Difference between revisions of "Bibliography A-C"

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;Aronowitz, Beverly-Lynne, 1988. : 'Women's Fiction and Popular Romance: Student Audience and Teaching Dilemma', Paper presented at the Annual National Literature Conference (3rd, Chicago, IL, October 14-15, 1988). 32 pgs. ERIC document ED298525. [http://eric.ed.gov/ERICWebPortal/Home.portal?_nfpb=true&_pageLabel=RecordDetails&ERICExtSearch_SearchValue_0=ED298525&ERICExtSearch_SearchType_0=eric_accno&objectId=0900000b80044666 Abstract]
 
;Aronowitz, Beverly-Lynne, 1988. : 'Women's Fiction and Popular Romance: Student Audience and Teaching Dilemma', Paper presented at the Annual National Literature Conference (3rd, Chicago, IL, October 14-15, 1988). 32 pgs. ERIC document ED298525. [http://eric.ed.gov/ERICWebPortal/Home.portal?_nfpb=true&_pageLabel=RecordDetails&ERICExtSearch_SearchValue_0=ED298525&ERICExtSearch_SearchType_0=eric_accno&objectId=0900000b80044666 Abstract]
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;Aronowitz, Beverly-Lynne, 1991. : "The Dilemma of Teaching Women's Fiction: Is It Pop, Pulp, Porn-or Poetry?." ''Pennsylvania English'' 15.2: 1-20.
  
 
;Assiter, Alison, 1988. : ‘Romance Fiction, Porn for Women?’, in ''Perspectives on Pornography: Sexuality in Film and Literature'', ed. Gary Day & Clive Bloom (New York: St. Martin’s), pp. 101-112.**
 
;Assiter, Alison, 1988. : ‘Romance Fiction, Porn for Women?’, in ''Perspectives on Pornography: Sexuality in Film and Literature'', ed. Gary Day & Clive Bloom (New York: St. Martin’s), pp. 101-112.**

Revision as of 00:28, 4 August 2006

Items with the "**" have not been personally checked. This means that the details given in the entry may not be entirely accurate.

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Alberts, J. K., 1986. 
‘The role of couples' conversations in relationship development: A content analysis of courtship talk in Harlequin romance novels’, Communication Quarterly, 34: 127-142. **
Anderson, Rachel, 1974. 
The Purple Heart Throbs: The Sub-literature of Love (London: Hodder and Stoughton).
Andresen, Julie Tetel, 1999. 
"Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer." in Romantic Conventions. Ed. Anne K. Kaler and Rosemary E. Johnson-Kurek (Bowling Green, OH: Popular) pp. 173-186.
Ang, Ien, 1996. 
Living Room Wars: Rethinking Media Audiences for a Postmodern World (London & New York: Routledge). [Chapter 6 is titled 'Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance']
Aronowitz, Beverly-Lynne, 1988. 
'Women's Fiction and Popular Romance: Student Audience and Teaching Dilemma', Paper presented at the Annual National Literature Conference (3rd, Chicago, IL, October 14-15, 1988). 32 pgs. ERIC document ED298525. Abstract
Aronowitz, Beverly-Lynne, 1991. 
"The Dilemma of Teaching Women's Fiction: Is It Pop, Pulp, Porn-or Poetry?." Pennsylvania English 15.2: 1-20.
Assiter, Alison, 1988. 
‘Romance Fiction, Porn for Women?’, in Perspectives on Pornography: Sexuality in Film and Literature, ed. Gary Day & Clive Bloom (New York: St. Martin’s), pp. 101-112.**
Barrett, Rebecca Kaye, 2003. 
‘Higher Love: What Women Gain from Christian Romance Novels’, Journal of Religion and Popular Culture, 4. [1]
Belsey, Catherine, 1993. 
'Writing About Desire', The Glasgow Review, 2. [2]
Beidler, Peter G., 1991. 
'The Contemporary Indian Romance: A Review Essay', American Indian Culture and Research Journal , 15.4:97-125.
Blake, Susan L., 2003. 
'What "Race" is the Sheik?: Rereading a Desert Romance', in Doubled Plots: Romance and History, see below, pp. 67-85. **
Booth, Sandra, 1997. 
"Paradox in Popular Romances of the 1990s: The Paranormal versus Feminist Humor." Paradoxa: Studies in World Literary Genres 3.1-2: 94-106.
Bott, Amber, 1999. 
'Cavewoman Impulses: The Jungian Shadow Archetype in Popular Romantic Fiction', in Romantic Conventions, see below, pp. 62-74. **
Brackett, Kim Pettigrew, 2000. 
"Facework Strategies Among Romance Fiction Readers", The Social Science Journal, 37.3: 347-60.
Breslin, Carol Ann, 1999. 
'Medieval Magic and Witchcraft in the Popular Romance Novel', in Romantic Conventions, see below, pp. 75-85. **
Brunt, Rosalind., 1984. 
'Career in Love: The Romantic World of Barbara Cartland.' in Popular Fiction and Social Change. ed. Christopher Pawling , (New York: St Martin's), pp. 127-156.
Bryce, Jane, 1996. 
"'A World of Caribbean Romance' Reformulating the Legend of Love or: 'Can a Caress Be Culturally Specific?'." in Framing the Word: Gender and Genre in Caribbean Women's Writing. Ed. Joan Anim-Addo (London: Whiting and Birch), pp. 108-127.
Burley, Stephanie, 1999. 
"Shadows and Silhouettes: The Racial Politics of Category Romance." Paradoxa: Studies in World Literary Genres 5.13-14: 324-343.
Burley, Stephanie, 2003. 
'What's a Nice Girl like You Doing in a Book like This?: Homoerotic Reading and Popular Romance', in Doubled Plots: Romance and History, see below, pp. 127-46. **
Burnett, Ann, & Rhea Reinhardt Beto, 2000. 
‘Reading Romance Novels: An Application of Parasocial Relationship Theory’, North Dakota Journal of Speech & Theatre, 13. [3]
Cadogan, Mary, 1994. 
And Then Their Hearts Stood Still: An Exuberant Look at Romantic Fiction Past and Present (London: Macmillan).
Calhoun-French, Diane M. 2000. 
"Of Love and Death: Murder and Mayhem Meet the Romance." Clues: A Journal of Detection, 21.1: 1-16.
Calhoun-French, Diane M., 1999. 
'Time-Travel and Related Phenomena in Contemporary Popular Romance Fiction', in Romantic Conventions, see below, pp. 100-12. **
Capelle, Annick, 1996. 
'Harlequin Romances in Western Europe: The Cultural Interactions of Romantic Literature', in European Readings of American Popular Culture, ed. John Dean & Jean-Paul Gabilliet (Westport, CT: Greenwood Press), pp. 91-100. **
Chappel, Deborah K., 1997. 
'La Vyrle Spencer and the Anti-Essentialist Argument.' Paradoxa: Studies in World Literary Genres 3.1-2:107-120
Charles, Helen, 1995. 
'(Not) Compromising: Inter-Skin Colour Relations', in Romance Revisited , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 197-209. [The author says that she looks at 'inter-skin colour relations in the television programme Taboo (1993) along with Barbara Burford's novella, The Threshing Floor (1986) and Ann Allen Shockley's The Mistress and the Slave Girl (1987)'.]
Chelton, Mary K., 1991. 
'Unrestricted Body Parts and Predictable Bliss: The Audience Appeal of Formula Romances.' Library Journal 116.12: 44-49.
Christian-Smith, Linda K., 1987. 
'Gender, Popular Culture, and Curriculum - Adolescent Romance Novels as Gender Text', Curriculum Inquiry, 17.4:365-406.
Christian-Smith, Linda K., 1990. 
Becoming a Woman Through Romance (New York; London: Routledge).
Clancy, Kim, 1992. 
"Tania Modleski, Loving with a Vengeance: Mass-Produced Fantasies for Women." in Reading into Cultural Studies. Ed. Martin Barker and Anne Beezer, (London: Routledge) pp. 119-133.
Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca, 1996. 
'Reading Romance, Reading Ourselves', The Centennial Review, 40.2: 359-84.
Clawson, L., 2005. 
'Cowboys and schoolteachers: Gender in romance novels, secular and Christian', Sociological Perspectives,48.4:461-79. Abstract
Coddington, Lynn, 1997. 
"Wavering between Worlds: Feminist Influences in the Romance Genre." Paradoxa: Studies in World Literary Genres 3.1-2: 58-77.
Cohn, Jan, 1988. 
Romance and the Erotics of Property: Mass-Market Fiction for Women (Durham and London: Duke UP). Contents page and excerpts
Coward, Rosalind, 1984. 
'An Overwhelming Desire', in Female Desire: Women’s Sexuality Today (London: Paladin Grafton Books), pp. 187-196. [This is the chapter which focuses on the romance.]
Crane, Lynda L., 1994. 
'Romance Novel Readers: in Search of Feminist Change?', Women's Studies, 23.3: 257-69.
Crawford, Mary, 1994. 
'Rethinking the Romance: Teaching the Content and Function of Gender Stereotypes in the Psychology of Women Course', Teaching of Psychology, 21: 151-153. Fragment of Article **
Crusie, Jennifer, 1997. 
‘Romancing Reality: The Power of Romance Fiction to Reinforce and Re-Vision the Real’, [4], first published in Paradoxa: Studies in World Literary Genres, 1-2: 81-93.
Crusie Smith, Jennifer, 1999. 
'This Is Not Your Mother's Cinderella: The Romance Novel as Feminist Fairy Tale', in Romantic Conventions, see below, pp. 51-61. [5]
Curthoys, Ann, and John Docker, 1990. 
'Popular Romance in the Postmodern Age. And an Unknown Australian Author', Continuum: The Australian Journal of Media & Culture, 4.1.[6]
Daly, Brenda O. 1989. 
'Laughing WITH, or Laughing AT the Young-Adult Romance', The English Journal, 78.6: 50-60.
Dandridge, Rita B., 2003. 
'The Race, Gender, Romance Connection: A Black Feminist Reading of African American Women's Historical Romances', in Doubled Plots: Romance and History, see below, pp. 185-???. **
Darbyshire, Peter, 2000. 
‘Romancing the World: Harlequin Romances, the Capitalist Dream, and the Conquest of Europe and Asia’, Studies in Popular Culture 23.1 [7]
Darbyshire, Peter, 2002. 
‘The Politics of Love: Harlequin Romances and the Christian Right’, Journal of Popular Culture (Popular Culture Center, Bowling Green State Univ., OH) (35:4) [Spring 2002]: 75-87.
Diekman, A. B., McDonald, M., & Gardner, W. L., 2000. 
'Love Means Never Having To Be Careful: The Relationship Between Reading Romance Novels and Safe Sex Behavior', Psychology of Women Quarterly, 24.2: 179 - 188. Abstract **
Dixon, jay, 1999. 
The Romance Fiction of Mills & Boon 1909-1990s (London: UCL Press). Contents page and excerpt
Doubled Plots: Romance and History, 2003. 
eds. Susan Strehle and Mary Paniccia Carden (Jackson: University Press of Mississippi).
Douglas, Ann, 1980. 
'Soft-Porn Culture: Punishing the Liberated Woman.' The New Republic Vol.183, No.9 (August 30, 1980): 25-29.
Doyle, Marsha Vanderford, 1985. 
"The Rhetoric of Romance: A Fantasy Theme Analysis of Barbara Cartland Novels." Southern Speech Communication Journal 51: 24-48.
Dubino, Jeanne. 1993. 
“The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism.” Journal of Popular Culture, 27.3: 103-118.
Ebert, Teresa L., 1988. 
'The Romance of Patriarchy: Ideology, Subjectivity, and Postmodern Feminist Cultural Theory', Cultural Critique, 10: 19-57.
Eike, Ann M., 1986. 
‘An Investigation of the Market for Paperback Romance Novels’, Journal of Cultural Economics, 10:1: 25-36.
Ehnenn, Jill, 1998. 
'Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel', Atlantis, special issue on "Sexualities and Feminisms", 23.1: 120-127. Abstract
Emrys, A. B., 1994. 
"Magic Regencies: How Fantasy Forms a Hybrid." Popular Culture Review 5.1: 85-93.
Engler, Sandra, 2005. 
"A Career's Wonderful, but Love is More Wonderful Still" : Femininity and Masculinity in the Fiction of Mills & Boon. Tübingen: Francke.
Esquibel, Catrióna Rueda, 1992. 
"A Duel of Wits and the Lesbian Romance Novel: Or, Verbal Intercourse in Fictional Regency England." in New Perspectives on Women and Comedy. Ed. Regina Barreca, (Philadelphia, PA: Gordon and Breach) pp. 123-133.
Felski, Rita, 1990. 
'Kitsch, Romance Fiction And Male Paranoia: Stephen King meets the Frankfurt School', Continuum: The Australian Journal of Media & Culture, 4.1.[8]
Flesch, Juliet, 2004. 
From Australia With Love: A History of Modern Australian Popular Romance Novels (Fremantle, W.A.: Curtin University Books).
Flesch, Juliet, 1996. 
'A Labour of Love? Compiling a Bibliography of Twentieth Century Australian Romance Novels', APLIS, 9.3-4: 170-78.
Fox, Pamela, 1994. 
'The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing', NOVEL: A Forum on Fiction, 27.2: 140-160.
Franco, Jean, 1986. 
"The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative." in Studies in Entertainment: Critical Approaches to Mass Culture. Ed. Tania Modleski, (Bloomington: Indiana UP), pp. 119-138. (especially Harlequin Romances; treatment of women; compared to photonovel)
Franco, Jean, 2004. 
"Plotting Women: Popular Narratives for Women in the United States and in Latin America." in The Latin American Cultural Studies Reader. Eds. Ana Del Sarto, Alicia Ríos, and Abril Trigo, (Durham, NC: Duke UP) pp. 183-202.
Frantz, Sarah S. G., 2002. 
"'Expressing' Herself: The Romance Novel and the Feminine Will to Power," in Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America. Eds. Lydia Cushman Schurman and Deidre Johnson. (Connecticut: Greenwood Press) pp. 17-36.
Frenier, Mariam Darce, 1988. 
Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s Category Romances, Contributions in Women’s Studies, no. 94. (New York: Greenwood Press). Contents page and excerpts
Ganguly, Keya. 1991. 
'Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture', Communication, 12: 129-50. **
Goodwin, Sarah Webster, 1997. 
"Romance and Change: Teaching the Romance to Undergraduates." Paradoxa: Studies in World Literary Genres 3.1-2: 233-241.
Grescoe, Paul, 1996. 
The Merchants of Venus: Inside Harlequin and the Empire of Romance (Vancouver, B.C.: Raincoast). **