Bibliography M-O

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Items with the "**" have not been personally checked. This means that the details given in the entry may not be entirely accurate.

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Maher, Jennifer, 2001. 
'Ripping the Bodice: Eating, Reading, and Revolt', College Literature, 28.1:64-83.
Makinen, Merja, 2001. 
Feminist Popular Fiction. (New York: Palgrave). [Includes a chapter on 'The Romance' - for table of contents see here. This chapter gives an overview of much of the feminist criticism of the genre (both positive and negative) and concludes with three case studies, only two of which Makinen really considers to be romances: Susan Napier's Deal of a Lifetime and Lisa Shapiro's Color of Winter.]
Mangat, T.K., 1998. 
'The surgeon in popular fiction - The Mills and Boon doctor-nurse romance', Theoretical Surgery, 3.2:89-92.
Mann, Peter H., 1969. 
The Romantic Novel: A Survey of Reading Habits (London: Mills & Boon). **
Mann, Peter H., 1974. 
A New Survey: The Facts About Romantic Fiction. (London: Mills & Boon). **
Mann, Peter H., 1979. 
‘Romantic Fiction and its Readers’ in Entertainment: A Cross-Cultural Examination, ed. H.D. Fischer & S. R. Melnick (New York: Hastings House), pp. 34-42. **
Mann, Peter H., 1981. 
'The Romantic Novel and its Readers', Journal of Popular Culture, 15.1: 9-18.
Mann, Peter H., 1985. 
'Romantic Fiction and Its Readership', Poetics, 14.1-2: 95-105.
Margolies, David, 1982-1983. 
‘Mills & Boon: Guilt without Sex’, Red Letters, 14: 5-13.
Margolis, Harriet, 1992. 
'Feminist Irony or Poisonous Fantasy?: Category Romance and the Conscious Reader,' Yearbook of Interdisciplinary Studies in the Fine Arts. Ed. William E. Grim and Michael B. Harper. 3. Lewiston, NY: Edwin Mellen Press. 165-78.
Margolis, Harriet, 1995. 
“The Lover's Value(s): Women's Romance Novels in an Exchange-Based Society.” Conference Papers (New Zealand Women's Studies Association Annual Meeting, 1994). 78-82.
Margolis, Harriet, 1997. 
"A Childe in Love, Or Is It Just Fantasy? The Values of Women's Genres." Paradoxa: Studies in World Literary Genres 3.1-2: 121-144.
Markert, John, 1985. 
'Romance Publishing and the Production of Culture', Poetics, 14.1-2: 69-93.
Markert, John. 1987. 
"The Publishing Decision: Managerial Policy and Its Effect on Editorial Decision Making-The Case of Romance Publishing." Book Research Quarterly 3, no. 2: 33-59.
Marks, Pamela. 1999. 
'The Good Provider in Romance Novels', in Romantic Conventions, see below, pp. 10-22. Excerpt
Mason, Gillian, 2008. 
'Rosemary Rogers', Teaching American Literature: A Journal of Theory and Practice 2.2/3.[1]
Masteller, Jean Carwile, 1996. 
'Romancing the Reader: From Laura Jean Libbey to Harlequin Romance and Beyond', in Pioneers, Passionate Ladies, and Private Eyes: Dime Novels, Series Books, and Paperbacks, ed. Larry E. Sullivan, and Lydia Cushman Schurman (New York: Haworth Press). **
Maynard, Lee Anna, 2008. 
'LaVyrle Spencer', Teaching American Literature: A Journal of Theory and Practice 2.2/3.[2]
McAleer, Joseph. 1990. 
'Scenes from Love and Marriage: Mills and Boon and the Popular Publishing Industry in Britain, 1908-1950', Twentieth Century British History, 1.3: 264-288.
McAleer, Joseph, 1999. 
Passion's Fortune: The Story of Mills & Boon (Oxford: Oxford University Press). Contents page and excerpts available here. Pdf of the Introduction and Chapter 8 available available from here.
McAlpine, Rachel, 1998. 
The Passionate Pen: New Zealand’s Romance Writers Talk to Rachel McAlpine, (Christchurch, N.Z.: Hazard Press). [This seems to include interviews with Victoria Aldridge, Rilla Berg, Gloria Beven, Eva Burfield, Daphne Clair, Robyn Donald, Catherine Hay, Rosalie Henaghan, Miriam MacGregor, Mary Moore, Susan Napier, Jessie Nichols, Ivy Preston, Essie Summers, Rachelle Swift ]**
McCafferty, Kate, 1994. 
‘Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance’, Journal of Popular Culture, 27.4: 43-56.
McCay, Mary A., 2001. 
'Love's Labors Won:Romance Fiction and the Politics of Love.' New Orleans Review, 27.1:171-183.
McCracken, Scott, 1998. 
Pulp: Reading Popular Fiction (Manchester: Manchester University Press). Chapter 3 is on 'Popular romance'. Excerpt
McKay, Jade and Elizabeth Parsons, 2009. 
‘Out of Wedlock: The Consummation and Consumption of Marriage in Contemporary Romance Fiction’, Genders 50.[3]
McKnight-Trontz, Jennifer, 2002. 
The Look of Love: The Art of the Romance Novel (New York: Princeton Architectural Press). [This is about the cover art of romance novels from the 1940s to the 1970s] [Excerpt via Google Books, Description, small gallery of photos and an audio report from NPR radio, and search inside via Amazon - Index page and excerpts]
McNamara, Sallie, 2000. 
"Georgette Heyer: the historical romance and the consumption of the erotic, 1918-1939." in All the world and her husband: women in twentieth-century consumer culture, (London: Cassell): 82-96. See Google Books
McNeil, Helen, 1981. 
'She Trembled at His Touch', Quarto (May 1981): 17-18. [According to Nickianne Moody, (see below for details of her essay, "Sex and the Single Couple") McNeil describes "five plot types in Mills & Boon fiction of the 1970s" (144). **
Melman, Billie, 1988. 
Women and the Popular Imagination in the Twenties: Flappers and Nymphs (London: Macmillan). [Chapter 6 is titled "1919-1928: 'The Sheik of Araby' - Freedom in Captivity in the Desert Romance."]**
Mendez Jose Luis, 1986. 
"The Novels of Corin Tellado." Studies in Latin American Popular Culture. 5:31-40. (Tellado is a Spanish author of romance novels)
Miles, Angela, 1988. 
‘Confessions of a Harlequin Reader: Learning Romance and the Myth of Male Mothers’, Canadian Journal of Political and Social Theory, 12, no. 1-2: 1-36. ** Reprinted in The Hysterical Male: New Feminist Theory, Eds. Arthur & Marilouise Kroker (Montreal: New World Perspectives, 1991), pp. ???-???.
Milton, Suzanne, 2008. 
'Teaching the Romance Novel: An Introduction', Teaching American Literature: A Journal of Theory and Practice 2.2/3.[4]
Mitchell, Diana, 1995. 
'If You Can't Beat'em, Join 'em: Using the Romance Series to Confront Gender Stereotypes', The ALAN Review, 22.2.[5]
Mitchell, Karen S., 1996. 
‘Ever After: Reading the Women Who Read (and Re-Write) Romances’, Theatre Topics, 6.1: 51-69. [As might be supposed from the title of the Journal, this is about drama: the author 'decided to stage a performance centered on the popular romance genre and the women who read these novels']
Mitchell, M.,2006. 
'Compelling engagements: Feminism, rape law and romance fiction.' Australian Feminist Studies, 21.49: 121-122. ** [This is probably a review of Wendy Larcombe's Compelling Engagements: Feminism, Rape Law and Romance Fiction (see above for details).]
Modleski, Tania, 1980. 
‘The Disappearing Act: A Study of Harlequin Romances’, Signs: Journal of Women in Culture and Society 5: 435-448.
Modleski, Tania, 1982. 
Loving with a Vengeance: Mass-produced fantasies for women (New York: Routledge).
Modleski, Tania, 1997. 
"My Life as a Romance Reader." Paradoxa: Studies in World Literary Genres 3.1-2: 15-28.
Modleski, Tania, 1998. 
"My Life as a Romance Writer." Paradoxa: Studies in World Literary Genres 4.9: 134-144. (See below for details of the reply to Modleski by Mussell).
Moffitt, Mary Anne, 1986. 
"Function of Hero and Heroine in Women's Formula Fiction: A Gaining of Self through Separation, Identification, and Assimilation." . Paper presented at the Annual Meeting of the International Communication Association (36th, Chicago, IL, May 22-26, 1986), 40 pgs. ERIC document ED274005.
Moffitt, Mary Anne, 1987. 
"Understanding the Appeal of the Romance Novel for the Adolescent Girl: A Reader-Response Approach." Paper presented at the Annual Meeting of the International Communication Association (37th, Montreal, Quebec, Canada, May 21-25, 1987), 46 pgs ERIC document ED284190.
Moffitt, Mary Anne, 1987. 
"Understanding the "Guidebooks" to Writing Romance Fiction as Reinforcement of Self through the "Formula" Model." Paper presented at the Joint Meeting of the Central States Speech Association and the Southern Speech Communication Association (St. Louis, MO, April 9-12, 1987), 25 pgs., ERIC document ED281250.
Moffitt, Mary Anne, 1993. 
"Leisure Fiction and the Audience: Meaning and Communication Strategies." Women's Studies in Communication 16.2 : 27-61. (Examination of the leisure practice called romance reading, pursued by two audiences distinguished primarily through age differences)
Montague, Holly, 1992. 
'Sweet and Pleasant Passion: Female and Male Fantasy in Ancient Romance Novels', in Pornography and Representation in Greece and Rome, ed. Amy Richlin (New York and Oxford: Oxford University Press), pp. 231-249. [First page and, if you scroll down the page, an abstract.]
Moody, Nickianne, 1998. 
‘Mills & Boon’s Temptations: Sex and the Single Couple in the 1990s’ in Fatal Attractions: Rescripting Romance in Contemporary Literature and Film, ed. Lynne Pearce & Gina Wisker (London: Pluto), pp. 141-156.
Moore, Michael, and Daniela Kramer, 1999.
"Satir for Beginners: Incongruent Communication Patterns in Romantic Fiction." ETC: A Review of General Semantics 56.4: 429-37. First couple of paragraphs
Moran, Albert, 1990. 
'"No More Virgins": Writing Romance - an Interview with Emma Darcy', Continuum: The Australian Journal of Media & Culture, 4.1.[6]
Morgan, Paula, 2003. 
“Like Bush Fire in My Arms”: Interrogating the World of Caribbean Romance, Journal of Popular Culture 36.4: 804-827.
Moudileno, Lydie, 2008
"The Troubling Popularity of West African Romance Novels." Research in African Literatures 39.4: 120-132. [Abstract]
Muhomah, C, 2002. 
'What do women want?: Versions of masculinity in Kenyan romantic fiction,' English Studies in Africa, 45, no. 2 (2002): 77-90.
Mulhern, Chieko Irie, 1989. 
'Japanese Harlequin Romances as Transcultural Woman's Fiction', The Journal of Asian Studies, 48.1: 50-70.
Mussell, Kay J., 1975. 
'Beautiful and Damned: The Sexual Woman in Gothic Fiction', Journal of Popular Culture, 9.1: 84-89.
Mussell, Kay J. 1983. 
'"But Why Do They Read Those Things?": The Female Audience and the Gothic Novel.' in Ed. Juliann Fleenor The Female Gothic, (Montreal: Eden Press) pp. 57-68.**
Mussell, Kay, 1984. 
Fantasy and Reconciliation: Contemporary Formulas of Women's Romance Fiction (Westport CT: Greenwood Press). Excerpts
Mussell, Kay. 1978. 
"Romantic Fiction." In Handbook of American Popular Culture, vol. 2, edited by M. Thomas Inge, 317-43. Westport, Conn.: Greenwood Press.**
Mussell, Kay, 1997. 
'Where's Love Gone? Transformations in Romance Fiction and Scholarship', Paradoxa, 3.1-2: 3-14.
Mussell, Kay, 1997. 
'Paradoxa Interview with Jayne Ann Krentz', Paradoxa, 3.1-2: 46-57.
Mussell, Kay, 1997. 
'Paradoxa Interview with Nora Roberts', Paradoxa 3.1-2: 155-163.
Mussell, Kay, 1997. 
'Paradoxa Interview with Barbara G. Mertz', Paradoxa 3.1-2: 180-183.
Mussell, Kay, 1997. 
'Paradoxa Interview with Janet Dailey', Paradoxa 3.1-2: 214-218.
Mussell, Kay, 1997. 
'On-Line Romance', Paradoxa 3.1-2: 246-249.
Mussell, Kay, 1998. 
'Kay Mussell Replies to Tania Modleski', Paradoxa 4.9: 145-147.

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Neal, Lynn S, 2006. 
Romancing God: Evangelical Women and Inspirational Fiction (Chapel Hill: University of North Carolina Press). [Description of the book and newspaper interview with the author about it.]
Neuman, Susan B., 1985. 
"The Uses of Reading Mass-Produced Romance Fiction." Paper presented at the Annual Meeting of the International Reading Association (30th, New Orleans, LA, May 5-9, 1985), 23 pgs. ERIC document ED263528.
Neylon, Virginia Lyn, 2003. 
'Reading and Writing the Romance Novel: An Analysis of Romance Fiction and Its Place in the Community College Classroom', Paper presented at the Annual Meeting of the Conference on College Composition and Communication (54th, New York, NY, March 19-22, 2003). 20 pgs. ERIC Document ED477339. [Available on the web in html or as a Word document from the author's webpage]
Nielsen, Inge, 2000. 
"Caught in the Web of Love: Intercepting the Young Adult Reception of Qiongyao's Romances On-Line." Acta Orientalia Academiae Scientiarum Hungaricae 53.3-4: 235-253.
Nolan, Michelle, 2008. 
Love on the Racks : a History of American Romance Comics. (Jefferson, N.C. : McFarland). Description and link to table of contents.
North American Romance Writers, 1999. 
ed. Kay Mussell and Johanna Tuñón (Lanham, Maryland: Scarecrow Press).
Núñez Puente, Sonia, 2008. 
"The Romance Novel and Popular Culture during the Early Franco Regime in Spain: Towards the Construction of Other Discourses of Femininity." Journal of Gender Studies 17.3: 225-36. Abstract
Nye, David, 1988. 
"The Consumption of American Popular Culture." Text & Context: A Journal of Interdisciplinary Studies 2.1: 85-93. (Harlequin Romances; relationship to popular culture; film; amusement park)
Nyquist, Mary, 1993. 
'Romance in the Forbidden Zone', in ReImagining Women: Representations of Women in Culture, ed. Shirley Neuman (ed. & introd.) and Glennis Stephenson (Toronto: U of Toronto Press),pp. 160-81.

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O'Byrne, Patricia, 2008. 
"Popular Fiction in Postwar Spain: The Soothing, Subversive Novela Rosa." Journal of Romance Studies 8.2: 37-57. Abstract
Odag, Özen, 2008. 
"Of Men Who Read Romance and Women Who Read Adventure Stories: An Empirical Reception Study on the Emotional Engagement of Men and Women while Reading Narrative Texts." New Beginnings in Literary Studies. Auracher, Jan, ed.; Peer, Willie van, ed. (Newcastle upon Tyne, England: Cambridge Scholars), pp. 308-329.
Opas, Lisa Lena, and Fiona Tweedie, 1999.
"The Magic Carpet Ride: Reader Involvement in Romantic Fiction." Literary and Linguistic Computing: Journal of the Association for Literary and Linguistic Computing 14.1: 89-101. [An abstract of a conference paper with the same title, given by the authors the previous year, can be found here]
Osborne, Gwendolyn, 2002. 
"How Black Romance - Novels, that is - Came to Be." Black Issues Book Review Jan-Feb. 2002. 50.[7]
Osborne, Gwendolyn E., 2004. 
"'Women Who Look Like Me': Cultural Identity and Reader Responses to African American Romance Novels." Race/Gender/Media: Considering Diversity Across Audiences, Content, and Producers, ed. Rebecca Ann Lind (New York: Pearson), pp. 61-68.
Osborne, Laurie E., 1999. 
"Romancing the Bard", Shakespeare and Appropriation, ed. Christy Desmet and Robert Sawyer (New York: Routledge), 47-64. Excerpt [Osborne has also created a Romancing the Bard website. Its contents are not identical to those in this article, but it may nonetheless be of interest. For more details see Romance Resources for Academics ].
Osborne, Laurie, 2000. 
"Sweet, Savage Shakespeare", Shakespeare without Class: Misappropriations of Cultural Capital, ed. Donald Hedrick and Bryan Reynolds (New York: Palgrave), 135-51. Excerpt
Osborne, Laurie E., 2002. 
"Harlequin Presents: That '70s Shakespeare and Beyond." in Shakespeare after Mass Media. Ed. Richard Burt (New York: Palgrave), pp. 127-149.(influence on Harlequin Romances). Excerpt
Ostrov Weisser, Susan, 2001. 
Women and Romance: A Reader. Ed. Susan Ostrov Weisser. New York: New York UP. Abstract and link to Table of Contents
Owen, Mairead, 1997. 
'Re-inventing romance: Reading popular romantic fiction', Women's Studies International Forum, 20.4:537-46. Abstract
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