Vanna Vechian
Vanna Vechian is of mixed European extraction. She studied maths and art history in Germany. After a less than glorious employment history, through lack of motivation, but a lively social life, she married a wealthy business man and converted to being a socialite. She writes essentially in lieu of socially unacceptable behaviour - experiments with her womanhood, her stock and trade in the fading past. She is serious about her writing, nonetheless, and her life for that matter. Her subject area is woman and the female body, the source of power it is, but vulnerable and 'the prison of the mind' at the same time.
Vanna Vechian became a member of the Erotic Authors Association on the invitation of Marilyn Jaye Lewis.
The Erotic Author's Association has published her e-book Menagerie And Other Erotic Stories on Lulu.com (look for Volume 12 - now extinct, alas.) She is proud of it as she humbly find myself among great colleagues. Now it needs to be bought! It includes the hit stories 'Menagerie', 'A Statuesque Beauty' and 'The web, the spider, the fly.'
She has written work on demand. Mail her, if you are interested.
She states her purpose as follows:
"I write erotic stories. A subtle difference: this should not be confused with pornography. My aim is not exploitation, but to explore the realms of human eroticism. Eroticism is of all of us.
My themes are the relationships between people and those between women and their bodies. I do explore the remote areas of this world. l'Histoire d'O is certainly an example. Credibility, not excitement, is what I aim for in the first place. I try to present credible cases in terms of the psychology of the main character. If it excites people, fine. I write erotic stories. Erotic excitement is part of life.
Shocking? Some people may be shocked. But to be shocked is not all bad. It is good to be confronted with things unthought of. Remember, these are stories, collections of words. The things described did not necessarilly happen or happen this way. Nor should they necessarilly happen this way. The terrible (non-consensual) things that were made to happen by lesser mortals, transferring episodes of l'Histoire d'O into reality, are cases in point.
My main characters are generally women. I am a woman and my personal experiences certainly have something to do with my stories. They are to greater or lesser degrees autobiographical, if that matters to you. But you will find both 'submissives' and 'masters'. I have both these aspects in me and so do you.
Read them and enjoy.
Comments are welcomed. So is criticism, if civilised."
