may return to the main Romance Scholarship page or go directly to


Alberts, J. K., 1986. 
‘The role of couples' conversations in relationship development: A content analysis of courtship talk in Harlequin romance novels’, Communication Quarterly, 34: 127-142. **
Anderson, Rachel, 1974. 
The Purple Heart Throbs: The Sub-literature of Love (London: Hodder and Stoughton).
Andresen, Julie Tetel, 1999. 
"Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer." in Romantic Conventions. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek (Bowling Green, OH: Popular) pp. 173-186.
Ang, Ien, 1996. 
Living Room Wars: Rethinking Media Audiences for a Postmodern World (London & New York: Routledge). [Chapter 6 is titled 'Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance']
Aronowitz, Beverly-Lynne, 1988. 
'Women's Fiction and Popular Romance: Student Audience and Teaching Dilemma', Paper presented at the Annual National Literature Conference (3rd, Chicago, IL, October 14-15, 1988). 32 pgs. ERIC document ED298525. Abstract
Assiter, Alison, 1988. 
‘Romance Fiction, Porn for Women?’, in Perspectives on Pornography: Sexuality in Film and Literature, ed. Gary Day & Clive Bloom (New York: St. Martin’s), pp. 101-112.**
Barrett, Rebecca Kaye, 2003. 
‘Higher Love: What Women Gain from Christian Romance Novels’, Journal of Religion and Popular Culture, 4. [1]
Belsey, Catherine, 1993. 
'Writing About Desire', The Glasgow Review, 2. [2]
Beidler, Peter G., 1991. 
'The Contemporary Indian Romance: A Review Essay', American Indian Culture and Research Journal , 15.4:97-125.
Blake, Susan L., 2003. 
'What "Race" is the Sheik?: Rereading a Desert Romance', in Doubled Plots: Romance and History, see below, pp. 67-85. **
Booth, Sandra, 1997. 
"Paradox in Popular Romances of the 1990s: The Paranormal versus Feminist Humor." Paradoxa: Studies in World Literary Genres 3.1-2: 94-106.
Bott, Amber, 1999. 
'Cavewoman Impulses: The Jungian Shadow Archetype in Popular Romantic Fiction', in Romantic Conventions, see below, pp. 62-74. **
Brackett, Kim Pettigrew, 2000. 
"Facework Strategies Among Romance Fiction Readers", The Social Science Journal, 37.3: 347-60.
Breslin, Carol Ann, 1999. 
'Medieval Magic and Witchcraft in the Popular Romance Novel', in Romantic Conventions, see below, pp. 75-85. **
Brunt, Rosalind., 1984. 
'Career in Love: The Romantic World of Barbara Cartland.' in Popular Fiction and Social Change. ed. Christopher Pawling , (New York: St Martin's), pp. 127-156.
Burley, Stephanie, 1999. 
"Shadows and Silhouettes: The Racial Politics of Category Romance." Paradoxa: Studies in World Literary Genres 5.13-14: 324-343.
Burley, Stephanie, 2003. 
'What's a Nice Girl like You Doing in a Book like This?: Homoerotic Reading and Popular Romance', in Doubled Plots: Romance and History, see below, pp. 127-46. **
Burnett, Ann, & Rhea Reinhardt Beto, 2000. 
‘Reading Romance Novels: An Application of Parasocial Relationship Theory’, North Dakota Journal of Speech & Theatre, 13. [3]
Cadogan, Mary, 1994. 
And Then Their Hearts Stood Still: An Exuberant Look at Romantic Fiction Past and Present (London: Macmillan).
Calhoun-French, Diane M. 2000. 
"Of Love and Death: Murder and Mayhem Meet the Romance." Clues: A Journal of Detection, 21.1: 1-16.
Calhoun-French, Diane M., 1999. 
'Time-Travel and Related Phenomena in Contemporary Popular Romance Fiction', in Romantic Conventions, see below, pp. 100-12. **
Capelle, Annick, 1996. 
'Harlequin Romances in Western Europe: The Cultural Interactions of Romantic Literature', in European Readings of American Popular Culture, ed. John Dean & Jean-Paul Gabilliet (Westport, CT: Greenwood Press), pp. 91-100. **
Chappel, Deborah K., 1997. 
'La Vyrle Spencer and the Anti-Essentialist Argument.' Paradoxa: Studies in World Literary Genres 3.1-2:107-120
Charles, Helen, 1995. 
'(Not) Compromising: Inter-Skin Colour Relations', in Romance Revisited , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 197-209. [The author says that she looks at 'inter-skin colour relations in the television programme Taboo (1993) along with Barbara Burford's novella, The Threshing Floor (1986) and Ann Allen Shockley's The Mistress and the Slave Girl (1987)'.]
Chelton, Mary K., 1991. 
'Unrestricted Body Parts and Predictable Bliss: The Audience Appeal of Formula Romances.' Library Journal 116.12: 44-49.
Christian-Smith, Linda K., 1987. 
'Gender, Popular Culture, and Curriculum - Adolescent Romance Novels as Gender Text', Curriculum Inquiry, 17.4:365-406.
Christian-Smith, Linda K., 1990. 
Becoming a Woman Through Romance (New York; London: Routledge).
Clancy, Kim, 1992. 
"Tania Modleski, Loving with a Vengeance: Mass-Produced Fantasies for Women." in Reading into Cultural Studies. Ed. Martin Barker and Anne Beezer, (London: Routledge) pp. 119-133.
Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca, 1996. 
'Reading Romance, Reading Ourselves', The Centennial Review, 40.2: 359-84.
Clawson, L., 2005. 
'Cowboys and schoolteachers: Gender in romance novels, secular and Christian', Sociological Perspectives,48.4:461-79. Abstract
Coddington, Lynn, 1997. 
"Wavering between Worlds: Feminist Influences in the Romance Genre." Paradoxa: Studies in World Literary Genres 3.1-2: 58-77.
Cohn, Jan, 1988. 
Romance and the Erotics of Property: Mass-Market Fiction for Women (Durham and London: Duke UP). Contents page and excerpts
Coward, Rosalind, 1984. 
'An Overwhelming Desire', in Female Desire: Women’s Sexuality Today (London: Paladin Grafton Books), pp. 187-196. [This is the chapter which focuses on the romance.]
Crane, Lynda L., 1994. 
'Romance Novel Readers: in Search of Feminist Change?', Women's Studies, 23.3: 257-69.
Crawford, Mary, 1994. 
'Rethinking the Romance: Teaching the Content and Function of Gender Stereotypes in the Psychology of Women Course', Teaching of Psychology, 21: 151-153. Fragment of Article **
Crusie, Jennifer, 1997. 
‘Romancing Reality: The Power of Romance Fiction to Reinforce and Re-Vision the Real’, [4], first published in Paradoxa: Studies in World Literary Genres, 1-2: 81-93.
Crusie Smith, Jennifer, 1999. 
'This Is Not Your Mother's Cinderella: The Romance Novel as Feminist Fairy Tale', in Romantic Conventions, see below, pp. 51-61. [5]
Curthoys, Ann, and John Docker, 1990. 
'Popular Romance in the Postmodern Age. And an Unknown Australian Author', Continuum: The Australian Journal of Media & Culture, 4.1.[6]
Daly, Brenda O. 1989. 
'Laughing WITH, or Laughing AT the Young-Adult Romance', The English Journal, 78.6: 50-60.
Dandridge, Rita B., 2003. 
'The Race, Gender, Romance Connection: A Black Feminist Reading of African American Women's Historical Romances', in Doubled Plots: Romance and History, see below, pp. 185-???. **
Darbyshire, Peter, 2000. 
‘Romancing the World: Harlequin Romances, the Capitalist Dream, and the Conquest of Europe and Asia’, Studies in Popular Culture 23.1 [7]
Darbyshire, Peter, 2002. 
‘The Politics of Love: Harlequin Romances and the Christian Right’, Journal of Popular Culture (Popular Culture Center, Bowling Green State Univ., OH) (35:4) [Spring 2002]: 75-87.
Diekman, A. B., McDonald, M., & Gardner, W. L., 2000. 
'Love Means Never Having To Be Careful: The Relationship Between Reading Romance Novels and Safe Sex Behavior', Psychology of Women Quarterly, 24.2: 179 - 188. Abstract **
Dixon, jay, 1999. 
The Romance Fiction of Mills & Boon 1909-1990s (London: UCL Press). Contents page and excerpt
Doubled Plots: Romance and History, 2003. 
eds. Susan Strehle and Mary Paniccia Carden (Jackson: University Press of Mississippi).
Douglas, Ann, 1980. 
'Soft-Porn Culture: Punishing the Liberated Woman.' The New Republic Vol.183, No.9 (August 30, 1980): 25-29.
Dubino, Jeanne. 1993. 
“The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism.” Journal of Popular Culture, 27.3: 103-118.
Ebert, Teresa L., 1988. 
'The Romance of Patriarchy: Ideology, Subjectivity, and Postmodern Feminist Cultural Theory', Cultural Critique, 10: 19-57.
Eike, Ann M., 1986. 
‘An Investigation of the Market for Paperback Romance Novels’, Journal of Cultural Economics, 10:1: 25-36.
Ehnenn, Jill, 1998. 
'Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel', Atlantis, special issue on "Sexualities and Feminisms", 23.1: 120-127. Abstract
Emrys, A. B., 1994. 
"Magic Regencies: How Fantasy Forms a Hybrid." Popular Culture Review 5.1: 85-93.
Esquibel, Catrióna Rueda, 1992. 
"A Duel of Wits and the Lesbian Romance Novel: Or, Verbal Intercourse in Fictional Regency England." in New Perspectives on Women and Comedy. Ed. Regina Barreca, (Philadelphia, PA: Gordon and Breach) pp. 123-133.
Felski, Rita, 1990. 
'Kitsch, Romance Fiction And Male Paranoia: Stephen King meets the Frankfurt School', Continuum: The Australian Journal of Media & Culture, 4.1.[8]
Flesch, Juliet, 2004. 
From Australia With Love: A History of Modern Australian Popular Romance Novels (Fremantle, W.A.: Curtin University Books).
Flesch, Juliet, 1996. 
'A Labour of Love? Compiling a Bibliography of Twentieth Century Australian Romance Novels', APLIS, 9.3-4: 170-78.
Fox, Pamela, 1994. 
'The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing', NOVEL: A Forum on Fiction, 27.2: 140-160.
Franco, Jean, 1986. 
"The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative." in Studies in Entertainment: Critical Approaches to Mass Culture. Ed. Tania Modleski, (Bloomington: Indiana UP), pp. 119-138. (especially Harlequin Romances; treatment of women; compared to photonovel)
Franco, Jean, 2004. 
"Plotting Women: Popular Narratives for Women in the United States and in Latin America." in The Latin American Cultural Studies Reader. Eds. Ana Del Sarto, Alicia Ríos, and Abril Trigo, (Durham, NC: Duke UP) pp. 183-202.
Frantz, Sarah S. G., 2002. 
"'Expressing' Herself: The Romance Novel and the Feminine Will to Power," in Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America. Eds. Lydia Cushman Schurman and Deidre Johnson. (Connecticut: Greenwood Press) pp. 17-36.
Frenier, Mariam Darce, 1988. 
Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s Category Romances, Contributions in Women’s Studies, no. 94. (New York: Greenwood Press). Contents page and excerpts
Ganguly, Keya. 1991. 
'Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture', Communication, 12: 129-50. **
Goodwin, Sarah Webster, 1997. 
"Romance and Change: Teaching the Romance to Undergraduates." Paradoxa: Studies in World Literary Genres 3.1-2: 233-241.
Grescoe, Paul, 1996. 
The Merchants of Venus: Inside Harlequin and the Empire of Romance (Vancouver, B.C.: Raincoast). **