Bibliography T-Z

Items with the "**" have not been personally checked. This means that the details given in the entry may not be entirely accurate.

From this page you may return to the main Romance Scholarship page or go directly to

• Academics Who Write Romance
• Academic Online Essays (not published in academic journals or volumes)
• Bibliography
  • Bibliography A-C - the first part of our bibliography of academic articles and books about romance.
  • Bibliography D-G - the second part of our bibliography of academic articles and books about romance.
  • Bibliography H-L - the third part of our bibliography of academic articles and books about romance.
  • Bibliography M-O - the fourth part of our bibliography of academic articles and books about romance.
  • Bibliography P-S - the fifth part of our bibliography of academic articles and books about romance.
• Bibliography of Scholarship in Languages Other than English.
• Dissertation Abstracts
• Guides to the Genre
• Romance in the Media - lists news items/features items about romance.
• Romance Resources for Academics - lists romance-related resources which may be of interest to academics.
• Writers on Romance - lists items written about the genre by romance authors but not published in academic journals or books.

---

T

Talbot, Mary M., 1995. 

Fictions at Work: Language and Social Practice in Fiction, (New York: Longman). [See Chapter 4, entitled "Escaping into Romance," pages 75-116. In this chapter she analyses, at some length, Kate Walker's No Gentleman.]

Talbot, Mary M., 1997. 

“‘An Explosion Deep inside Her’: Women’s Desire and Popular Romance Fiction,” in Language and Desire: Encoding Sex, Romance, and Intimacy, ed. Keith Harvey and Celia Shalom (London: Routledge), pp. 106–22.** Excerpt and a much longer excerpt [Talbot examines "the representation of women's desire in two [...] romances (No Guarantees (1990) by Robyn Donald and Passionate Awakening (1990) by Diana Hamilton)" (107).]

Taylor, Helen, 1989. 

'Romantic Readers" in From My Guy to Sci-Fi;Genre and Women's Writing in the Postmodern World., ed. Helen Carr, (London: Pandora), pp. 58-77.**

Taylor, Jessica, 2007. 

"And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels." Journal of Popular Culture 40.6: 1032-1051.

Tegan, Mary Beth, 2007. 

'Becoming Both Poet and Poem: Feminists Repossess the Romance.' in Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels. ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp.231-263.

Teo, Hsu-Ming, 1999. 

'Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing', Olive Pink Society Bulletin, 11.1: 12–21.

Teo, Hsu-Ming, 2003. 

'The Romance of White Nations: Imperialism, Popular Culture and National Histories', in After the Imperial Turn: Thinking with and through the Nation, ed. Antoinette Burton (Durham, North Carolina: Duke University Press), pp. 279-292. Excerpt

Teo, Hsu-Ming, 2004. 

'Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels', History of Intellectual Culture, 4.1.[1]

Teo, Hsu-Ming. 2007. 

'Orientalism and Mass Market Romance Novels in the Twentieth Century,' in Edward Said: The Legacy of a Public Intellectual, ed Ned Curthoys and Debjani Ganguly (Carlton Vic.: Melbourne University Press), pp. 241-262.

Tetel Andresen, Julie, 1999. 

'Postmodern Identity (Crisis): Confessions of a Linguistic Historiographer and Romance Writer', in Romantic Conventions, see above, pp. 173-86.

Thomas, Audrey, 1986. 

'A Fine Romance, My Dear, This Is,' Canadian Literature, no. 108:5-12.

Thomas, Glen, 2008. 

' "And I Deliver": An Interview with Emma Darcy.' Continuum: Journal of Media and Cultural Studies 22.1: 113-26.

Thomas, Glen, 2007. 

'Australia’s Best Romance Novelist: Emma Darcy.' in Beautiful Things in Popular Culture. ed. Alan McKee, (New York: Blackwell) pp. 64–78.

Thomas, Glen & Bridie James, 2006. 

'The Australian Romance Industry: A Study of Reading and Writing Romance.' in The Reinvention of Everyday Life. ed. Howard McNaughton & Adam Lam, (Canterbury, NZ: U of Canterbury Press) pp. 164–74.

Thomas , Glen, 2007. 

'Romance: The Perfect Creative Industry? A Case Study of Harlequin-Mills and Boon Australia.' in Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels. ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 20-29.

Thompson, Anne Booth, 2005. 

'Rereading Fifties Teen Romance: Reflections on Janet Lambert', The Lion and the Unicorn, 29.3:373-96. Abstract

Thompson, M., P. Koski, and L. Holyfield, 1997. 

"Romance and Agency: An Argument Revisited." Sociological Spectrum 17.4: 437-51.

Thurston,Carol M., 1985. 

‘Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies’, Journal of Popular Culture, 19:1: 35-45.

Thurston, Carol, 1987. 

The Romance Revolution: Erotic Novels for Women and the Quest for a New Sexual Identity (Urbana and Chicago: University of Illinois Press).

Timson, Beth S., 1983 

‘The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition’, Studies in Popular Culture, 6: 88-96. **

Tobin-McClain, Lee, 2000. 

"Paranormal Romance: Secrets of the Female Fantastic." Journal of the Fantastic in the Arts 11.3 [43]: 294-306. A version is available online here

Trachsel, Mary, 1997. 

'Horse Stories and Romance Fiction: Variants or Alternative Texts of Female Identity?', Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy , 38-39: 20-41.

Treacher, Amal, 1988. 

‘What is Life Without my Love: Desire and Romantic Fiction’, in Sweet Dreams – Sexuality, Gender and Popular Fiction, ed. Susannah Radstone (London: Lawrence & Wishart), pp. 73-90. First page. [Takes Sally Wentworth's Say Hello to Yesterday as a case study.]

Turnbull, Sue. 2002. 

"'Nice Dress, Take It Off': Crime, Romance and the Pleasure of the Text." International Journal of Cultural Studies 5, no. 1: 67-82. (about Janet Evanovich)

Ty, Eleanor, 1994. 

'Desire and Temptation: Dialogism and the Carnivalesque in Category Romances', in A Dialogue of Voices: Approaches to Feminist Literary Theory and Bakhtin, ed. Karen Hohne and Helen Wussow (University of Minnesota Press), pp. 97-113. Excerpt

V

Voaden, Rosalynn, 1995. 

'The Language of Love: Medieval Erotic Vision and Modern Romance Fiction', in Romance Revisited , ed. Jackie Stacey and Lynne Pearce (New York: New York UP), pp. 78-88.

W

Wagner, Wendy, 2008. 

'Jennifer Crusie', Teaching American Literature: A Journal of Theory and Practice 2.2/3.[2]

Wallace, Diana, 2005. 

The Woman's Historical Novel: British Women Writers, 1900-2000. Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan. Has the following sections about romance novels - "Captive Women: 'Jean Plaidy' and 'Victoria Holt'","Gender as Masquerade; Georgette Heyer's Mask of Romance", "Selling Women's History: Popular Historical Fiction in the 1970s" [Abstract, Index and Excerpt available from Palgrave Macmillan.]

Wardrop, Stephanie, 1995. 

"The Heroine is Being Beaten: Freud, Sadomasochism, and Reading the Romance." Style 29: 459-73. Unpaginated and unofficial copy

Wardrop, Stephanie, 1997. 

'Last of the Red Hot Mohicans: Miscegenation in the Popular American Romance', MELUS, 22. 2, Popular Literature and Film: 61-74. Unpaginated and unofficial copy

Wareing, Shan, 1994. 

'And Then He Kissed Her: The Reclamation of Female Characters to Submissive Roles in Contemporary Fiction', in Feminist Linguistics in Literary Criticism, ed. Katie Wales, Essays and Studies, 47 (Cambridge: D. S. Brewer), pp. 117-36.

Watson, Daphne, 1995. 

Their Own Worst Enemies; Women Writers of Women's Fiction. (London: Pluto Press). Chapter on 'Two for the Price of One; the novels of Mills and Boon' pp. 75-94.

Weibel, Kathryn, 1977. 

Mirror Mirror: Images of Women Reflected in Popular Culture, (Garden City, New York: Anchor Press/Doubleday). [Romances are mainly discussed on pages 32-40.]

Weir, Angela, and Elizabeth Wilson, 1992.

"The Greyhound Bus Station in the Evolution of Lesbian Popular Culture." in New Lesbian Criticism: Literary and Cultural Readings ed. Sally Munt (New York: Columbia UP) pp. 95-113. .

Weisser, Susan Ostrov. 1994. 

'The Wonderful-Terrible Bitch Figure in Harlequin Novels', in Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood, ed. Susan Ostrov Weisser and Jennifer Fleischner (New York: New York University Press), pp. 269-82. **

Westman, Karin E., 2003. 

'A Story of Her Weaving: The Self-Authoring Heroines of Georgette Heyer's Regency Romance', in Doubled Plots: Romance and History, see above, pp. 165-184. Excerpt

Weston, Louise C., and Josephine A. Ruggiero, 1978. 

"Male-Female Relationships in Best-Selling 'Modern Gothic' Novels." Sex Roles 4.5: 647-55. Abstract

Whissell, Cynthia, 1996. 

‘Mate Selection in Popular Women's Fiction’, Human Nature, 7: 427-447. **

Whissell, Cynthia, 1998. 

'The Formula Behind Women's Romantic Formula Fiction (Statistical survey of 50 Harlequin-Presents novels)', Arachne, 5.1:89-119.

Whitsitt, Novian, 2002. 

"Islamic-Hausa Feminism and Kano Market Literature: Qur'anic Reinterpretation in the Novels of Balaraba Yakubu." Research in African Literatures 33.2: 119-136. Excerpt

Whitsitt, Novian, 2003. 

"Islamic-Hausa Feminism Meets Northern Nigerian Romance: The Cautious Rebellion of Bilkisu Funtuwa." African Studies Review 46.1: 137-53. Unofficial, unpaginated version

Whitsitt, Novian, 2003. 

"Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction." Tulsa Studies in Women's Literature 22.2: 387-408.

Williams, Clover, and Jean R. Freedman, 1995. 

"Shakespeare's Step-Sisters: Romance Novels and the Community of Women." in Folklore, Literature, and Cultural Theory: Collected Essays. ed. Cathy Lynn Preston (New York, NY: Garland) pp. 135-168.

Williams, Clover, 1998. 

"Keepers of the Flame: The Romance Novel and Its Fans." Lore and Language 16.1-2: 115-138.

Williams, Jeffrey J., 2006. 

"The Culture of Books: An Interview with Janice Radway." Minnesota Review: A Journal of Committed Writing. ns 65-66: 133-148. [3]

Williamson, Val, 1998. 

'Labour of Love: Gender and the Delivery of the Nineties Mills & Boon "Medical"', Medical Fictions, ed. Nickianne Moody, & Julia Hallam (Liverpool: Liverpool John Moores University and the Association for Research in Popular Fictions), pp. 103-116. **

Wirtén, Eva Hemmungs, 1998. 

' "They Seek It Here, They Seek It There, They Seek It Everywhere": Looking for the "Global" Book', Canadian Journal of Communication, 23.2.[4]['this article uses Harlequin's Stockholm office as a case study for a closer look at just how Harlequin romances are transposed from one cultural context into another']. According to the author's website This is an abbreviated version of a chapter from her thesis, the details of, and a link for which, are provided on the page for dissertation abstracts.

Wirten, Eva Hemmungs, 2000. 

"Harlequin romances in Swedish: a case study in globalized publishing." Logos 11.4:203-7.

Wood, Helen, 2004. 

'What Reading the Romance Did for Us', European Journal of Cultural Studies, 7.2:147-54. [This is about the place of Radway's Reading the Romance in the history/development of cultural studies]

Wood, Julia T., 2001. 

'The normalization of violence in heterosexual romantic relationships: Women's narratives of love and violence', Journal of Social and Personal Relationships, 18.2: 239-261.** There is an abstract and a press release reporting Wood's findings.

Woodruff, Juliette, 1985. 

'A spate of words, full of sound & fury, signifying nothing: or, How to read in Harlequin', Journal of Popular Culture, 19.2 :25-32.

Wu, Huei-Hsia. 2006. 

'Gender, Romance Novels and Plastic Sexuality in the United States: A Focus on Female College Students', Journal of International Women’s Studies, 8.1: 125-134.[5]

Wyatt, Neal, Georgine Olsen, Kristen Ramsdell, Joyce Saricks, and Lynne Welch, 2008. 

'Core Collections in Genre Studies: Romance Fiction 101', Reference & User Services Quarterly, 47.2: 120-126.[6]

Y

Young, Beth Rapp, 1997. 

"Accidental Authors, Random Readers, and the Art of Popular Romance." Paradoxa: Studies in World Literary Genres 3.1-2: 29-45.

Z

Zidle, Abby, 1999. 

'From Bodice-Ripper to Baby-Sitter: The New Hero in Mass-Market Romance', in Romantic Conventions, see above, pp. 23-34. Excerpt