Chick Lit Academic Bibliography

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A-C

Adams, L. 2004. 
"Chick Lit and Chick Flicks: Secret Power or Flat Formula?" The Horn Book Magazine. 80:669-680.[1]
Alb, Anemona Filip. 2008.
"Protean Femininities: Shifting Stereotypes in 'Chick Lit'." Gender Studies 1, no. 7: 39-48.
Arosteguy, Katie O'Donnell. 2009. 
"The Clothes Do Make the Women: The Politics of Fashioning Femininity in Contemporary American Chick Lit." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 70, no. 11: 4284. [2]
Arosteguy, Katie. 2010. 
"The Politics of Race, Class, and Sexuality in Contemporary American Mommy Lit." Women's Studies 39, no. 5: 409-429.
Balducci, Federica. 2011. 
A Different Shade of Pink: Literary Thresholds and Cultural Intersections in Italian Chick Lit. A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Italian. [3]
Balducci, Federica. 2011. 
“When chick lit meets romanzo rosa: Intertextual narratives in Stefania Bertola’s romantic fiction,” Journal of Popular Romance Studies 2.1.[4]
Benstock, Shari. 
"Afterword: The New Woman's Fiction." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 253-???.
Boyd, Elizabeth B. 
"Ya Yas, Grits, and Sweet Potato Queens: Contemporary Southern Belles and the Prescriptions That Guide Them." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 159-172.
Burns, Amy, 2011. 
"'Tell me all about your new man': (Re)Constructing Masculinity in Contemporary Chick Texts." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 4.1. Links to abstract and pdf
Butler, Pamela and Jigna Desai. 
“Manolos, Marriage, and Mantras: Chick-Lit Criticism and Transnational Feminism.” Meridians 8.2 (2008): 1-31. Abstract
Campbell, P. 2006. 
"The Sand in the Oyster The Lit of Chick Lit." The Horn Book Magazine. 82 (4):487-491.[5]
Cano López, Marina. 
"Looking Back in Desire; or How Jane Austen Rewrites Chick Lit in Alexandra Potter’s Me and Mr. Darcy." Persuasions 31.1 (2010).[6]
Caselli, Carolyn Ann. 2006.
Chick Lit : postmodern literature for the everywoman. Thesis (M.A.)--California State University, Northridge.
Chen, Eva. 
"Shanghai(ed) Babies: Geopolitics, Biopolitics and the Global Chick Lit." Feminist Media Studies (advanced release 6 Oct. 2011). Abstract
Craddock, Louise. 
"Bridget Jones's Little Red Dress: Chicklit, Mass-market Popular Romance and Feminism." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 43-51. Whole issue as pdf.

D-F

Davis-Kahl, Stephanie. 
"The Case for Chick Lit in Academic Libraries." Collection Building 27.1 (2008): 18-21. Abstract and link to pdf
Dorney, Kate. 
"Shop Boys and Girls! Interpellating Readers as Consumers in Chicklit and Ladlit." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 12-22. Whole issue as pdf.
Dunn, Hannah. 2005.
Making the personal political: reflexivity as neo-feminist activism in Brit-art and Chick-lit. Thesis (M.A.)--University of Colorado.
Ebert, Teresa L. 2009. 
The task of cultural critique. Urbana: University of Illinois Press. [Chapter-Chick lit: "not your mother's romance novels"] Excerpt
Farr, Cecilia Konchar. 2009. 
"It Was Chick Lit All Along: The Gendering of a Genre." In You've Come a Long Way, Baby: Women, Politics, and Popular Culture, 201-214. Lexington, KY: UP of Kentucky, 2009.
Ferriss, Suzanne and Mallory Young. 
"Introduction." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 1-16.
Ferriss, Suzanne and Mallory Young. 
“Chicks, Girls and Choice: Redefining Feminism.” Junctures: The Journal for Thematic Dialogue 6 (2006): 87-97. [7]
Ferris, Suzanne. 
"Narrative and Cinematic Doubleness: Pride and Prejudice and Bridget Jones's Diary." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 71-84.
Fest, Kerstin. 2009. 
"Angels in the House or Girl Power: Working Women in Nineteenth-Century Novels and Contemporary Chick Lit." Women's Studies: An Interdisciplinary Journal 38, no. 1: 43-62.
Frater, Lara. 2009. 
"Fat heroines in chick-lit: gateway to acceptance in the mainstream?" in Rothblum, Esther D., and Sondra Solovay. The Fat Studies Reader. New York: New York University Press. 235-240. Excerpt

G-I

Gamble, Sarah. 
"When Romantic Heroines Turn Bad: The Rise of the ‘Anti-Chicklit’ Novel." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[8]
Genz, Stéphanie, and Benjamin A. Brabon. 2009. 
Postfeminism: cultural texts and theories. Edinburgh: Edinburgh University Press. [Chapter - Girl power and chick lit, on pages 76-90.] Excerpt
Gill, Rosalind. 
"Lad lit as mediated intimacy: A postfeminist tale of female power, male vulnerability and toast." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[9]
Gill, Rosalind and Elena Herdieckerhoff. 
"Rewriting the Romance: New Femininities in Chick Lit?" Feminist Media Studies 6.4 (2006): 487-504. [Abstract and pdf available from LSE Research Online]
Gormley, Sarah. 
"Introduction." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[10]
Gorton, Kristyn. 
"'Kiss My Tiara': Chicklit and Female Empowerment." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 23-28. Whole issue as pdf.
Guerrero, Lisa A. 
"'Sistahs Are Doin' It For Themselves': Chick Lit in Black and White." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 87-102.
Gymnich, Marion, and Kathrin Ruhl. 2010. 
"Revisiting the Classical Romance: Pride and Prejudice, Bridget Jone's Diary and Bride and Prejudice." In Gendered (Re)Visions: Constructions of Gender in Audiovisual Media, 23-44. Göttingen, Germany: V&R, 2010. Excerpt
Hale, Elizabeth. 
"Long-Suffering Professional Females: The Case of Nanny Lit." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 103-118.
Harzewski, Stephanie. 2004. 
"'Chick Lit' and the Urban Code Heroine: Interview Symposium with Caren Lissner, Melissa Senate, Alisa Valdes-Rodriguez, and Jennifer Weiner." In Voces de América/American Voices: Entrevistas a escritores americanos/Interviews with American Writers,. Cádiz, Spain: Aduana Vieja, 2004. 689-719.
Harzewski, Stephanie. 
"Tradition and Displacement in the New Novel of Manners." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 29–46.
Harzewski, Stephanie. 
"The new novel of manners: Chick lit and postfeminist sexual politics" (January 1, 2006). Dissertations available from ProQuest. Paper AAI3225468. [Abstract http://repository.upenn.edu/dissertations/AAI3225468]
Harzewski, Stephanie. 
Chick Lit and Postfeminism. Charlottesville: University of Virginia Press, 2011.
Hewett, Heather. 
"You Are Not Alone: The Personal, the Political and the 'New' Mommy Lit." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 119-140.
Horrocks, Clare. 
"Tart Noir: Chicklit with Criminal Balls." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 59-64. Whole issue as pdf.


Hurst, Rochelle. “The Barrister’s Bedmate
Harlequin Mills & Boon and the Bridget Jones Debate.” Australian Feminist Studies 24.62 (2009): 453-468. [Feminist critique of Harlequin Mills & Boons (especially a selection by Emma Darcy) and comparison with Helen Fielding's Bridget Jones novels. For a discussion of why many aspects of this essay's methodology are troubling, from an academic perspective, see this article by Jessica at Read React Review].
Hurt, Erin. 2009. 
"Trading Cultural Baggage for Gucci Luggage: The Ambivalent Latinidad of Alisa Valdes-Rodriguez's "The Dirty Girls Social Club.." MELUS 34, no. 3: 133-153.
Isbister, Georgina C. 
"Chick Lit: A Postfeminist Fairy Tale." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[11]

J-L

Johnson, Joanna Webb. 
"Chick Lit Jnr.: More Than Glitz and Glamour for Teens and Tweens." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 141-158.
Kent, Paula Rachel. 2007. 
Think pink and high heels: women and beauty as represented in chick lit novels. Thesis (M.A.) Stephenville, Tex: Tarleton State University. Abstract
Kiernan, Anna. 
"No Satisfaction: Sex and the City, Run Catch Kiss, and the Conflict of Desires in Chick Lit's New Heroines." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 207-218.
Knowles, Joanne. 
"Editorial." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 3-4. Whole issue as pdf.
Knowles, Joanne. 
"Material Girls: Location and Economics in Chicklit Fiction, Or, How Singletons Finance Their Jimmy Choo Collections." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 37-42. Whole issue as pdf.
Knowles, Joanne. 2008. 
"'Our foes are almost as many as our readers': debating the worth of women's reading and writing--the case of chick-lit." Popular Narrative Media 1.2 (2008): 217-231.
Konchar Farr, Cecilia. 
"It Was Chick Lit All Along: The Gendering of a Genre." You've Come A Long Way Baby: Women, Politics, and Popular Culture. Ed. Lilly J. Goren. Lexington, Kentucky: University Press of Kentucky, 2009. 201-214. Excerpt
Lerman, Amy S. 
“Jane Green and the Contemporary ‘Singleton’: Why Women Can Laugh at their Bachelorette Predicaments.” The 2000-2003 Proceedings of the SW/Texas PCA/ACA Conference. Ed. Leslie Fife. 1285-1298.

M-O

Mabry, A. Rochelle. 
"About a Girl: Female Subjectivity and Sexuality in Contemporary 'Chick' Culture." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 191-206.
Mazza, Cris. 
"Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 17-28.
Mazza, Cris. 2000. 
"Editing Postfeminist Fiction: Finding the Chic in Lit." Symplokē: A Journal for the Intermingling of Literary, Cultural and Theoretical Scholarship 8, no. 1-2: 101-112.
Moody, Nickianne. 
"Empathy and Irony in the Soundtrack to Chicklit." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 52-58. Whole issue as pdf.
Morrison, Amanda Maria. 2010. 
"Chicanas and 'Chick Lit': Contested Latinidad in the Novels of Alisa Valdes-Rodriguez." Journal of Popular Culture 43, no. 2: 309-329.
Ommundsen, Wenche. 2008. 
"From China with Love: Chick Lit and the New Crossover Fiction." In China Fictions-English Language: Literary Essays in Diaspora, Memory, Story,. Amsterdam, Netherlands: Rodopi. 327-345
Ommundsen, Wenche . 2011. 
"Sex and the Global City: Chick Lit with a Difference." Contemporary Women's Writing 5.2: 107-124. Abstract

P-R

Pérez-Serrano, Elena. 
"Chick Lit and Marian Keyes: The ideological background of the genre." Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[12]
Perez-Serrano, Elena. 2009. 
"Growing Old Before Old Age: Ageing in the Fiction of Marian Keyes." Educational Gerontology 35, no. 2: 135-145.
Regules, Anne E. 2006. 
Working women re-working the romance: chick-lit from Kate Chopin to Jennifer Weiner and Sex and the City. Thesis (M.A.)--University of Texas at San Antonio.
Rowntree, Margaret, Nicole Moulding and Lia Bryant, 2012. 
"Feminine Sexualities in Chick Lit." Australian Feminist Studies, Volume 27, Issue 72: 121-137. Abstract
Ryan, Mary, 2009. 
‘What a Way to Make a Living: Irish Chick Lit and the Working World.’ MP: An Online Feminist Journal 2.5: 27-41.[13]
Ryan, Mary, 2010. 
"Trivial or Commendable? : Women's Writing, Popular Culture, and Chick Lit." 452F Journal of Comparative Literature 3 (July 2010): 70-84.[14]
Ryan, Mary, 2010. 
"Stepping Out from the Margins: Ireland, Morality, and Representing the ‘Other’ in Irish Chick Lit." Nebula: A Journal of Multidisciplinary Scholarship 7.3: 137-149.[15]
Ryan, Mary, 2011. 
“The Bodies of Chick Lit: Positive Representations of the Female Body in Contemporary Irish Women’s Fiction.” Inquire: A Journal of Comparative Literature 1.1 [16]
Ryan, Mary, 2011. 
“Then and Now: Memories of a Patriarchal Ireland in the Work of Marian Keyes.” 452°F Journal of Comparative Literature 4: 110-130.[17]
Ryan, Mary, 2011. 
"Ending the Silence: Representing Women’s Reproductive Lives in Irish Chick Lit." Nebula: A Journal of Multidisciplinary Scholarship 8.1: 209-224.[18]
Ryan, Mary, 2011. 
‘Amongst Women: Male Romance Authors and Irish Chick Lit Author, Andrew O’Connor’, The Australasian Journal of Popular Culture 1.2: 209-225. Abstract

S-U

Santaemilia, J. 2008. 
The translation of sex-related language: The danger(s) of self-censorship(s). TTR: Traduction, Terminologie et Redaction 21, (2): 221-252
Smith, Caroline J. 2005. 
"Living the Life of a Domestic Goddess: Chick Lit's Response to Domestic-Advice Manuals." Women's Studies: An Interdisciplinary Journal 34, no. 8: 671-699.
Smith, Caroline J. 2007. 
"The Girls' Guide to Creating Community: Analyzing Reading Communities in Chick Lit." In Narratives of Community: Women's Short Story Sequences,. Newcastle upon Tyne, England: Cambridge Scholars, 2007. 352-371.
Smith, Caroline J. 
Cosmopolitan Culture and Consumerism in Chick Lit. New York: Routledge, 2008. Excerpt
Smyczyńska, Katarzyna. 
"Commitment Phobia and Emotional Fuckwittage: Postmillennial Constructions of Male 'Other' in Chicklit Novels." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 29-36. Whole issue as pdf.
Smyczyńska, Katarzyna. 
The World According to Bridget Jones: Discourses of Identity in Chicklit Fictions. Frankfurt am Main: Peter Lang, 2007.
Sellei, Nora. 
"Bridget Jones and Hungarian Chick Lit." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 173-188.
Tangney, ShaunAnne. 2008. 
"Chick Lit Matters: From Femme Covert to Fendi, Feminine Fiction Provides Feminist Critique." In Honoring Human Herstory: A Celebration of Women's Heritage,. Minot, ND: Minot State University, 2008. 49-63.
Taylor, Anthea. 2011. 
Single Women in Popular Culture: The Limits of Postfeminism.New York: Palgrave Macmillan.
Umminger, Alison. 
"Supersizing Bridget Jones: What's Really Eating the Women in Chick Lit." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 239-252.

V-Z

Van Slooten, Jessica Lyn. 
"Fashionably Indebted: Conspicuous Consumption, Fashion, and Romance in Sophie Kinsella's Shopaholic Trilogy." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 219-238.
Wells, Juliette. 
"Mother of Chick Lit? Women Writers, Readers, and Literary History." Chick Lit: The New Woman's Fiction. Ed. Suzanne Ferriss and Mallory Young. New York: Routledge, 2006. 47-70.
Whelehan, Imelda. 
Overloaded: Popular Culture and the Future of Feminism. London: The Women’s Press Ltd., 2000. [Looks at various aspects of popular culture: men's magazines (Loaded, Maxim, GQ); TV shows (Ally McBeal, Sex in the City, Men Behaving Badly) and novels (Bridget Jones' Diary).]
Whelehan, Imelda. 
Helen Fielding’s Bridget Jones’s Diary: A Reader’s Guide. New York: Continuum, 2002. Excerpt
Whelehan, Imelda. 
"Sex and the Single Girl: Helen Fielding, Erica Jong and Helen Gurley Brown." Essays and Studies 2004: Contemporary British Women Writers. Ed. Emma Parker. Cambridge: D.S. Brewer, 2004.
Whelehan, Imelda. 
"High Anxiety: Feminism, Chicklit And Women In The Noughties." Diegesis: Journal of the Association for Research in Popular Fictions 8 (2004): 5-11. Whole issue as pdf.
Whelehan, Imelda. 
"Teening Chick Lit?" Chick Lit. Working Papers on the Web 13 (2009). Ed. Sarah Gormley and Sara Mills.[19]
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