Bibliography D-G

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Contents

D

Dalsgaard, Inger H. 2009. 
"Consumed by Romance: Narration, Branding, and Participation in the Digital Marketplace." In Internet Fictions, 128-146. (Newcastle upon Tyne, England: Cambridge Scholars). [In the introduction to this volume of essays the editors mention that "Inger H. Dalsgaard [...] investigates the practices of romance fiction writers and readers on the net through the lense [sic] of late capitalist marketing strategies and ideologies which seek to market products as goods designed by the customer rather than as prefabricated objects: romance sites, she contends, and the marketing of toys for children have a lot more in common than one might suppose."]
Daly, Brenda O. 1989. 
'Laughing WITH, or Laughing AT the Young-Adult Romance', The English Journal, 78.6: 50-60.
Dandridge, Rita B., 2003. 
'The Race, Gender, Romance Connection: A Black Feminist Reading of African American Women's Historical Romances', in Doubled Plots: Romance and History, see below, pp. 185-201. Excerpt
Dandridge, Rita B., 2003. 
'African American Women's Historical Romances: Race and Gender Revisited', The 2000-2003 Proceedings of the SW/Texas PCA/ACA Conference, Ed. Leslie Fife, pp. 42-56. Whole proceedings online here.
Dandridge, Rita B., 2004. 
Black Women's Activism: Reading African American Women's Historical Romances, African-American Literature and Culture, 5 (New York: Peter Lang). Index and extracts
Dandridge, Rita B., 2010. 
'The African American Historical Romance: An Interview with Beverly Jenkins', Journal of Popular Romance Studies 1.1.[1] [Also available as a pdf.]
Dannenberg, Hilary P. 2008. 
"Nadine Gordimer's The Pickup and the Desert Romance Tradition in Post/Colonial Anglophone Fiction." Current Writing: Text and Reception in Southern Africa 20, no. 1: 69-88.
Darbyshire, Peter, 2000. 
‘Romancing the World: Harlequin Romances, the Capitalist Dream, and the Conquest of Europe and Asia’, Studies in Popular Culture 23.1 [2] [If that link is broken, the article should still be available via the Internet Archive.]
Darbyshire, Peter, 2002. 
‘The Politics of Love: Harlequin Romances and the Christian Right’, Journal of Popular Culture (Popular Culture Center, Bowling Green State Univ., OH) (35:4) [Spring 2002]: 75-87.
Davis, Sara N., 2005. 
'Values and the Romance Novel: Journeys of the Reader', in Education, Arts and Morality: Creative Journeys, ed. Doris B. Wallace (Kluwer: New York), pp. 45-62. Excerpt [This paper "examines the ways in which reader responses are constructed in dialogue with cultural discourses. These provide the context when students read romance novels. Readers enter the process with many negative evaluations of romance novels which conflict with other prevalent discourses valuing romance for women."] Details here.
De Geest, D., and A. Goris. 2010. 
"Constrained writing, creative writing: The case of handbooks for writing romances." Poetics Today 31, (1): 81-106.
Delamoir, Jeanette, 2003. 
"Marie Bjelke Petersen's 'Virile Story': Jewelled Nights, Gender Instability, and the Bush", Hecate 29.1: 115-131. Unofficial version
Delany, Samuel R., 1987. 
“The Gestation of Genres: Literature, Fiction, Romance, Science Fiction, Fantasy ...” Intersections: Fantasy and Science Fiction, eds George E. Slusser and Eric S. Rabkin (Carbondale, IL: Southern Illinois UP), pp. 63-73. [3]
DeVries, Susan, Margaret Dunlop, Suzanne Goopy, Wendy Moyle, and Diane Sutherland-Lockhart, 1995. 
'Discipline and Passion: Meaning, Masochism and Mythology in Popular Medical Romances', Nursing Inquiry 2.4: 203-210. Abstract
Diekman, Amanda B., McDonald, Mary, & Gardner, Wendi L., 2000. 
'Love Means Never Having To Be Careful: The Relationship Between Reading Romance Novels and Safe Sex Behavior', Psychology of Women Quarterly, 24.2: 179-188. Abstract
Dillon, George L., 2007. 
'The Genres Speak; Using Large Corpora to Profile Generic Registers.' Journal of Literary Semantics, 36.2: 159-187. Part II looks at romance fiction. Abstract available via this page
Dixon, jay, 1987. 
'Fantasy Unlimited: the World of Mills and Boon', Women's Review, 21 (July): 18-19.**
Dixon, jay, 1999. 
The Romance Fiction of Mills & Boon 1909-1990s (London: UCL Press). Contents page and excerpt
Dixon, Peter, and Marisa Bortolussi. 2009. 
"Readers' Knowledge of Popular Genre." Discourse Processes: A Multidisciplinary Journal 46, no. 6: 541-571. Abstract
Doubled Plots: Romance and History, 2003. 
eds. Susan Strehle and Mary Paniccia Carden (Jackson: University Press of Mississippi).
Douglas, Ann, 1980. 
'Soft-Porn Culture: Punishing the Liberated Woman.' The New Republic Vol.183, No.9 （August 30, 1980): 25-29.
Doyle, Marsha Vanderford, 1985. 
"The Rhetoric of Romance: A Fantasy Theme Analysis of Barbara Cartland Novels." Southern Speech Communication Journal 51: 24-48. Abstract
Driscoll, Catherine, 2006. 
"One True Pairing: The Romance of Pornography and the Pornography of Romance." Fan Fiction and Fan Communities in the Age of the Internet: New Essays, eds. Karen Hellekson and Kristina Busse (Jefferson, NC: McFarland): 79–96. Abstract [Pdf can be downloaded from Academia.edu.]
Dubino, Jeanne. 1993. 
“The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism.” Journal of Popular Culture, 27.3: 103-118.
Duder, C. J. D., 1991. 
“Love and the Lions: The Image of White Settlement in Kenya in Popular Fiction, 1919-1939.” African Affairs, 90.360: 427-38. First page.
Dudovitz, Resa L., 1990. 
The Myth of Superwoman: Women's Bestsellers in France and the United States. (New York: Routledge). Chapter 4 is 'The boundary between the romance and the bestseller: Harlequins, historical novels and family.'

E

Ebert, Teresa L., 1988. 
'The Romance of Patriarchy: Ideology, Subjectivity, and Postmodern Feminist Cultural Theory', Cultural Critique, 10: 19-57.
Ebert, Teresa L., 2009. 
"Chick Lit: 'Not Your Mother's Romance Novels'." The Task of Cultural Critique (Urbana: University of Illinois Press), pp. 97-117. [This is Chapter 5 of the book and in order to discuss chick lit Ebert engages in a fair amount of analysis of the romance genre. An excerpt is available here.]
Ebert, Teresa L., 2012. 
‘Hegel's “picture-thinking” as the interpretive logic of the popular’, Textual Practice. [This was first published as an iFirst article so at the time of adding the entry it hadn't yet been been allocated to a particular issue of the journal. "The paper examines Hegel's concept of ‘picture-thinking’ and demonstrates how it has become the commonsense of contemporary popular culture through a close reading of women's romances as exemplary of a popular knowing that emphasizes the sensual concrete and cancels the abstract."Click here for more details.]
Edmondson, Belinda, 2007.
'The Black romance.' " Women's Studies Quarterly 35.1/2: 191-211. Excerpt
Eike, Ann M., 1986. 
‘An Investigation of the Market for Paperback Romance Novels’, Journal of Cultural Economics, 10:1: 25-36.
Ehnenn, Jill, 1998. 
'Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel', Atlantis, special issue on "Sexualities and Feminisms", 23.1: 120-127. Abstract
Emrys, A. B., 1994. 
"Magic Regencies: How Fantasy Forms a Hybrid." Popular Culture Review 5.1: 85-93.
Engler, Sandra, 2005. 
"A Career's Wonderful, but Love is More Wonderful Still" : Femininity and Masculinity in the Fiction of Mills & Boon. Tübingen: Francke.
English Studies Group, 1978-9, 1980. 
'Recent Developments in English Studies at the Centre', Culture, Media, Language: Working Papers in Cultural Studies, 1972-79, ed. Stuart Hall, Dorothy Hobson, Andrew Lowe and Paul Willis (London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980), pp. 235-268.** Excerpt [According to a review by P. W. Musgrave, this essay contains 'analyses of [...] the novels of Barbara Cartland'.]
Erwin, Lee. 2002. 
"Genre and Authority in Some Popular Nigerian Women's Novels." Research in African Literatures 33, no. 2: 81-99. Excerpt
Esquibel, Catrióna Rueda, 1992. 
"A Duel of Wits and the Lesbian Romance Novel: Or, Verbal Intercourse in Fictional Regency England." in New Perspectives on Women and Comedy. Ed. Regina Barreca, (Philadelphia, PA: Gordon and Breach) pp. 123-133.
Esser, L. G., Adkins, D., & Velasquez, D. L., 2008. 
"“The Red Dot District”: Uncommon Ground in Reader Advisory Education and Professional Practice." in Educational Media and Technology Yearbook 33. Ed. Michael Orey, V. J. McClendon, Robert Maribe Branch. Westport, CT: Libraries Unlimited. 105–111. **

F

Fahnestock-Thomas, Mary, 2001. 
Georgette Heyer: a Critical Retrospective. Saraland,AL: PrinnyWorld Press. [Excerpt available via Amazon's "Look Inside!" feature. Index]
Faura, Salvador, Shelley Godsland, and Nickianne Moody, 2004. 
"The Romance Novel, or, the Generalisimo's Control of the Popular Imagination." in Reading the Popular in Contemporary Spanish Texts. pp. 46-58. (Newark, DE: U of Delaware P.)(About Corin Tellado, Spanish romance novelist) [Excerpt here.]
Felski, Rita, 1990. 
'Kitsch, Romance Fiction And Male Paranoia: Stephen King meets the Frankfurt School', Continuum: The Australian Journal of Media & Culture, 4.1.[4]
Feng, Jin, 2011. 
'Men Conquer the World and Women Save Mankind: Rewriting Patriarchal Traditions through Web-based Matriarchal Romances', Journal of Popular Romance Studies 1.2 [5] ["This article examines one Chinese women's literature website by the name of Jinjiang, and focuses especially on a particular type of popular romance, nüzun, or matriarchal narratives."].
Finn, Geraldine, 1988. 
'Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance', Popular Cultures and Political Practices, Ed. Richard Gruneau (Toronto: Garamond Press), 51-67.** [A review by Herman Gray in Contemporary Sociology 19.1 (1990) describes Finn's article as "The real joy of the volume" and there are further details as follows: "Consistent with the Cultural Studies approach, Finn convincingly demonstrates how Harlequin texts and women's experiences of them express the contradictions that structure women's lives. She argues that women readers find refuge in the Harlequin novels, while at the same time such refuge helps to maintain and reproduce structures of domination that women experience" (74). Another summary of Finn's essay can be found in a review in the International Review for the Sociology of Sport, 25.3, 248-249 (1990).
Fisher, Maryanne and Anthony Cox, 2010. 
'Man Change Thyself: Hero Versus Heroine Development in Harlequin Romance Novels', Journal of Social, Evolutionary, and Cultural Psychology 4.4: 305-316. [6] or [7].
Fisher, Maryanne L., and Tami M. Meredith. 2012. 
"The Success behind the Candy-Colored Covers: An Evolutionary Perspective on Romance Novels." Evolutionary Review 3, no. 1: 155-167.
Flegel, Monica and Jenny Roth, 2010. 
'Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in "Supernatural" fan fiction', Transformative Works and Cultures 4. Available online.
Flesch, Juliet, 1996. 
'A Labour of Love? Compiling a Bibliography of Twentieth Century Australian Romance Novels', APLIS, 9.3-4: 170-78.
Flesch, Juliet, 1997. 
'Not just housewives and old maids', Collection Building, 16.3: 119-124. [Describes the content of The Romance Fiction Collection in the University of Melbourne Library, 'the reasons for its establishment and some special aspects of its housing and bibliographical control. Also suggests some of the uses to which it may be put'.] Abstract
Flesch, Juliet, 2004. 
From Australia With Love: A History of Modern Australian Popular Romance Novels (Fremantle, W.A.: Curtin University Books).
Flesch, Juliet, 2005. 
‘Blushing Bride to Bush Matriarch: Women in the Fiction of Lucy Walker.’ Journal of Publishing. Australian Special Issue. 1 (October 2005): 37-52.**
Flesch, Juliet, 2007. 
'Love under the Coolabah: Australian Romance Publishing since 1990', in Making books: Contemporary Australian Publishing. Ed. David Carter and Anne Galligan. St. Lucia, Qld: University of Queensland Press. 279-285. ** Excerpt
Flesch, Juliet, 2009. 
‘”Feminists Talk about Sisterhood: I Do Not Know How Deeply They Feel It”: Australian Mass Market Romance Novels and Their Critics,’ Reading Down Under: Australian Literary Studies Reader, Ed. Amit Sarwal and Reema Sarwal (New Delhi: SSS Publications, 2009). pp. 419-??. **
Flesch, Juliet, 2012. 
'The Wide Brown Land and the Big Smoke: The Setting of Australian Popular Romance', Sold by the Millions: Australia's Bestsellers. Ed. Toni Johnson-Woods and Amit Sarwal (Newcastle Upon Tyne: Cambridge Scholars), pp. 82-9?. ** [The introduction to this volume of essays can be found here.]
Fletcher, Lisa, 2003. 
"Historical Romance, Gender and Heterosexuality: John Fowles's The French Lieutenant's Woman and A.S. Byatt's Possession." Journal of Interdisciplinary Gender Studies 7.1-2: 26-42. PDF
Fletcher, Lisa, 2004. 
‘“Mere Costumery”? Georgette Heyer’s Cross-Dressing Novels,’ in Masquerades: Disguise in English Literature from the Middle Ages to the Present, Eds. Pilar Sánchez Calle and Jesús López-Paláez Casellas, (Gdansk: University of Gdansk Press), pp. 196-212. Abstract
Fletcher, Lisa, 2008. 
Historical Romance Fiction and Heterosexuality: Heterosexuality and Performativity, (Ashgate). [Fletcher examines "the connections between popular “classics” by [...] Georgette Heyer, a selection of mass market historical romances published between 1980 and 2005," John Fowles’s The French Lieutenant’s Woman and A.S. Byatt’s Possession.] Abstract, Index and Excerpt and Excerpts via Google Books.
Fletcher, Lisa, Rosemary Gaby, and Jennifer Kloester, 2011. 
'Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester', Journal of Popular Romance Studies 1.2 [8].
Forbes, Curdella, 2006. 
'X Press Publications: Pop Culture, “Pop Lit” and Caribbean Literary Criticism: An Essay of Provocation', Anthurium: A Caribbean Studies Journal 4.1. [9]
Foster, Guy Mark, 2007. 
'How Dare a Black Woman Make Love to a White Man! Black Women Romance Novelists and the Taboo of Interracial Desire.' in Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels. ed. Sally Goade, (Newcastle, U.K.:Cambridge Scholars Pub.) pp. 103-128. Article about Foster's research and this item.
Fox, Pamela, 1994. 
'The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing', NOVEL: A Forum on Fiction, 27.2: 140-160. Excerpt
Fowler, Bridget, 1991. 
The Alienated Reader: Women and Popular Romantic Literature in the Twentieth Century (Brighton: Harvester Wheatsheaf).
Francis, Conseula and Alison Piepmeier, 2011. 
'Interview: Joanna Russ,' Journal of Popular romance Studies 1.2. [10] ["In this interview, Russ reflects on her initial responses to slash fandom and considers its political and social meanings in the 1980s and today."]
Franco, Jean, 1986. 
"The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative." in Studies in Entertainment: Critical Approaches to Mass Culture. Ed. Tania Modleski, (Bloomington: Indiana UP), pp. 119-138. [Especially Harlequin Romances; treatment of women; compared to photonovel. Franco says that "While there is an obvious risk in laying too much emphasis on a single example, I am now going to do precisely that" and chooses to take as a specific example of a Harlequin romance Moonwitch [sic] by Ann Mather [sic]."] Excerpt
Franco, Jean, 2004. 
"Plotting Women: Popular Narratives for Women in the United States and in Latin America." in The Latin American Cultural Studies Reader. Eds. Ana Del Sarto, Alicia Ríos, and Abril Trigo, (Durham, NC: Duke UP) pp. 183-202.
Frantz, Sarah S. G., 2002. 
"'Expressing' Herself: The Romance Novel and the Feminine Will to Power," in Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America. Eds. Lydia Cushman Schurman and Deidre Johnson. (Connecticut: Greenwood Press) pp. 17-36. Abstract
Frantz, Sarah S. G., 2008. 
'Suzanne Brockmann', Teaching American Literature: A Journal of Theory and Practice 2.2/3. [Formerly at [11]. This link no longer works but a pdf of the entire issue can be downloaded from [12]].
Frantz, Sarah S. G., 2009. 
'Darcy’s Vampiric Descendants: Austen’s Perfect Romance Hero and J. R. Ward’s Black Dagger Brotherhood', Persuasions On-line 30.1. [13]
Frantz, Sarah S. G., 2009. 
"'I’ve tried my entire life to be a good man': Suzanne Brockmann’s Sam Starrett, Ideal Romance Hero." Women Constructing Men: Female Novelists and their Male Characters, 1750-2000. Ed. Sarah S. G. Frantz and Katharina Rennhak. (Lanham, MD: Lexington), pp. 227-247. Excerpt
Frantz, Sarah S. G., 2012. 
' "How we love is our soul": Joey W. Hill's BDSM Romance Holding the Cards,' New Approaches to Popular Romance Fiction: Critical Essays, ed. Sarah S. G. Frantz and Eric Murphy Selinger (Jefferson, North Carolina: McFarland), pp. 47-59.
Frenier, Mariam Darce, 1988. 
Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s Category Romances, Contributions in Women’s Studies, no. 94. (New York: Greenwood Press). Contents page and excerpts
Friedman, Lenemaja, 1990. 
Mary Stewart, Twayne's English Authors Series, 474 (Boston: Twayne). [Chapters 1-4 discuss Mary Stewart's romantic suspense novels, giving the reader what is, in effect, a detailed synopsis and review of each novel.]
Frolund, Tina, 2007.
Genrefied Classics: A Guide to Reading Interests in Classic Literature. (Westport, CT: Libraries Unlimited) Has a section on Romance Literature. [According to the abstract, "By identifying the genre characteristics of more than 400 classic fiction works, and organizing titles according to those features, it helps readers find the types of books they enjoy; and it helps you promote classics to teen (and adult!) readers."]
Fuchs, Barbara, 2004. 
Romance. The New Critical Idiom. Ed. John Drakakis. New York: Routledge. [See the chapter on "Romance and 'genre' literature," on pages 124-130]. Excerpt and Index and excerpt available via the "View Inside" feature at Routledge's website

G

Gagne-Hawes, Genevieve. 2006. 
"Anatomy of a Romance: Questioning genre conventions in the novels of Nora Roberts." Modern Mask 1.2.[14]
Ganguly, Keya. 1991. 
'Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture', Communication, 12.2: 129-50.
Gargano, Elizabeth, 2006. 
' "English Sheiks" and Arab Stereotypes: E. M. Hull, T. E. Lawrence, and the Imperial Masquerade', Texas Studies in Literature and Language 48.2: 171-186. Excerpt
Garton, Stephen, 2008. 
"'Fit Only for the Scrap Heap': Rebuilding Returned Soldier Manhood in Australia After 1945." Gender & History 20.1: 48-67. Abstract
Geest, Dirk de, and An Goris, 2010. 
"Constrained Writing, Creative Writing: The Case of Handbooks for Writing Romances." Poetics Today 31, no. 1: 81-106. Abstract
Gelder, Ken, 2004. 
Popular Fiction: The Logics and Practices of a Literary Field (Abingdon, Oxon: Routledge). [See the section on "Romance, formula, industry, subgenres" on pages 43-52.] Excerpt.
Gilbert, Pam and Sandra Taylor, 1993. 
"Reading the Romance," Nation, Culture, Text: Australian Cultural and Media Studies. Ed. Graeme Turner. London: Routledge. 246-??? ** Excerpt
Gill, Rosalind and Elena Herdieckerhoff. 2006. 
“Rewriting the Romance: New Femininities in Chick Lit?” Feminist Media Studies 6.4 (2006): 487-504.[15] Rpt. in LSE Research Online. 2007. LSE Lib., London School of Economics and Political Science. <http://eprints.lse.ac.uk/2514>.
Glass, E. R., and A. Mineo. 1986. 
"Georgette Heyer and the Uses of Regency." In Marucci, Franco (ed.); Bruttini, Adriano (ed.) La performance del testo, 283-292. Siena: Ticci.
Gleason, William, 2011. 
“Belles, Beaux, and Paratexts: American Story Papers and the Project of Romance.” Journal of Popular Romance Studies 2.1 [16]
Goade, Sally, 2007. 
'Introduction' pp. 1-11 and 'Understanding the Pleasure: An Undergraduate Romance Reading Community.' pp. 206-230 in Empowerment versus Oppression: Twenty First Century Views of Popular Romance Novels. (Newcastle: Cambridge Scholars Publishing). Edited by Goade. [pdf of table of contents, introduction and first chapter here]
Goldman, Crystal, 2012. 
“Love in the Stacks: Popular Romance Collection Development in Academic Libraries,” Journal of Popular Romance Studies 3.1.[17]
González Mínguez, M. Teresa, 2010. 
"Who is more fragile? A study of heroes and heroines in the twentieth century romantic fiction of Mills and Boon." Cuadernos Kóre 1.2: 179-192. [Abstract and PDF.]
Goodwin, Sarah Webster, 1997. 
"Romance and Change: Teaching the Romance to Undergraduates.", Paradoxa: Studies in World Literary Genres 3.1-2: 233-241.
Goris, An, 2009. 
"Romance the World Over," in Global Cultures. Ed. Frank A. Salamone. Newcastle upon Tyne: Cambridge Scholars. pp. 59-?? ** [Discusses the worldwide translation, production and distribution of Harlequins.] Abstract
Goris, An, 2011. 
“Matricide in Romance Scholarship? Response to Pamela Regis’ Keynote Address at the Second Annual Conference of the International Association for the Study of Popular Romance,” Journal of Popular Romance Studies 2.1.[18]
Goris, An, 2012. 
"Loving by the Book: Voice and Romance Authorship," in New Approaches to Popular Romance Fiction. Critical Essays. Ed. Frantz, Sarah S.G. and Selinger, Eric Murphy. Jefferson: McFarland. pp. 73-83.
Goris, An, 2012. 
"Mind, Body, Love: Nora Roberts and the Evolution of Popular Romance Studies," Journal of Popular Romance Studies 3.1.[19]
Goșa, Codruța. 2012. 
"Sex and the Genre: The Role of Sex in Popular Romance." In Romance: The History of a Genre, 14-28. Newcastle upon Tyne, England: Cambridge Scholars. [Nora Roberts, Sandra Brown, Judith McNaught]
Graham, Robert J., 1989. 
“Media Literacy and Cultural Politics.” Adult Education Quarterly 39.3: 152-60. Abstract ["Through an analysis of two representative media-romance fiction and television news programs-this article argues for the production of a more media-literate citizenry. The section on women's romances addresses the confluence of a commercial, institutional and ideological matrix that poses crucial problems of a socio-cultural nature." The section on romance is mostly based on Radway's Reading the Romance.]
Graybill, Beth. 2010. 
"Chasing the Bonnet: The Premise and Popularity of Writing Amish Women." Journal of the Center for Mennonite Writing 2, no. 4: 1-6. [20]
Greenfeld-Benovitz, Miriam, 2012. 
'The Interactive Romance Community: The Case of "Covers Gone Wild",' New Approaches to Popular Romance Fiction: Critical Essays, ed. Sarah S. G. Frantz and Eric Murphy Selinger (Jefferson, North Carolina: McFarland), pp. 195-205.
Greenwood, Alice. 1983. 
"Language Stereotypes in Mass Market Romances." CUNYForum: Papers in Linguistics 9: 157-173.
Greer, Germaine, 1971. 
The Female Eunuch (London: Paladin). [First published in 1970, there is a chapter on romance (pages 171-189in this edition) in which she critiques Georgette Heyer's Regency Buck, Barbara Cartland's The Wings of Love and Lucy Walker's The Loving Heart.]
Grescoe, Paul, 1996. 
The Merchants of Venus: Inside Harlequin and the Empire of Romance (Vancouver: Raincoast). [ Kathleen Gilles Seidel's "Half-Risen Venus", Paradoxa 3.1-2 (1997): 250-252 is a review of this book.]
Griswold, Wendy, and Misty Bastian, 1987. 
“Continuities and Reconstructions in Cross-cultural Literary Transmission: The Case of the Nigerian Romance Novel.” Poetics 16.3-4: 327-351. Abstract
Griswold, Wendy, 1989. 
"Formulaic Fiction: The Author as Agent of Elective Affinity." Comparative Social Research. 11: 75-130.
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